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IMDbPro

The Four Corners of Nowhere

  • 1995
  • 1h 50min
VALUTAZIONE IMDb
7,4/10
196
LA TUA VALUTAZIONE
Ingrid Eggertsen in The Four Corners of Nowhere (1995)
Commedia

Aggiungi una trama nella tua linguaDuncan, a philosophical nomad hitchhiking across America, grabs a ride to Ann Arbor, Michigan from Toad - a performance artist and purple leisure slacks enthusiast from the suburbs. Toad has... Leggi tuttoDuncan, a philosophical nomad hitchhiking across America, grabs a ride to Ann Arbor, Michigan from Toad - a performance artist and purple leisure slacks enthusiast from the suburbs. Toad has recently left his home town to begin a new life in Ann Arbor where his co-dependent, folk... Leggi tuttoDuncan, a philosophical nomad hitchhiking across America, grabs a ride to Ann Arbor, Michigan from Toad - a performance artist and purple leisure slacks enthusiast from the suburbs. Toad has recently left his home town to begin a new life in Ann Arbor where his co-dependent, folk-singing sister Jenny lives with her verbally abusive fiancé, a law student named Calvin. ... Leggi tutto

  • Regia
    • Stephen Chbosky
  • Sceneggiatura
    • Stephen Chbosky
  • Star
    • Mark McClain Wilson
    • Amy Raasch
    • Eric Vesbit
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    196
    LA TUA VALUTAZIONE
    • Regia
      • Stephen Chbosky
    • Sceneggiatura
      • Stephen Chbosky
    • Star
      • Mark McClain Wilson
      • Amy Raasch
      • Eric Vesbit
    • 13Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto

    Interpreti principali27

    Modifica
    Mark McClain Wilson
    Mark McClain Wilson
    • Duncan
    Amy Raasch
    Amy Raasch
    • Jenny
    Eric Vesbit
    • Toad
    David Wilcox
    • Hank
    Melissa Zafarana
    • Squeeze
    Aaron Williams
    • Calvin
    Julian Rad
    Julian Rad
    • Julian
    Julie Thaxter-Gourlay
    • Doreen
    Peter Hawkins
    • Therapist
    Peter Fletcher
    • Stoned
    Jamie Dawson
    Jamie Dawson
    • Beeds
    Michelle Tuthill
    • Blanche from Texas
    Stacy Chbosky
    Stacy Chbosky
    • Naomi, the psychic
    Brad Byerle
    • Randy
    Eric Fehlauer
    • Pete
    Jon Casson
    • Rick
    Will Curl
    • Jason
    Garry Dobson
    • Jeff
    • Regia
      • Stephen Chbosky
    • Sceneggiatura
      • Stephen Chbosky
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    7,4196
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    Recensioni in evidenza

    10nacton42

    Wonderfully-written tongue-in-cheek commentary on "Generation X''s trappings and frustrations

    I grew up on The Breakfast Club. So when a film finally did as good a job at following a number of disparate characters as TBC did, I rejoiced that independent film might finally be coming to life again. Steve Chbosky's introspective and on-the-mark gem about a group of so-called drifters in Ann Arbor sets up our expectations about the seemingly one-dimensional characters and then knocks them down in an accurate parallel to what the current generation has been doing to society for years. Chbosky's screenplay is alternately piercingly perceptive and laugh-out-loud funny, and just when you think one extreme will dominate the rest of the film Chbosky switches from emotional discourse to one-liners about the Indigo Girls or vice versa. The story centers on Duncan, a nomad who passes through Ann Arbor for a week or so, only to leave lasting impressions on aspiring folk singer Jenny and surprisingly competent burned-out performance artist Toad. Along the way Duncan (and vicariously the viewing audience) gains insight into human nature, interacts with a frustrated DJ who periodically spouts nuggets of wisdom between deadly accurate monologues about puberty for women, and makes a highly symbolic collage of the U.S., only to teach his friends (and us) that in the end, only we determine if we are just another fad.
    britain

    There were many gen-x comedies in the mid90s. Here's one!

    I saw this movie in the place it was probably most intended to be screened: the Michigan Theatre, a restored movie palace in Ann Arbor, the real Michigan town where the film is set. Ann Arbor is perhaps best known to the rest of the world as the home of Michigan Stadium and the Wolverines, a popular football team that -- many people don't know this -- is also accredited to teach college-level courses!

