All'inseguimento della morte rossa

Having heard mixed reviews about this and it's follow up, which almost made Caine retire, I have to say it's better than I was expecting. True there are a lot of shady characters, Connery, Sara , Kwouk etc, but I think this leads to the thrill of the movie. However, it does look like a TV movie and the true bad guy hardly makes an appearance. Decent movie, nothing more.

Return of Harry Palmer is not as bad as expected and is occasionally amusing. The fact that I can only recall a funny car chase scene with falling apart Russian cars is ominous, though. Someone mentioned a boat chase and I vaguely remember it although what it was about, I don't know. Certainly, it's sell out to modernity with violent shoot-outs and deaths seems incongruous to the originals. palmer only shot one person the entire trilogy, If I recall correctly.

The Palmer of those films was something of a blank page. An ironic and detached observer of the self interest around him, surviving on a combination of quick wit, luck and a lack of an ideological axe to grind. His inability to be tempted into corruption at various stages was surprising seeing as he was originally a tacky fraudster in the army but perhaps it's unwise to try and do an analysis of comic book characters, they're basically tosh. The Palmer of 'Bullet' has lost that sixties cool and it's hard to recognise him. He's more like an ex-football or pool hall manager with a drink problem or simply Caine being more his working class self. The effect is rather curious viewing, whimsical but rather sad, as cinema itself is in decline nowadays. Some of the old stalwarts remain, such as Harry meeting 'old friends' who turn out to have no qualms in dispensing with him altogether in the terminal sense. The sequel fizzles out altogether. 'Bullet To Beijing' is only to be viewed as a last resort, that is you have been made redundant, your wife has left you and your TV license is about to expire with no money left in the kitty to renew it.

British agent Harry Palmer (Michael Caine) is doing a nothing job observing the North Korean Embassy when a demonstration turns violent. An old lady assassinates Russian genetics scientist Prof. Kulbitsky outside of the embassy and Harry hears his final words. Harry gets retired due to budget cuts. He is lured to St. Petersburg where he meets Nikolai (Jason Connery), Natasha (Mia Sara) and potential employer Alex (Michael Gambon). He is offered $250k to find a missing binary bio weapon Alorex or the Red Death bound for North Korea. He discovers the Alorex will be on a train to Beijing. On the train, he is befriended by ex-CIA Craig Warner (Michael Sarrazin). All the while, Harry is hounded by would-be assassins.

This is a continuation of Len Deighton's character Harry Palmer but not actually from a book of his. It's a TV movie elevated by Michael Caine returning as Harry. The action isn't slick like 007 but it's exotic enough. Harry is not the dashing 007 and that's what sets him apart from his more famous cousin. It's Bond with poorer action and a better cat-and-mouse game. The production is generally second rate. Other than Michael Caine, there isn't anything superior in this movie.

This is a fairly misleading film. First of all, there is no bullet train in the film; it is the slow boat to China on rails. The acting, after Caine and Connery, tends to fall off quite a bit. The sets are a bit amateurish, and the script and dialogue are questionable, at best.

There are plenty of red herrings; but then again, there should be since we are in Russia. Some of the "surprises" were a just a bit too much to take, but I will let you judge that at the end.

One sequence is obviously a studio shot on a set, as there are no believable citizens standing around. Other than these foibles, the film is fairly watchable, and the showcasing of Mr. Connery is impressive; he showed promise in this film. Unfortunately, his career did not take off afterwards.

I first broke into the Harry Palmer series when I thought Midnight in St. Petersburg sounded like a good film in the TV guide, and it had Michael Caine in it. Since then (realising there was more of it)I've become quite a fan of the series, not really minding if it was the vintage 60s or the modern 90s.

Bullet to Beijing was the fourth film out of the five that I've seen (I've yet to see the somewhat rare Billion Dollar Brain) and I thought it was a good film, certainly worthy of at least a 6.5 rating on IMDB. I know fans of the vintage 60s were somewhat opposed to this even being made, because it was obviously not going to be as good as The Ipcress File.

And it's not. The Ipcress File is still the best of Harry Palmer, but I thought this was the second best of the series. I found Funeral in Berlin to be mind-numbingly tedious, and Midnight in St. Petersburg didn't quite live up to this one.

First thing, I'm going to address a few issues regarding plot holes or continuity. Make no mistake, this is one of those films you'll probably have to watch twice or even three times to fully comprehend all that's going on. You have to concentrate on it, you can't watch it and talk on the phone at the same time. So most plot holes are probably down to something the viewer missed (I certainly thought that the first time I watched it).

This certainly isn't vintage Palmer, and I give it credit for not trying to be. Palmer is on the verge of retirement anyway, and so he's not going to be as quick or sharp as he once was (at least they didn't try and pretend he was still young!). Even so, he's still somewhat quick-witted and amusing, the milk in the tea joke being my favourite. He doesn't run from danger, something present in all the movies, even when he's being followed by the mafia, he's fairly daring once he's got away from them.

As for the film itself, it's very fast-moving and fluid. There are a LOT of twists and turns in the plot, but I like the fact that's it's all within the time limit of the train arriving in Beijing, who's going to make it there etc. The trouble with something like the Ipcress File was the amount of free time Palmer had, and so it would sometimes seemingly stand still, whereas the train journey here gave it an edge.

That's my humble opinion anyway, maybe I'm just uncultured. This certainly doesn't have the class of the 60s, but it makes up for it with the action, humour and plot-twists.

8.5/10

Incidentally, if you can get hold of it, there's a special edition DVD where Sue Lloyd has a slightly bigger role than a voice on the telephone.