In fuga dopo aver ucciso un uomo, il contabile William Blake incontra uno strano nativo americano di nome Nessuno che lo prepara per il suo viaggio nel mondo spirituale.In fuga dopo aver ucciso un uomo, il contabile William Blake incontra uno strano nativo americano di nome Nessuno che lo prepara per il suo viaggio nel mondo spirituale.In fuga dopo aver ucciso un uomo, il contabile William Blake incontra uno strano nativo americano di nome Nessuno che lo prepara per il suo viaggio nel mondo spirituale.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 14 candidature totali
- Drunk
- (as Peter Schrum)
Recensioni in evidenza
10/10
This black and white film is mesmerizing. Obviously the black and white marks a rupture between what you are used to So in essence this rupture is between let say classic Western and Jim Jarmush western as he re-visit the genre. It is also a way to keep the audience to what is essential Color is a filter that can distract you, the sobriety of black and white will not.
But what exactly is essential in that movie? Beside the fact that Mr. Jarmush depict a brutal and impulsive America, the movie opposes a new born civilization that is already collapsing and a dying one that is still shining But more than that the journey of William Blake is a metaphoric and circular voyage from misunderstanding to certitude. The guide Nobody, himself trapped between the two civilizations can not provide a cure to the passing man but may very well provide a path to a curing one. This journey from Machine Town, the "anti chamber" of hell to the sea, first step to Heaven is tremendously poetic and emotional. Also emotional is the evolution from misunderstanding to comprehension between Nobody and William Blake who eventually settles on what is essential reaching a common ground, clarity
Help by a haunting and beautiful score from Neil Young and an extraordinary cast the film succeed in transforming the wood wagon of hell in which William Blake embarks to the wooden vessel to heaven in which he will lie.
One of the best films from Mr. Jarmush, Dead Man manages to take the audience in one of cinema most poetic journey
I have seen it at least ten times, and each time I discover more depth and beauty.
I have show this film to many people, and most unfortunately do not see in it what I see.
I feel sorry for them that I cannot give them my eyes, because I know that what I see in this film is really there.
For me this is one of the best films I have ever seen. Subtle in its beauty and magnificence.
If you see it and don't love it, I say see it again.
So beatiful pictures, such poetry in every single one of them. Hypnotic black and white scenes, still and vast nature, music that takes you down the other side.
It's the unconsious trip of one man to death, slowly descending to another level, deeper into nature. Or is he already dead and is not aware of it? Rivers, trees, animals and spirits to guide him along the way. This is a trip to self-knowledge, a hallucinational, sweet and slow resignation from needs and senses.
Amazing directing, incredible photography and an also amazing Johnny Depp, sunk in his own visions and thoughts, excellent in his portrayal of a man's abdication to parrallel levels of consiousness.
Thank god there is the indie american film making, that we see such beatiful movies.
Lo sapevi?
- QuizNeil Young recorded the soundtrack by improvising (mostly on his electric guitar, with some acoustic guitar, piano, and organ) as he watched the newly edited movie alone in a recording studio.
- BlooperConway Twill sleeps with a Teddy Bear in scenes set in the late 19th century. The Teddy Bear was invented in the early 20th century, and named after US President Teddy Roosevelt.
- Citazioni
William Blake: What is your name?
Nobody: My name is Nobody.
William Blake: Excuse me?
Nobody: My name is Exaybachay. He Who Talks Loud, Saying Nothing.
William Blake: He who talks... I thought you said your name was Nobody.
Nobody: I preferred to be called Nobody.
- Curiosità sui creditiAlthough Crispin Glover receives 9th billing, before Gabriel Bryne, John Hurt, Alfred Molina and Robert Mitchum, his part ends before his name appears in the opening credits.
- ConnessioniEdited into Spisok korabley (2008)
- Colonne sonoreBilly Boy
(uncredited)
[Played in the saloon]
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Hombre muerto
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.037.847 USD
- Fine settimana di apertura Stati Uniti e Canada
- 104.649 USD
- 12 mag 1996
- Lordo in tutto il mondo
- 1.085.079 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1