Crying Freeman

I've never supported the idea of discussing underrated or overrated action movies, because basically, they are all the same. Crying Freeman proved me wrong and I am thankful. Even a 90s action might earn your respect.

Yo Hinomura/Freeman is an assassin who is captured killing Yakuza mobsters. As he risks his life in a bloody battle for leadership and respect, a beautiful woman falls in love with him, offering her help.

First, I want to note that Crying Freeman is one of the most beautiful action movies, ever shot. It's not the "gunshots" that make it attractive. It's not the experimental directing style that provokes your curiosity. It's the lightly, rhythmical plot development. There are a couple of very beautiful shots that you'll never find in a Steven Segal film. The creators show how much they care about that story which is based on anime series. I always like movies that are made out of artistic passion and love for the particular genre.

Crying Freeman, unlike most 90s "boom-boom" flicks, tells a story about honor and human will. Freeman is a perfectly shaped character, quite likable, although he is not "the guy who saved the world". Silent and prepared, dangerous and wise. I never asked for such things before watching the movie and I am sure nobody has. Maybe that is why I loved it.

It's the depth of the story that made the movie very different for me. This is arguably one of a kind film that depends on its own style. Crying Freeman is almost modest and unambitious which is something, I personally, haven't seen in the past couple of year. Christophe Gans's movie promises to remain a classic if future generations manage to look through its "soul".

Of course, comments about the cast could hardly be made. Due to realism purposes, the creators have gathered a cast of almost unknown performers who do their best and in my opinion, succeed, delivering good performances.

The bad points are almost imperceptible. I kinda disliked how some scenes are way too dark. I've always hated that in movies. Yes, it is more authentic, but you can easily miss a character being killed or something like that. I had hard times, recognizing the villains in the third act, because some of them are killed in the first half on the movie.

Crying Freeman makes us realize we were in a big mistake. There are action movies about moral values.

As a Korean, I am very surprised to see how well foreigners understand the special culture of Chinese and Japan.

The idea that some Buddhists established an legendary organization and trained a legendary assassin called "freeman" and whenever China was in trouble, the organization helped to avoid or overcome the trouble situations. so it was given respect by Chinese is to come from the traditional chivalry story of China. in fact, the movie "First of Legend" acted by "Jet li" has the same context with this. "Crying Freeman" also reflects the culture of Yakuza Organization in Japan well. for example, Yakuzas like to have a dragon tattooed upon their bodies and if the boss died, the successor married the boss' wife. and so on.

I felt as if I was seeing the movie produced by Chinese or Japanese. and I could enjoy it even more interestingly than other foreign movies.

I hired this on video in the UK, and was so suprised to find what an excellent film this is, especially as I and everyone else seems never to have heard of it.

I have never seen the original Manga anime, nor am a big fan of the anime genre. However, I am very interest in oriental culture, and so probably more tolerant and open minded to such things than most people.

This film is awesomely slick, clear and crisp. To view it as only a film with violence is to watch it blindfolded. In fact the more I watch this film, the more I realize that there is not that much action, just that each sequence has a huge impact. Between the cool, elegant and well balanced cinematography and Gans's uncluttered and simple direction, the film draws the viewer through a beautiful, dark and rich world of a sino-japanese underworld. The film revolves around the traditional and formal world of the Japanese yakusa, and the dark and dedicated world of the chinese Triads, both playing for power. Without any understanding of either japanese or chinese culture this film might well be too remote for the casual viewer.

Strongest point of this film, is without doubt the cinematography. Superb composition, especially in the slow motion shots, the steralized mono-chrome of the yakusa/triads and the fantastic colours of the wonderful tattoos all contribute to a visually deep and absorbing experience.

I find many modern action films overly converluted and complicated little reason for being so other than they think they should. It was very refreshing seeing a plot that was simple and clean. The characters are well construed, if under-developed for many critics. But this has never been a problem for me, as I think a lot of films tell a story of events and the prying voyeurism of characterisation isnt needed. One of the nicest aspects, was the obvious nature of the 'crying' freeman. An assassin that is emotionally sympathetic to his victims, but who doesnt really understand it and partially sees it as a curse. This allows the main character to be softer and more human, without having to pile into the emotional struggles.

This was the first Marc Dacascos film I had seen, and was immensly impressed by him. His body movement is exceptionally elegant and he isnt challenged by the very dry exterior of the hitman. Sadly, I dont think he has been in anything nearly as good since.

All in all, Christophe Gans crafted an excellent and entertaining film. He brings us neo-zen, clinical beauty in magnificent depth. The slick style and soft characters beat anything that Jon Woo has done.

(P.S. Am a big john woo fan, so hate to dis him. But must be said that gans hasnt produced anything of similar quality since again... but here's hoping for a sequel sometime)

This is one of the best movies you'll ever find! It may be a b movie but it has more class than 10 blockbuster-megaproduction-movies together. The story along with the atmosphere is fantastic, beautiful locations, the acting is quite good, and most of all, the directing is superb. For a debut and a limited budget, the director: Christoph Gans (brotherhood of wolf) made something no one could expect. The story is put on the screen driven by first class camera work and effects, varied with the most stylish action scenes ever made. Beautiful details, special moves, original killings and many slow motion gunbattles(also in a original style) makes every actionfan happy during the entire movie. If you don't like the story (witch would be surprising) you certainly wanna watch this beauty for the actionscenes alone. Christophe Gans takes obviously his influence by directors like john woo, but does this without copying and manages to create a style of his own. He's one of the greatest. Personally, i think it's better than the matrix because it's not so excessively and far-fetched, makes the action more real. In fact, its actually wrong to compare it with the matrix, it's a totally different movie. It's more right to compare it with movies like the killer (john woo) for example. For me, this movie is on my all-time favourite list, and the director has a place in my heart like robert rodriuegez, Tarantino, john woo, johnnie to... Bottom line: If you like non-usual (action)movies that try to be something special, with a little more storyline and competent actors, and/or action packed movies with loads of original and impressive shootouts, this is your thing, no doubt!

This film received such an unfortunate review in my TV guide that I would not have chosen to watch it. I was sitting in bed with a book, completing the wearisome process of taking my medication when my partner changed channels. I said 'I know what this movie is' & provided him a synopsis. (He went to sleep.) I was hooked from the opening scenes on the cliff. The style of the film still seems somewhat simplistic but neverless has enormous impact. This film hits on a far deeper level than outright action. Perhaps it is the trapped feelings of the lead characters which forms the basis of interaction for the viewer. I still don't know but I find that I must buy the dvd. This film made me feel and that is so rare nowadays.