VALUTAZIONE IMDb
6,7/10
6225
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe life of an overweight, unhappy cook is changed after a kind, beautiful college drop-out comes to work as a waitress at his and his mother's road-side restaurant.The life of an overweight, unhappy cook is changed after a kind, beautiful college drop-out comes to work as a waitress at his and his mother's road-side restaurant.The life of an overweight, unhappy cook is changed after a kind, beautiful college drop-out comes to work as a waitress at his and his mother's road-side restaurant.
- Premi
- 3 vittorie e 4 candidature totali
Debbie Harry
- Delores
- (as Deborah Harry)
J.C. MacKenzie
- Gas Man
- (as J.C. Mackenzie)
Scott Ambrozy
- Guy in Truck
- (non citato nei titoli originali)
Vince Parenti
- Trucker
- (non citato nei titoli originali)
Dennis Prager
- Radio Talk Show Host
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
This movie had a lot of potential. The biggest issue I have with it is the main character seems to have more going on mentally than being overweight. The writing is not effective at showing us what this is. He hardly talks and has trouble being around people. They should have done a better job showing he was either on the spectrum or had some trauma to explain his odd behavior. The acting is fine but the story lacks depth in many of the subplots. There are too many holes in the story and by the end you are left with a feeling of disgust. At the main character and all other characters in the film.
This is a movie that I almost didn't watch because it was to be about a fat pizza cook. After watching for thirty minutes, it was obvious that the movie was about the very sensitive feelings of someone who is over weight. The performance by Pruitt Taylor Vince was very impressive, and I felt if not winning an Academy Award, should have at least been nominated. Few actors can express as much without saying a word, as he did in this very powerful and touching movie.
Victor works as a cook in his mother's diner along with waitresses Delores and Callie. Callie is the new girl who arouses jealousy in Delores but feelings of longings in Victor. With his mother in the hospital Victor realises that his life needs more to it but his size puts him off being forward
Like the lead character this is a slow film that requires patience as everything is understated rather than shouted out. The story follows Victor as he tries to make progress from his shy, quiet life one step at a time. The eerie electronic score adds to the feeling of pace and thoughtfulness and in many ways the film backs it up. On the down side it does seem aimless at times and sometimes the plot feels like it isn't real.
These are minor flaws and the director has set a good story for a good cast to carry through on. Vince is especially good as Victor. He fits the role like a glove and his moving eyes and shy gestures bring the character to life and make him totally believable. Tyler is also very good what a shame that her most successful roles have been in MTV-type of stuff, but she is very bright here. Both Winters and Harry put in good roles but less central than the former two.
Overall this is a very patient piece of work looking at the character of Victor. It may seem aimless and drifting at times but it is quite touching mainly due to an understated performance from Vince.
Like the lead character this is a slow film that requires patience as everything is understated rather than shouted out. The story follows Victor as he tries to make progress from his shy, quiet life one step at a time. The eerie electronic score adds to the feeling of pace and thoughtfulness and in many ways the film backs it up. On the down side it does seem aimless at times and sometimes the plot feels like it isn't real.
These are minor flaws and the director has set a good story for a good cast to carry through on. Vince is especially good as Victor. He fits the role like a glove and his moving eyes and shy gestures bring the character to life and make him totally believable. Tyler is also very good what a shame that her most successful roles have been in MTV-type of stuff, but she is very bright here. Both Winters and Harry put in good roles but less central than the former two.
Overall this is a very patient piece of work looking at the character of Victor. It may seem aimless and drifting at times but it is quite touching mainly due to an understated performance from Vince.
"Heavy" is not the type of movie I would watch when looking for action, thrills, horror, or adventure. It's not about a fat guy making goo-goo eyes at a pretty waitress where he makes pizzas, either... although that could be seen from an outsider's glance.
