Un gruppo di ladri di banche professionisti si ritrova la polizia alle calcagna quando lascia inconsapevolmente un indizio durante il suo ultimo colpo.Un gruppo di ladri di banche professionisti si ritrova la polizia alle calcagna quando lascia inconsapevolmente un indizio durante il suo ultimo colpo.Un gruppo di ladri di banche professionisti si ritrova la polizia alle calcagna quando lascia inconsapevolmente un indizio durante il suo ultimo colpo.
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- Sceneggiatura
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Riepilogo
Reviewers say 'Heat' garners acclaim for its stellar performances by Al Pacino and Robert De Niro, and its realistic portrayal of the criminal underworld. Critics praise deep character exploration, atmospheric cinematography, and gripping narrative. However, some find the film overly long and criticize certain plot elements and character developments. The portrayal of female characters is contentious, with some noting a lack of agency and depth. Despite these criticisms, 'Heat' is often hailed as a modern crime classic, with its exploration of duality between cops and criminals, technical excellence, and powerful performances solidifying its status in cinema.
Recensioni in evidenza
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I have been hearing about this movie for years and kept telling myself to see it ffs, and today I did. Seeing who was cast during the opening credits, I knew I was in for a treat. I was lucky that I had never had the plot spoiled for me and I knew absolutely nothing about what was coming.
Regarding the cast, let me mention an actress I have been a fan of since her turn on FX, and she is also the mother-in-law of a friend, Diane Venora. She played her part with such a wide spectrum of emotions that I was completely drawn into her empathy, anger, aloofness, and deep sorrow. It tore me up, actually. She was the perfect match for Pacino's manic character.
Speaking of Pacino, his performance was one for the books. He was a dude on the razor's edge of completely losing it and uses his job as a form of a security blanket. It's his happy place which unfortunately makes any semblance of a normal life impossible.
Now lets talk about De Niro's performance. In a word: Perfect. It's sad in today's world, people judge an actor on their political beliefs rather than how they perform their craft. De Niro's beliefs are polar opposite from mine, but I could not care less. He was fantastic as the professional thief who is likeable, deadly, and when all is said and done, a scourge of society. Rooting for him is wrong, but you can't help to just a little.
The movie was filled with great performances particularly from Val Kilmer, Amy Brenneman, Ashley Judd, Natalie Portman, and damn, Kevin Gage's evilly maniacal portrayal was downright demented. The entire cast was top notch. Kudos to the casting director.
Watch this movie for the intense ride of hovering between good and evil. It does not disappoint.
Regarding the cast, let me mention an actress I have been a fan of since her turn on FX, and she is also the mother-in-law of a friend, Diane Venora. She played her part with such a wide spectrum of emotions that I was completely drawn into her empathy, anger, aloofness, and deep sorrow. It tore me up, actually. She was the perfect match for Pacino's manic character.
Speaking of Pacino, his performance was one for the books. He was a dude on the razor's edge of completely losing it and uses his job as a form of a security blanket. It's his happy place which unfortunately makes any semblance of a normal life impossible.
Now lets talk about De Niro's performance. In a word: Perfect. It's sad in today's world, people judge an actor on their political beliefs rather than how they perform their craft. De Niro's beliefs are polar opposite from mine, but I could not care less. He was fantastic as the professional thief who is likeable, deadly, and when all is said and done, a scourge of society. Rooting for him is wrong, but you can't help to just a little.
The movie was filled with great performances particularly from Val Kilmer, Amy Brenneman, Ashley Judd, Natalie Portman, and damn, Kevin Gage's evilly maniacal portrayal was downright demented. The entire cast was top notch. Kudos to the casting director.
Watch this movie for the intense ride of hovering between good and evil. It does not disappoint.
Every 2-3 years i come back to this movie and watch it again and again, just a reminder of the 90's movies with cops and robbers...one of the best cop movie ever!
Heat (1995) is a movie that is in my DVD collection that I recently rewatched on Tubi. The storyline follows an underground high end burglary team looking for one big last mission and a parallel story about a successful police officer who is struggling at home. As the buildup to the big heist unfolds the two worlds come closer and closer together until the ultimate collision happens.
