Aggiungi una trama nella tua linguaSet during WWII, an Australian and Japanese soldier play a deadly game of Cat and mouse in a South Pacific Jungle.Set during WWII, an Australian and Japanese soldier play a deadly game of Cat and mouse in a South Pacific Jungle.Set during WWII, an Australian and Japanese soldier play a deadly game of Cat and mouse in a South Pacific Jungle.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Charles 'Bud' Tingwell
- Old Stanley
- (as Charles Tingwell)
Recensioni in evidenza
This film is a low budget TV production and that's how it should be taken. The main reason why it got my attention is the fact that the leading role is played by the Australian singer Jason Donovan. His performance is far from outstanding but it is still pretty acceptable. The action takes place during the last days of WWII in a jungle where Australian soldiers are looking for the last surviving Japanese warriors. It so happens that after an encounter between the enemies only one man both sides survives. The rest of the movie concentrates on the lonely battle of the two soldiers, looking to get rid of the other just to finally have a chance to return home to his family. One different aspect with the film is that there is really no good and bad guy. Both sides are equal, it is just the insanity of war that has put them against themselves. It is just unfortunate that the ending of the film goes a bit on the cheesy side (well frankly even much more than just a bit). So overall a quite ok film, why not watch it if you have a chance. 6/10
Made for TV with excellent production and good acting. Jason Donovan is an actor with some good roles on his repertoire. I like sniper movies and the one-on-one sequence is great. The flashbacks right in the heat of the action does slow the pace down a bit and a little bit of obvious wartime story-telling like the intro with the new recruits in a truck sequence. The ending was a little dramatic but surprisingly feel good. I wish movie-makers would install subtitles for foreign language scenes (in this case, Japanese) automatically instead of having us figure them out. It is obvious that not everyone understands foreign dialog in an English language film yet only DVD versions have the option for subs. On my list of war films to watch.
--Feb 2003--
My favorite WWII movie. Period. There are many contenders for the WWII title and this one takes it without much dispute. I keep it next to Lawrence of Arabia.
While I am a fan of war movies (along side a couple of other select genres) nothing makes me hate war more than this movie. It is perfect.
Somewhat reminiscent of Hell in the Pacific with its mano-a-mano style.
--Oct 2013 edit--
Looking back at this film years later it is, admittedly, hard to still call it may favorite WWII movie. Band of Brothers/The Pacific, Flags of Our Fathers/Letters from Iwo Jima, and maybe some others are all very good. So what is it about this film that grabs me (or used to grab me)?
The replay value is not all that great. This is not a film that you could probably sell your friends on at a movie party. I gave the film 10 stars perhaps mostly because I judge a film against its own budget and not against other films (and this is a low-budget film). Yet, the production quality is only pretty good, the acting is only pretty good ... everything seems to point to maybe 8 stars at best and not 10. Most of the great films I watch get an 8 or 9 with 10 going to only the truly landmark or innovative films. How is this one of those?
What it comes down to is this: I remember how moved I was when I first saw it. For that, it somehow earned two extra stars. Thus, while during replay (or some other critical viewing) it may be hard to see this value, isn't the emotional response while watching something the first time the true value of a dramatic film?
The stereotyped, ruthless, WWII Japanese warrior is well known in film. Perhaps fairly--perhaps unfairly. I have spent a bit of time researching Japanese culture and their sense of honor. I 'believe' I get the true message of a film such as Grave of the Fireflies (another great WWII movie--certainly the most depressing one) better than many Americans. The Last Bullet took me someplace wonderful in my understanding of Japanese honor: a place where it is impossible to judge which of the two main characters acted more bravely in a difficult situation. Surprising (a lot like how When the Last Sword is Drawn was another surprising film about Japanese honor). The difference between shame and honor is not always apparent--even in Japan it seems. Showing us the human struggle between shame and honor is what makes this film great.
My favorite WWII movie. Period. There are many contenders for the WWII title and this one takes it without much dispute. I keep it next to Lawrence of Arabia.
While I am a fan of war movies (along side a couple of other select genres) nothing makes me hate war more than this movie. It is perfect.
Somewhat reminiscent of Hell in the Pacific with its mano-a-mano style.
--Oct 2013 edit--
Looking back at this film years later it is, admittedly, hard to still call it may favorite WWII movie. Band of Brothers/The Pacific, Flags of Our Fathers/Letters from Iwo Jima, and maybe some others are all very good. So what is it about this film that grabs me (or used to grab me)?
The replay value is not all that great. This is not a film that you could probably sell your friends on at a movie party. I gave the film 10 stars perhaps mostly because I judge a film against its own budget and not against other films (and this is a low-budget film). Yet, the production quality is only pretty good, the acting is only pretty good ... everything seems to point to maybe 8 stars at best and not 10. Most of the great films I watch get an 8 or 9 with 10 going to only the truly landmark or innovative films. How is this one of those?
What it comes down to is this: I remember how moved I was when I first saw it. For that, it somehow earned two extra stars. Thus, while during replay (or some other critical viewing) it may be hard to see this value, isn't the emotional response while watching something the first time the true value of a dramatic film?
The stereotyped, ruthless, WWII Japanese warrior is well known in film. Perhaps fairly--perhaps unfairly. I have spent a bit of time researching Japanese culture and their sense of honor. I 'believe' I get the true message of a film such as Grave of the Fireflies (another great WWII movie--certainly the most depressing one) better than many Americans. The Last Bullet took me someplace wonderful in my understanding of Japanese honor: a place where it is impossible to judge which of the two main characters acted more bravely in a difficult situation. Surprising (a lot like how When the Last Sword is Drawn was another surprising film about Japanese honor). The difference between shame and honor is not always apparent--even in Japan it seems. Showing us the human struggle between shame and honor is what makes this film great.
I only watched it because I happened to turn on the TV when it started, but I got caught right away! First, I love sniper-movies. Second, the tense feeling starts the first minute, showing the australian soldiers, young, inexperienced and nervous. The sniper-parts, when the eighteen year old boy duels with the old, cool and ruthless japanese are excellent. You can sense the feel of someone aiming at your neck without being seen, and the rain and mud creates very "nice" surroundings for this all-out war. The end is surprisinging and fills you with a sense of happiness and feeling of overcoming.
After a knee injury sidelined me for several weeks, I discovered this fine film. Truly a great movie, Jason Donovan plays a very convincing new soldier to the jungles in the end of WWII. After the deaths of all of his comrades, he becomes embroiled in a fierce life or death struggle with the surviving member of a Japanese outpost. The final scenes bring humanity and seems to more personalize the war than most any other movie I've ever seen. This is a very fine film, don't miss it.
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- Colonne sonoreWe'll Meet Again
Written by J. O'Hagen
Composed by Parker Charles
Performed by Joe Chindomo
Courtesy of Irwin Dash Music
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By what name was The Last Bullet (1995) officially released in Canada in English?
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