The movie captures a period of time where our big hero, Victor, is experiencing a number of life-altering changes. From what we know, he has always led a sheltered life under the regime of his mother. When a new waitress, Callie (Liv Tyler), starts work at the bar, Victor's daily life is suddenly altered from a spark of curiosity. He's not a perverted horndog, but he is fascinated by this girl's kindness and beauty, watching her from afar and having visions of her as the drama grows. It's the quiet internal struggle Victor faces that really heightens the intensity of the movie. Those nervous eyes, the quiet voice, the big guy who won't fight back... he is a man trying to become a man. By the end of the film, we are at least given the hope that he is now on the right track.
It's the subtle moments in "Heavy" that really make the film. From the airplanes soaring overhead, giving transition to new points in the lives of the characters, to the Boston Terrier noticing important details, this movie is one to sit back and ponder. The more I think about this movie, the more I like it. It's a lesson on how the quiet subtle moments in life can be the most important.
The movie captures a period of time where our big hero, Victor, is experiencing a number of life-altering changes. From what we know, he has always led a sheltered life under the regime of his mother. When a new waitress, Callie (Liv Tyler), starts work at the bar, Victor's daily life is suddenly altered from a spark of curiosity. He's not a perverted horndog, but he is fascinated by this girl's kindness and beauty, watching her from afar and having visions of her as the drama grows. It's the quiet internal struggle Victor faces that really heightens the intensity of the movie. Those nervous eyes, the quiet voice, the big guy who won't fight back... he is a man trying to become a man. By the end of the film, we are at least given the hope that he is now on the right track.
It's the subtle moments in "Heavy" that really make the film. From the airplanes soaring overhead, giving transition to new points in the lives of the characters, to the Boston Terrier noticing important details, this movie is one to sit back and ponder. The more I think about this movie, the more I like it. It's a lesson on how the quiet subtle moments in life can be the most important.
"Victor" works in up state New York at a small bar/diner. He is painfully shy, depending to a great extent, on his mother's care and direction. A new waitress, played by Liv Tyler, is hired. Victor is charmed by her kindness and looks. Pruitt Taylor Vince gives a fine performance as "Victor". Shelley Winters plays Dolly, his mother. Debbie Harry is great as Delores, a co-worker who seems to have a chip on her shoulder. This movie tries to provide a meaningful character study and, for the most part, succeeds. I cared for the characters and felt that I knew them well. The problem is that Victor does not progress. He talks very little and I felt that the answers were very slow in coming. It was a frustration sometimes. Even so, Heavy provides us with a film that will stay with you. I gave it a 7 of 10. Good direction by and script by James Mangold. A memorable sound track that fits the film well.
Lo sapevi?
- QuizAccording to James Mangold, Pruitt Taylor Vince and Shelley Winters clashed early on during the production. Mangold said that as Vince was preparing for what was his first leading role in a film, he had felt upstaged by Winters. Mangold said that given her reputation as a Hollywood star, she had been very loud and theatrical, making Vince feel overshadowed. With tensions running high, Mangold went to Winters and told her that she had to make things right with him. Winters begrudgingly agreed and on the next day when they were preparing to shoot, Winters had Vince meet her on set in front of the cast and crew. Winters told Vince of all the famous people she's worked with, including Gene Hackman and Stanley Kubrick and the insults she called them, telling Vince that he now joined a long list of respected Hollywood people that she had insulted. Mangold said the tensions had gone away after that and they worked together well.
- BlooperVictor is walking across a bridge toward the camera with a bag of groceries in one arm and just before he stops to look over the side, a fuzzy mike cover can be seen briefly in the bottom left corner of the shot.
- Citazioni
Grey Man in Hospital: You're as big as an ox and no one sees you. I am the same way, I am loud and no one hears me, but when I whisper everyone looks around like something happened.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Heavy
- Luoghi delle riprese
- 104 Highland Lake Rd, Highland Lake, New York, Stati Uniti([Pete & Dolly's Restaurant-now demolished])
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 941.414 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.425 USD
- 9 giu 1996
- Lordo in tutto il mondo
- 941.414 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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