This movie is directed by Michael Mann (Ali) and stars Robert De Niro (Goodfellas), Al Pacino (Scarface), Val Kilmer (Willow), Jon Voight (Anaconda), Mykelti Williamson (Forest Gump), Ashley Judd (Kiss the Girls), Tom Sizemore (Black Hawk Down), Wes Studi (Deep Rising), Natalie Portman (Leon: The Professional), Ted Levine (Silence of the Lambs) and Dennis Haysbert (Far from Heaven).
This cast is absolutely amazing top to bottom. The writing is also excellent and delivers the backstories to each character to perfection and the dialogue is out of this world. The chemistry of the cast throughout the film worked perfectly and the action scenes are intense and very well done. You find yourself rooting for both sides the entire film. The conclusion to such a huge movie is excellent and fits the film perfectly.
This is an all time classic that is an absolute must see and an easy 10/10. I would strongly recommend seeing this.
This movie is directed by Michael Mann (Ali) and stars Robert De Niro (Goodfellas), Al Pacino (Scarface), Val Kilmer (Willow), Jon Voight (Anaconda), Mykelti Williamson (Forest Gump), Ashley Judd (Kiss the Girls), Tom Sizemore (Black Hawk Down), Wes Studi (Deep Rising), Natalie Portman (Leon: The Professional), Ted Levine (Silence of the Lambs) and Dennis Haysbert (Far from Heaven).
This cast is absolutely amazing top to bottom. The writing is also excellent and delivers the backstories to each character to perfection and the dialogue is out of this world. The chemistry of the cast throughout the film worked perfectly and the action scenes are intense and very well done. You find yourself rooting for both sides the entire film. The conclusion to such a huge movie is excellent and fits the film perfectly.
This is an all time classic that is an absolute must see and an easy 10/10. I would strongly recommend seeing this.
Sound like a bold statement? Devotees of classic cops and robbers flicks of old will no doubt take exception, but I believe that Michael Mann achieved some measure of perfection with Heat. To break this three-hour gem of a film down to its core, this is a film about men - strong men - and the supporting role that he women of the film have on them for better or worse. Take Pacino as good cop Vincent Hanna: one of the most intense characterizations of the tragic hero that I have ever witnessed, as he laments the demise of his third marriage to a pill-junkie wife. A fact which he discusses with his archnemesis (De Niro) in what history will regard as one of the most frenetic scenes in the history of film. The dialogue in this scene (at the very end of the first tape, if you own the VHS version) sets up the last half of the film beautifully, as our two rivals come to the joint realization that they have no hand in choosing the paths that will lead them to their ultimate confrontation: their very natures so define their respective actions that any attempt to do otherwise would simply be a waste of time. While I have heard others (who I am ashamed at times to call close friends) say that Heat drags in places, I will concede that there are moments in the film that require more than the cursory attention that they give to the movie they happen to be watching at any given time (I'm sorry not every director is Jerry Bruckheimer), there are poignant developments of character in Heat that many would casually disregard. I am thinking of the interaction between the ex-con who finds conditional employment in a diner with an opportunistic scum of a boss, and whose girlfriend is so proud of him for swallowing his pride and not simply giving the sonofabitch a good pummeling. But there is a catharsis that I felt for that same ex-con when De Niro's character presents him with the opportunity to take just one more score, for old time's sake. Who doesn't feel for this guy - this minor character in a film with big-time heavyweights who gets to shine for a few brief moments. That's what Heat is really: a series of brief moments, some touching, others traumatic, and still others incredibly horrifying in the feelings that they inspire in the romantic who, like me sees not black or white portrayals of protagonist and villain, but a montage of grays that combine to create a vivid spectrum of film characterization that could not be found in hundreds of films combined. One of my five favorite films of all time, Heat is a cinematic banquet of intense imagery and pulse-pounding action. Come hungry.
For some reason I cannot stop thinking about this film lately.
You know that feeling of having seen it about 3 or 4 times in the last 12 months is not enough? That's what I feel at the moment.
I rate it as Mann's best. It's his most kinetic,vibrant(for a film mostly shot in steely blue),agonising,stirring,brash,violent and brilliance in such a simple story.
What games did you play as a young kid? Cops and robbers.Good guy.Bad guy.
