VALUTAZIONE IMDb
6,8/10
26.654
LA TUA VALUTAZIONE
Un uomo afroamericano viene assunto per trovare una donna e viene coinvolto in uno scandalo politico omicida.Un uomo afroamericano viene assunto per trovare una donna e viene coinvolto in uno scandalo politico omicida.Un uomo afroamericano viene assunto per trovare una donna e viene coinvolto in uno scandalo politico omicida.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 13 candidature totali
David Fonteno
- Junior Fornay
- (as David Wolos-Fonteno)
Recensioni in evidenza
Carl Franklin's adaptation of Walter Mosley's classic detective novel is a dark and funny tale of a detective with bad luck. Denzel Washington handles the material well. However, the star in the film is Don Cheadle as Mouse. This cold blooded killer steals several scenes away from Washington. The film also creates an accurate depiction of the racial climate in the late 40's. Issues of race and identity are displayed in the entire film. And Franklin does an incredible job of controlling the characters and narrative.
An incredible film.
An incredible film.
To call this one of the most underrated films of the last ten years, is an understatement. This film is up there with Chinatown' and L.A Confidential. .
Denzel Washington is cool, and smart. Don Cheadle is stand out as the cold killer with a smile, mouse.
But the real praise must go to Carl Franklin, who proves that One false move' was not just a fluke
As much as I liked the film 'L.A. Confidential' my problem with it was that a lot of black characters where being brutalised, without any chance to fight back. In this film they fight back. We have a black hero, someone who is as smart anyone else and in some cases smarter.
I hope that one day someone will film the rest of the Easy' Rawlins books.
Denzel Washington is cool, and smart. Don Cheadle is stand out as the cold killer with a smile, mouse.
But the real praise must go to Carl Franklin, who proves that One false move' was not just a fluke
As much as I liked the film 'L.A. Confidential' my problem with it was that a lot of black characters where being brutalised, without any chance to fight back. In this film they fight back. We have a black hero, someone who is as smart anyone else and in some cases smarter.
I hope that one day someone will film the rest of the Easy' Rawlins books.
Devil in a Blue Dress is written and directed by Carl Franklin, who adapts from the book written by Walter Mosley. It stars Denzel Washington, Tom Sizemore, Jennifer Beals, Don Cheadle and Maury Chaykin. Music is by Elmer Bernstein and cinematography by Tak Fujimoto.
Carl Franklin had already laid down a considerable neo-noir marker with his searing 1992 thriller One False Move, here he goes more traditional but garners equally impressive results. Plot has Washington as a WW2 veteran who has lost his job and desperately needs money to keep hold of his pride and joy - his house. Taking on a job offered by shifty DeWitt Albright (Sizemore), to find a missing woman, Rawlings quickly finds himself in up to his neck in murder and deception, he must turn ace detective to save his skin.
Set in late 1940s Los Angeles, what instantly stands out is the period detail. The clothes, the cars and the establishments frequented by Easy and company. With voice over narration also provided by Washington, in dry and sardonic tones, it's every inch a loving ode to the film noir movies released at the time the pic is set. There's plenty of neon signs about the place, some bad ass cops, good sex, brandy and sharp suits, smoking and coolness and of course a psychopath in the classic mould (Cheadle excellent).
But of course noir dressage is only that if you haven't got a good pot boiling plot, thankfully this has one. The story takes unexpected turns, always remaining interesting, the distinctive characterisations breathing heavy, managing to off set the run of the mill stereotypes in the supporting ranks. It can be argued that Beals as the titular femme fatale of the title is under written, but the character comes with an air of mystery that serves Franklin's atmosphere very well. Tech credits are high, something of a given with Bernstein and Fujimoto on the list, while Washington turns in another classy show of subtlety and believability.
Lovers of film noir should get much rewards from Devil in a Blue Dress. 7.5/10
Carl Franklin had already laid down a considerable neo-noir marker with his searing 1992 thriller One False Move, here he goes more traditional but garners equally impressive results. Plot has Washington as a WW2 veteran who has lost his job and desperately needs money to keep hold of his pride and joy - his house. Taking on a job offered by shifty DeWitt Albright (Sizemore), to find a missing woman, Rawlings quickly finds himself in up to his neck in murder and deception, he must turn ace detective to save his skin.
