Aggiungi una trama nella tua linguaCharming working class boy Eric is moving up by pimping in Martin Duvall's nightclub. He falls in love with naive Jessica 'Jesse' Kerner, who enjoys the luxury life and doesn't have to do a ... Leggi tuttoCharming working class boy Eric is moving up by pimping in Martin Duvall's nightclub. He falls in love with naive Jessica 'Jesse' Kerner, who enjoys the luxury life and doesn't have to do a thing. Still Jesse's single mother Katherine 'Kate' Kerner, who always was permissive to a... Leggi tuttoCharming working class boy Eric is moving up by pimping in Martin Duvall's nightclub. He falls in love with naive Jessica 'Jesse' Kerner, who enjoys the luxury life and doesn't have to do a thing. Still Jesse's single mother Katherine 'Kate' Kerner, who always was permissive to avoid resembling her own strict mother, judge Edna Burton, mistrusts Eric. Her bugging ends... Leggi tutto
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Lindsay Wagner is all over the place as Jessie's mother, Kate; the ingénue playing Jessie would be poor even by soap opera standards. She is almost laughable delivering her lines. Chad Lowe who has all of his scenes with Jessie brings out the worst in her. In fact, he gives his worst performance to-date (and that's saying volumes) as a wannabe pimp named Eric.
In contrast, Piper Laurie does what she can as Kate's mother, a judge - in very sense of the word. The actress playing Kate's best friend actually gives the film its best moments. The actor playing major-league pimp Russell was good enough to do so on a prime-time soap opera. The American Graffiti style happy ending hammers the final unbelievable nail into this typical women-as-victims-made-for-Lifetime exercise in wasting time.
Kate has copper-red long hair which looks simply awful on Wagner, who wears a wig of grey-blonde color when she poses as a prostitute to get information on Jesse's whereabouts. Although inclined to utilise a hair flicking mannerism, Wagner's best moments are when parodying the misogynistic lyrics of rap music, arguing with a disinterested prostitute when showing her Jesse's picture, the Bionic smashing open of a door with a fire extinguisher, and the confrontation with Jesse which makes her leave home. In the latter Wagner's face slapping is unconvincing, but she intones `He is using you' and in reaction to Jesse's I don't want your help `Well, you don't have a choice' with force, and supplies a jittery broken reaction to Jesse's exit.
The teleplay by Eric Blakeney, based on a true story, presents Kate as a weak mother who is too lenient with Jesse, as a reaction to the conservatism of her own mother Edna Burton (Piper Laurie) who is a Judge! Perhaps the red hair is supposed to be a remnant of Kate's rebelliousness, since she is a former biker's moll, and abandoned mother. Although given that the context makes Jesse's unhappiness seem relatively inexplicable, Blakeney does provide a funny phrase in `the ferocity of a butterfly'.
Director Peter Levin doesn't make Wagner's transformation into a prostitute funny, the way he does her friend Peggy (Deirdre O'Connell), and he cuts away from Wagner's telling off a `don't-give-a-crap-attitude' cop which reads as over-reaction anyway.
I really enjoyed this. I'm surprised that only negative comments were listed on this page. I recommend this for everyone, especially for parents of young daughters.
On a side note, I think Lindsay Wagner is a very sexy woman even now into her 60s (although this movie has an unsexy tone).
Lo sapevi?
- QuizThe true story happened in Canada in 1992. That's when Anne Dion's daughter was seduced by her pimp to become a prostitute. Anne actually walked the streets looking for her daughter, and in the process, she tried to save other children.
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