Frisk

This is a very difficult film to review.

First of all, if you are not a gay man then you might as well not bother with this film. Even if you are a gay man, it is still important to note that it is *supposed* to be a revolting and disgusting film. I read the book first, and let me tell you -- it messes with your mind.

What disturbs the s**t out of you when seeing the movie is also what is so "awful" about the book: if you stop to think about what the central character's thought process is, then you see certain basic pieces of it that actually make some sense. THAT is what stayed with me and actually gave me a nightmare.

Unfortunately, this is where the film is lacking. In the book, we get into the head of the central character, and we hear his thoughts. In the film, Dennis's thought process is implied but not stated sufficiently. The result is a muddled film that just gets more and more violent as it goes on.

The men in this film are VERY attractive, and this of course makes it all the more disturbing -- everyone wants to see killers be like Charles Manson -- it's scarier when they look like the boy next door, and they get off on disemboweling other boys next door.

I would say that the high point of the film is probably Parker Posey. Lordy lordy, that woman... Tales of the City to Scream 3, with a stop in the middle in Frisk. She brought her usual perkiness to a role that is, well, murderous.

To sum up: definitely made for a queer male audience. Far too disturbing for the average sensitive gayboy. Hard to follow if you haven't read the book. A few moments of brilliance, but overall it's muddled. Worth seeing if you have nothing else to do and have a strong constitution and a sick mind. Otherwise, don't bother.

Frisk is one of a number of films by new film-makers (such as Todd Solondz, Tom Kalin, John Hewitt) who are for no-one. I love this disturbing new genre. Neither guided by morality nor restricted by the reality/fantasy divide, these films don't seek a wide audience. Instead, these films explore the underground, less explored territories of desire in its darker manifestations. This film isn't simply about sex and power, it concerns being gay in the era of AIDS and the insistency of desire. Frisk plays into the gay=death equation but this is only natural when being gay still remains for some blind people a lifestyle choice if not an aberration. Its a film about killing lovers, put blankly, and about experiencing the forbidden reaches of passion and obsession. Its a cold film and relentlessly reminiscent of De Sade's writing. Transgression and shock rule here but there's no easy comfort zones. A film of lust, decadence, cruelty and annihilation. Be warned.

This film is about a gay man who has had fantasies about killing other men since teenage.

Honestly, I see little point in the existence of "Frisk". It is a poorly made B movie with poor acting and poor production. The plot is not well explained or particularly engaging. Apart from the main character Dennis, there is no character development. So most people in the film seem like random people, making the plot more confusing to follow.

I am very disturbed by these perverted and sick minds portrayed in the movie. It is not a film for me.

This is another of those art films that goes nowhere but gets there in style. This film is gritty and fascinating in a sick, can't help but look at the car wreck on the highway sort of way. It's not bad enough to turn off so you keep watching hoping that sanity will be restored. It won't be but you watch nonetheless.

The flip side to optimistic, hopelessly naive, queer-positive films like "Beautiful Thing", in fact this movie could be called "ugly thing". This movie shows the dark side of human sexuality in all people, not just gay ones. With a great book as source material, an awesome cast, and a terrific score by Coil (the greatest), this movie has everything going for it, even if those uptight queens at the SF gay and lesbian film festival booed it off the screen. Anyway, this isn't a movie for mainstream audiences, whether they be homophobic heteros or gay yuppies. There is a plot to this movie but it doesn't seem to be that important, taking a back seat to the striking visuals and twisted eroticism on the screen. Snuff films, bondage, violent sexual mutilation, and brother-to-brother incest are just a few of the trangressive delights in this film. Performances of note include Parker Posey who makes an extended cameo as a wild-eyed serial killer and Raoul O'Connell who is notable only because he is hot, hot, hot!