We all know De Niro and Pacino could have been either main part,but can you imagine it any other way round. Pacino doing ice cool calm? De Niro the manic outbursts,arms flailing? It wouldn't work. We know these men now.We know neither will stop at what they do.And yet there is no way either would stop the other.Unless they had too. Which leads us too the characters. All of them.
This is an extended family where you feel you know all of them without knowing anything at all. The cops are similar to the robbers and vice-versa. Perhaps Mann is telling us were all the same.Except in what we do.Every speaking part holds substance in this movie, and the support cast is astonishing when you actually read the caliber of who appeared in this film.Tom Sizmore, Val Kilmer,Ashley Judd,Ted Levine,Wes Studi,Hank Azaria,William Fitchner,Henry Rollins,Dennis Haysbert,Tom Noonan. And Natalie Portman, for chrissake! Try getting that cast again.
A real 10/10 film. And that Moby song at the end(God moving over the face of waters) gets me every time.
You know that feeling of having seen it about 3 or 4 times in the last 12 months is not enough? That's what I feel at the moment.
I rate it as Mann's best. It's his most kinetic,vibrant(for a film mostly shot in steely blue),agonising,stirring,brash,violent and brilliance in such a simple story.
What games did you play as a young kid? Cops and robbers.Good guy.Bad guy.
We all know De Niro and Pacino could have been either main part,but can you imagine it any other way round. Pacino doing ice cool calm? De Niro the manic outbursts,arms flailing? It wouldn't work. We know these men now.We know neither will stop at what they do.And yet there is no way either would stop the other.Unless they had too. Which leads us too the characters. All of them.
This is an extended family where you feel you know all of them without knowing anything at all. The cops are similar to the robbers and vice-versa. Perhaps Mann is telling us were all the same.Except in what we do.Every speaking part holds substance in this movie, and the support cast is astonishing when you actually read the caliber of who appeared in this film.Tom Sizmore, Val Kilmer,Ashley Judd,Ted Levine,Wes Studi,Hank Azaria,William Fitchner,Henry Rollins,Dennis Haysbert,Tom Noonan. And Natalie Portman, for chrissake! Try getting that cast again.
A real 10/10 film. And that Moby song at the end(God moving over the face of waters) gets me every time.
Lo sapevi?
- QuizRather than dubbing in the gunshots during the bank robbery shoot-out, Michael Mann had microphones carefully placed around the set so that the audio could be captured live. This added to the impact of the scene, because it sounded like no other gunfight shown on-screen.
- BlooperIn the final scene, the approach light system at LAX airport is shown turning on and off for individual aircraft as they approach to land. In actuality, approach lights to runways remain lit at the same level of intensity for aircraft. They are not turned 'up' and 'down' for each airplane.
- Citazioni
Vincent Hanna: I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set!
- Versioni alternativeFor the film's Blu-ray release in 2009, director Michael Mann made two minor changes to the film (this Blu-ray cut has been used for all subsequent home video releases):
- When Vincent Hanna (Al Pacino) returns to the restaurant to pick up Justine (Diane Venora), they have a low-key argument about his obsessive police work and how it is affecting the marriage. In the Theatrical Cut, Justine says, "You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through." In the Blu-ray cut, the line "You sift through the detritus" has been removed. To cover this edit, the camera cuts to Hanna rather than staying on Justine for the entirety of her monologue (which was how the scene played out in the Theatrical Cut).
- When Hanna is speaking to Alan Marciano (Hank Azaria), Marciano questions why he got involved with Charlene Shiherlis (Ashley Judd) at all, and Hanna shouts, "Cause she's got a great ass...and you got your head all the way up it!" The camera cuts to a stunned Marciano, and we hear Hanna say, "Ferocious, aren't I?" The camera then cuts to Hanna and he says, "When I think of asses, a woman's ass, something comes out of me." In the Blu-ray cut, the line "Ferocious, aren't I?" has been removed from the audio track.
- Colonne sonoreAlways Forever Now
Music by Passengers
Performed by Passengers
Courtesy of Island Records Ltd.
By Arrangement with PolyGram Film & TV Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Fuego contra fuego
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 67.436.818 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.445.656 USD
- 17 dic 1995
- Lordo in tutto il mondo
- 187.436.818 USD
- Tempo di esecuzione2 ore 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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