Un investigatore assicurativo scopre che l'impatto dei libri di uno scrittore di genere horror offre ai suoi fan molto più che ispirazione.Un investigatore assicurativo scopre che l'impatto dei libri di uno scrittore di genere horror offre ai suoi fan molto più che ispirazione.Un investigatore assicurativo scopre che l'impatto dei libri di uno scrittore di genere horror offre ai suoi fan molto più che ispirazione.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Jürgen Prochnow
- Sutter Cane
- (as Jurgen Prochnow)
Recensioni in evidenza
The stories of H.P. Lovecraft can be summarized in a simple equation: Mankind + Ancient, Inescapable Horrors = Utter Doom. With IN THE MOUTH OF MADNESS, Director
John Carpenter uses the dread-filled atmospherics of Lovecraft, in order to pay homage to the writer.
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
As someone who has read all of Lovecrafts books I can assure you that this movie has a strong Lovecraftian vibe to it. And even the title seems to be some sort of homage to Lovecrafts work, I presume (In the mouth of madness -> Innsmouth ?) Or maybe I'm just over-interpreting things. Who knows?
With that being said I really enjoyed the movie. It was refreshing and different. Sometimes the prospect of "not knowing what's real or not" is even scarier than straight up gore or monsters. After all the fear of the unknown is the ultimate essence of true horror. This movie had plenty of it so I can't complain.
With that being said I really enjoyed the movie. It was refreshing and different. Sometimes the prospect of "not knowing what's real or not" is even scarier than straight up gore or monsters. After all the fear of the unknown is the ultimate essence of true horror. This movie had plenty of it so I can't complain.
The efficient and skeptical freelance insurance investigator John Trent (Sam Neill) is hired by the publisher Jackson Harglow (Charlton Heston) to find where the famous writer Sutter Cane (Jürgen Prochnow) might be. After writing a series of best-sellers in the horror genre, affecting the reason and causing disorientation, memory loss and paranoia in the readers, Sutter has simply vanished near the release of his new novel, "Horror in Hobb's End". There is a mass hysteria of his anxious fans waiting for the new release, and John believes that his disappearance is a strategy of marketing. John follows his instincts and travels with Cane's editor, Linda Styles (Julie Carmen), to New Hampshire seeking for the apparently fictional town of Hobb's End. While driving along the night, Linda reaches the Hobb's End, and John discloses that Sutter Cane has unleashed a powerful evil force in the black church of the mysterious town, and his twisted imagination is changing the reality and perception of those that read his novels.
"In the Mouth of Madness" is a journey to fear and madness through the darkness of a twisted mind of a writer. This story follows the style of "Twilight Zone" and actually shows how a writer with the support of the media is able to manipulate hearts and minds. Further, there is a certain criticism in the values and standards of the society where those who think differently or have a different behavior are outcast or even considered crazy. John Carpenter is one of my favorite directors and Sam Neil is perfect in the role of a skeptical man, used to find schemes and con everywhere, having difficulties to accept what is happening. The conclusion is very dark and without perspective to mankind. My vote is seven.
Title (Brazil): "À Beira da Loucura" ("On the Edge of Madness")
Note: On 23 June 2015 I saw this movie again.
Note: On 20 September 2020 I saw this movie again.
Note: On 03 March 2025 I saw this movie again.
"In the Mouth of Madness" is a journey to fear and madness through the darkness of a twisted mind of a writer. This story follows the style of "Twilight Zone" and actually shows how a writer with the support of the media is able to manipulate hearts and minds. Further, there is a certain criticism in the values and standards of the society where those who think differently or have a different behavior are outcast or even considered crazy. John Carpenter is one of my favorite directors and Sam Neil is perfect in the role of a skeptical man, used to find schemes and con everywhere, having difficulties to accept what is happening. The conclusion is very dark and without perspective to mankind. My vote is seven.
Title (Brazil): "À Beira da Loucura" ("On the Edge of Madness")
Note: On 23 June 2015 I saw this movie again.
Note: On 20 September 2020 I saw this movie again.
Note: On 03 March 2025 I saw this movie again.
This film is by far one of the best horror movies I've watched in a couple of months, and I watched a lot. This film succeeds in suspense and thrills, I actually jumped a couple of times. The plot was really good, there was an in-pending sense of doom.
The film moved along fast, and I wished it was a little longer, I didn't want it to end. Sam Neil is the most notable character, and I enjoy most of his work. The rest of the cast didn't have much to do. I loved the inclusion of monsters, even if they had a small part.
I think this film is severely underrated, and deserves a bigger fan base. Check this film out, it's worth your time and money.
The film moved along fast, and I wished it was a little longer, I didn't want it to end. Sam Neil is the most notable character, and I enjoy most of his work. The rest of the cast didn't have much to do. I loved the inclusion of monsters, even if they had a small part.
I think this film is severely underrated, and deserves a bigger fan base. Check this film out, it's worth your time and money.
Lo sapevi?
- QuizIn the film, the works of Sutter Cane are occasionally quoted. Most if not all of these quotes are actually taken directly from several H.P. Lovecraft short stories with some adaptations to fit them into the film story. Most notably, in the scene where Styles reads to Trent as he gazes into the abyss--her speech lifts much of its description, including such elements as "the illimitable gulf of the unknown" from the last few paragraphs of Lovecraft's "The Rats in the Walls." In an earlier scene as well, Trent reads a line verbatim from Lovecraft's "The Haunter of the Dark," in reference to the black church being "the seat of an evil older than mankind and wider than the known universe."
- BlooperTrent and Styles drive for at least 18 hours, through landscapes of cornfields in vast flatness, to reach the center of New Hampshire. New England isn't that big, and New Hampshire isn't that flat.
- Citazioni
John Trent: This shit really sells doesn't it?
Linda Styles: More than you'd think. Surprised?
John Trent: Lady, nothing surprises me anymore. We fucked up the air, the water, we fucked up each other. Why don't we just finish the job by flushing our brains down the toilet?
- Curiosità sui creditiAnimal action was monitored by the American Humane Association with on set supervision by the Toronto Humane Society. No animal was harmed in the making of this film.
Human interaction was monitored by the Inter Planetary Psychiatric Association. The body count was high, the casualties are heavy.
- Versioni alternativeThe original theatrical release had the 1987-1994 New Line Cinema logo at the opening. The 2013 Blu-ray from Warner Bros. plasters it with the modern New Line logo. But the 2018 Blu-ray release from Shout! Factory restores the original logo.
- ConnessioniFeatured in Masters of Illusion: The Wizards of Special Effects (1994)
- Colonne sonoreWe've Only Just Begun
Written by Roger Nichols and Paul Williams
Performed by The Carpenters
Published by Irving Music Inc. (BMI)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- En la boca del terror
- Luoghi delle riprese
- Cathedral of the Transfiguration, Markham, Ontario, Canada(the black church - exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.924.549 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.441.807 USD
- 5 feb 1995
- Lordo in tutto il mondo
- 8.926.413 USD
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