    This movie does a fine job of quickly sketching life in Ann Arbor, an artistic, laid-back community occasionally referred to as "San Francisco of the Midwest." The scenes of the folksinger's residency in the local coffeehouse were right on for the time -- sadly, most local coffeehouses no longer support live music, and those that do have started charging cover, more-or-less becoming alcohol-free clubs.

    I know this probably makes me sound a little sad, but I would love to find this film on video and reminisce on the times we were living in when it first came out -- finishing high school, discovering espresso, figuring out what we were "good at," giggling at how incredibly, extremely deep Duncan was.
    vergiljtm

    this movie was great

    i actually liked this movie a lot. i thought, too, that some of its brilliance was in that the filmmakers threw out your normal expectations of films. the acting sucked. the direction sucked. but its not like they didn't know what they were doing.

    doesn't it seem funny that a movie about how much it sucks to carry on in our normal fashion rejects the notion that acting has to be a certian way. and as is the point of the film, you just have to accept it, appreciate the questions more than you pursue the answers.

    this movie is great. it's a real shame that it cannot be found almost anywhere. there is a lot to be learned. first and foremost, being part of life is a pleasure, not an accomplishment or an entitlement.
    javaman-5

    This is a blast, you gotta see it.

    Although set in a "Gen-X" milieu, this is a smart, perceptive film that says a lot about young people in our time, and offers hope. While it is a little rough, the characters are great, and Chbosky's dialogue and situations are a scream. See it!
    10luciddv

    A MUST see IMO

    I saw this film about 8 years ago on Sundance channel and absolutely LOVED IT!! Comedy YES, and rather brilliant at times. AS a fan of dialog's driven movies this film scores big for me. There is a LOT more than just humor to this movie and was very thought provoking especially pertaining to some of the visual symbology. The last scene/s in the film were nothing short of genius. It is a breakdown of the main parachuter's experiences drawing all the threads together into a short symposium with beautiful message. I am an emotional person and this film really touched me and made me laugh out loud from the sharp witty humor.

    I HAD a VHS I recorded from the TV and shared it with a lot of friends. Nearly EVERYONE loved it... some are just not too deep or sharp witted.

    I lost the worn out VHS nearly 5 years ago and have never seen it broadcast since, nor is it available for purchase ANYWHERE. I really miss it and would gladly pay an unreasonable sum for a copy *wink wink-nod nod* If you have access to a copy please please please let me know (aol.com) It would really mean a LOT to me.

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    • Citazioni

      Duncan: I think it all started with the Declaration of Independence; the idea that we had the inalienable rights of life, liberty, and the pursuit of happiness. That pursuit is what took America from the revolution to the computer age in 200 years. But the progress has come at a price. The obvious being the people that were exploited to make it possible; the not so obvious being us, the first group of people that were given no obvious frontiers to conquer. We hear stories about the good old days that don't seem to apply anymore. It's a generation gap that leaves us without role models. But the bright side is that without role models, there are no roles. Thirty years ago that girl you talked to probably would have married her fiancé because it would have been expected, but she ended up leaving him. Maybe that's what the 60's were all about... getting rid of the roles. But what do we replace them with? Without any guidance, the choices become overwhelming. Sometimes it just makes everything feel hopeless. So we destroy our bodies in the search of an ideal. Try to salvage relationships that don't work. We feel we must do something, instead of doing something that we feel. It is the prison of self-imposed momentum, and the sad part is that we get used to it. It reminds me of a song I heard the other day. It's called "Nowhere Fast." But the people I have met here have shown me another side of Nowhere. They've pointed out the beautiful irony that stagnation makes it easy to stop and smell the roses, if we just let it. What would we be if we had nothing to rebel against? Well we could finally be ourselves, the first group of people who stopped looking for the answers long enough to appreciate the questions. And all we have to do is to make our own Declaration of Independence. We can embrace the right to life and liberty by simply realizing that happiness exists... not to pursue, but to accept. After that, the only challenge would be to make sure, with the rest of our lives, that we weren't just another fad.

    • Connessioni
      Referenced in Noi siamo infinito (2012)

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    Dettagli

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    • Data di uscita
      • gennaio 1995 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Four Corners of Nowhere official page
    • Lingua
      • Inglese
    • Celebre anche come
      • Las cuatro esquinas de ninguna parte
    • Luoghi delle riprese
      • Ann Arbor, Michigan, Stati Uniti
    • Azienda produttrice
      • American Platypus Entertainment Ltd.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Color

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