Set in late 1940s Los Angeles, what instantly stands out is the period detail. The clothes, the cars and the establishments frequented by Easy and company. With voice over narration also provided by Washington, in dry and sardonic tones, it's every inch a loving ode to the film noir movies released at the time the pic is set. There's plenty of neon signs about the place, some bad ass cops, good sex, brandy and sharp suits, smoking and coolness and of course a psychopath in the classic mould (Cheadle excellent).
But of course noir dressage is only that if you haven't got a good pot boiling plot, thankfully this has one. The story takes unexpected turns, always remaining interesting, the distinctive characterisations breathing heavy, managing to off set the run of the mill stereotypes in the supporting ranks. It can be argued that Beals as the titular femme fatale of the title is under written, but the character comes with an air of mystery that serves Franklin's atmosphere very well. Tech credits are high, something of a given with Bernstein and Fujimoto on the list, while Washington turns in another classy show of subtlety and believability.
Lovers of film noir should get much rewards from Devil in a Blue Dress. 7.5/10
Murder, politics, sex and scandal; and it is all about a girl in a blue dress. An out of work WWII vet(Denzel Washington)is trapped in a web of lies, backstabbing and flying lead when he agrees to look for a politician's girlfriend(Jennifer Beals). Some real good movie music by the likes of Memphis Slim, Duke Ellington, Roy Brown and Jimmy Witherspoon. Very apt support from:Tom Sizemore, Don Cheadle and Lisa Nicole Carson. One steamy sex scene scorches and redeems.
I am glad I caught this film on TV; it was great entertainment and executed well.
I don't want to ramble on too much, so here goes. The acting is great - Washington giving another good performance. His narration was suitably dry too. Cheadle just chewed on the scenery. He was hardly in the film, but when he was, his impact as Mouse was powerful. Elsewhere, Beals was good as the titular devil in the blue dress. Sizemore was good as the sleaze ball who hires Washington - yet he seems to good at playing these types in all his films.
The aesthetic of the film was enticing. The smooth camera-work was mesmerising. The first shot that tracks through the busy streets and then cranes up through the window to Easy is so Hitchcock - or any director of film noir for that matter. The colours are beautiful too, from the orange skies in the day, to the hazy blues at night.
The story is gripping, if a tad predictable. If you like your Sam Spade and your Marlowes this film will be fine for you. The ending where Washington closes in on a house in the hills is very 'Big Sleep'.
Devil In A Blue Dress is unique in terms of perspective. The story is told from a black males view point and this makes the film very interesting to watch. No more all-white worlds of the 40's generation. This film shows both sides of the coin, and doesn't end up with a chip on both shoulders.
The film may be a tad predictable, but this should not deter you. This film is underrated and deserves your attention. Very entertaining.
I don't want to ramble on too much, so here goes. The acting is great - Washington giving another good performance. His narration was suitably dry too. Cheadle just chewed on the scenery. He was hardly in the film, but when he was, his impact as Mouse was powerful. Elsewhere, Beals was good as the titular devil in the blue dress. Sizemore was good as the sleaze ball who hires Washington - yet he seems to good at playing these types in all his films.
The aesthetic of the film was enticing. The smooth camera-work was mesmerising. The first shot that tracks through the busy streets and then cranes up through the window to Easy is so Hitchcock - or any director of film noir for that matter. The colours are beautiful too, from the orange skies in the day, to the hazy blues at night.
The story is gripping, if a tad predictable. If you like your Sam Spade and your Marlowes this film will be fine for you. The ending where Washington closes in on a house in the hills is very 'Big Sleep'.
Devil In A Blue Dress is unique in terms of perspective. The story is told from a black males view point and this makes the film very interesting to watch. No more all-white worlds of the 40's generation. This film shows both sides of the coin, and doesn't end up with a chip on both shoulders.
The film may be a tad predictable, but this should not deter you. This film is underrated and deserves your attention. Very entertaining.
Lo sapevi?
- QuizWhen Daphne and Easy enter Richard McGee's house, the radio program in the background is The Life of Riley, starring William Bendix.
- BlooperWhen Easy and Mouse question Dupree, Mouse pours a glass of bourbon for him and screws the cap back on. Corks were still being used in 1948, and the screw cap was not in use until the 1970s.
- Colonne sonoreWest Side Baby
Written by John Cameron and Dallas Bartley
Performed by T-Bone Walker
Courtesy of Capitol Records
Under license from CEMA Special Markets
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El demonio vestido de azul
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 27.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.140.822 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.422.385 USD
- 1 ott 1995
- Lordo in tutto il mondo
- 16.141.551 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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