Aggiungi una trama nella tua linguaAn ornithologist investigates reports of a monstrous new species of bird just as a teenage girl is gifted an amulet found on mysterious atoll. As the creatures begin to attack, an ancient gu... Leggi tuttoAn ornithologist investigates reports of a monstrous new species of bird just as a teenage girl is gifted an amulet found on mysterious atoll. As the creatures begin to attack, an ancient guardian with a bond to the girl emerges.An ornithologist investigates reports of a monstrous new species of bird just as a teenage girl is gifted an amulet found on mysterious atoll. As the creatures begin to attack, an ancient guardian with a bond to the girl emerges.
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- 6 vittorie e 1 candidatura in totale
Recensioni in evidenza
Now in terms of its plot, "Gamera: Guardian of the Universe" is anything but special, but then again, neither was "Predator" (1987) or "Jaws" (1975) or to a certain extent "Gojira" (1954). Like with all of those movies, its the high-energy pacing and the stories that make "Gamera: Guardian of the Universe" work. The best word to describe this movie is fun. Even Roger Ebert, who is not a fan of the kaiju genre (see his review for "Godzilla 1985" for proof) admitted he had a fun time with the film.
One thing I particularly liked about "Gamera: Guardian of the Universe" as well as the other two movies in the trilogy was that even when the monsters were not on screen, I was not bored for a second. Typically in monster movies, the creatures are the most interesting element and the human characters are inane and time-fillers. This film is an exception. The characters are familiar in terms of classification (scientist, witness, etcetera) but they are fairly fleshed-out to become likable. The dialogue is also very well-written so that for once, the explanation of the monsters' origin is not long-winded, familiar, or tiresome.
But of course, I can't leave out the star of the movie, Gamera himself. Kaneko's decision to change Gamera from a child-friendly big-hearted turtle into a more vicious and animal-like, yet somehow appealing monster was absolutely brilliant. Now in terms of how he's presented, no, Gamera is not spectacular, but then again neither was the shark in "Jaws". And both creatures carry of their parts effectively. The Gyaos are also fairly well-done, although in their earlier scenes, there was a little too much of a phony expression in their ping pong ball-like eyes. Overall, the special effects are a little more then what you'd expect, although not fantastic like in the second and third installments of the trilogy.
Bottom line, "Gamera: Guardian of the Universe" is like the "Raiders of the Lost Ark" of Japanese monster movies. It's not meant to be taken seriously and nobody does, it doesn't try to be anything more than what it is, and every second is nonstop energetic and pleasurable cinematic fun.
A young girl forms a psychic Bond with a monster. Other monsters attack. The good monster beats the living hell out of the bad monsters. Pretty simple. What is so good about this film is, of course, the fact that is is so well balanced when it comes to human suspense and monster action. Most Japanese monster films have this tendency to sacrifice one for the other. This one doesn't, and all action sequences are top notch. Gamera fighting Gyaos in a Stadium, or saving some kids on a Bridge, its the type of movie that will have you cheering.
This, the first in the Gamera Trilogy, has some minor enviromental undercurrents. This is welcome, because we all know how sometimes films like to get preachy. This enviromental theme is apparent in the entire trilogy, but is always on a subdued level where it does get to you, instead of annoying you.
Lo sapevi?
- QuizJapan's premier film magazine, Kinema Junpo, include this film in their prestigious top 10 best films of the year list, the first time a kaiju film earned such a distinction. When the readers of Kinema Junpo selected the top 200 greatest Japanese films ever made, they ranked this film in the top best of all time.
- BlooperThe runes on the stone are not from the Pyrenees or Etruria, but are just normal unchanged runes from the Elder Futhark which were used in Scandinavia before and during the Viking age.
- Citazioni
Insp. Osako: Doctor, let's come back tomorrow.
Mayumi Nagamine: This creature might be nocturnal.
Insp. Osako: That's an even better reason! Suppose it were to attack us?
Mayumi Nagamine: [Gyaos flies overhead and she starts to follow] It's getting away!
Insp. Osako: We're not equipped for this, and it's out of our jurisdiction!
Mayumi Nagamine: It's looking for food!
Insp. Osako: For food? That'll be us if we're not careful!
Mayumi Nagamine: If it can't find prey here, it'll attack Japan!
- Versioni alternativeThe US video version (the print used also on the Region 1 DVD) superimposes black boxes with green English text within them over any Japanese text. ADV Films, the American distributor, did not use this same technique in the two sequels.
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Dettagli
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- Gamera, the Guardian of the Universe
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Botteghino
- Budget
- 5.000.000 JPY (previsto)
- Tempo di esecuzione
- 1h 36min(96 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1