Dead Weekend

The text on the video jacket lured me with false claims of a story of an alien who shapeshifts her female form at will. The film was a complete waste of its potential. The story: a crash-landed alien spends a weekend on earth while waiting to be rescued by her own species. She switches form several times, never at will, and once she doesn't even realize that she's changed. She never repeats her form (except once, briefly). She never impersonates anyone. Her shapeshifting isn't used to conceal her identity, and plays almost no role in the plot. Basically, several times in the movie the role of the alien switches to a different actress, who says, "Hi, I look different now but it's still me." You wonder if maybe the actresses couldn't make it for the entire filming so they had to time-share. Despite the low budget, there could have been a lot of promise with the film, such as having the alien use her shapeshifting as a disguise. Instead, we have a tag-team of women who come and go, confusing the viewer and leaving him wondering as the credits scroll up, "Has this movie started yet?"

Poor story, poor acting, terrible image quality on Amazon Prime. I would have given this movie a zero, but the minimum score is 1.

I simply cannot believe I sat through this whole thing. Talk about blind hope! Why did I think it would get better? I suppose I hoped that Stephen Baldwin would somehow rescue this mess. Not that I've ever seen him rescue any other lousy movie he's been in to date. I keep hoping he'll pick a winner.

This is simply one of the worst movies I've ever seen. Lame, preposterous plot. Wooden acting. Lousy cinematography. I sure hope these actors got paid well for a potentially career ending fiasco.

I hereby formally nominate it if you ever compile an updated "Worst Movies" list!

Yeah, well... where to begin. All apologies for those viewers who wasted precious moments of their otherwise entertaining lives to view my miscreation. Like all movies, it started with an idea, (to create an Ed Wood like-masterpiece) and then of course... spiraled downwards. My writing partner at the time, Joel Rose (a marvelous novelist) cranked out the screenplay in three weeks of uninterrupted laughter (fueled by a recently arrived kilo of Nepalese hash, flaky & pungent). Lo & behold, our erstwhile agent (Gaby) at the William Morris Agency soon had hooked a producer for this confection. Mind you, we were not wholly unaware of these guys' reputations as liars and thieves but... having my head on backwards, due to a certain addiction to a young Polish actress, I decided to proceed none-the-less. Fearlessness is often a positive thing, but in this instance, it was cause for more suffering than I'd had. In retrospect, my favorite part of the experience (and folk, it WAS a nightmare) was the fun Stephen Baldwin and I had under what I hope is the worst conditions to make a picture. If you can let go of your expectations, and check out Mr. Depp in the brilliant "Ed Wood", who's various concoctions inspired this, you may see the fun of this "awful" movie. Peace.

The least talented Baldwin falls in love with a shape shifting alien (the only vaguely interesting girl she turned into being "Honey, I Shrunk the Kids" TV show mom, Barbara Alyn Woods). His partner, Sledge Hammer is naturally against this. They both are members of the TWF & that military unit is after this alien under the public guise of looking for looters during an earthquake evacuation. The movie is horrid. Tough to believe that the year it was made Tom Kenny had the worst movie of his career, being this, and the BEST gig of his career, being on Mr. Show.

Eye Candy: Afifi Alaouie, Jennifer MacDonald, Blair Valik, and Barbara Alyn Woods all provide boobage

My Grade: D

Where I saw it: Showtime Beyond