Recensioni di Metacritic

This film works so well simply because every moment of it is suffused with the joy a new baby brings into the world. Save for a needlessly mean comic shot at an Arab businessman, it couldn't be more appropriate for family viewing. [8 Dec 1995, p.D]

What Meyers and Shyer have accomplished is to create a pleasant, sentimental domestic comedy out of a family that really has no problems to overcome, not an easy feat.

The bourgeois splendor of the Banks house is a major feature of Father of the Bride Part II, a cheerful, harmlessly ingratiating sequel on a par with its 1991 predecessor.

Father of the Bride Part II is not a great movie and not even as good as its 1991 inspiration. But it is warm and fuzzy, and has some good laughs and a lot of sweetness.

The curious thing about Father of the Bride Part 2 is that not only is it the sequel to a remake, but it's the remake of a sequel. As such, it's a perfect illustration of stretching an idea too far. Certain premises lack the necessary material for a multiple features, and this is one such example

Father of the Bride Part II is too long, completely predictable and unabashedly immersed in a posh world that is totally out of reach of most people. It's a comfort to see that riches don't keep some guys from being dithering fools when it comes to life's fundamentals.

This feature-length sitcom episode is handsomely filmed, but not as funny as you'd hope with Steve Martin and Diane Keaton in leading roles, and some of the humor has a nasty edge. [8 Dec 1995, p.13]

It's basically just more of the same maudlin sentimentality mixed with clumsy slapstick, hassled-father routines and Geritol jokes. [8 Dec 1995, p.29]

Martin's comic charisma, which kept the first movie alive, is buried under a banal avalanche of trite comic situations. The flesh is willing but the script is weak.

Father of the Bride, Part II is a virtual avalanche of cheap emotion. Short on comedy but long on maudlin sentiment, this sequel stumps so hard for the traditional values of home, hearth and family that any possible entertainment value is canceled out.