VALUTAZIONE IMDb
6,4/10
14.108
LA TUA VALUTAZIONE
Una donna vede un assassino fuori San Francisco che uccide uomini della yakuza e poi assiste alla stessa cosa a Vancouver. Agli assassini è stato ordinato di non lasciare testimoni. Sarà lei... Leggi tuttoUna donna vede un assassino fuori San Francisco che uccide uomini della yakuza e poi assiste alla stessa cosa a Vancouver. Agli assassini è stato ordinato di non lasciare testimoni. Sarà lei la sua prossima vittima?Una donna vede un assassino fuori San Francisco che uccide uomini della yakuza e poi assiste alla stessa cosa a Vancouver. Agli assassini è stato ordinato di non lasciare testimoni. Sarà lei la sua prossima vittima?
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Tchéky Karyo
- Detective Netah
- (as Tcheky Karyo)
Yôko Shimada
- Lady Hanada
- (as Yoko Shimada)
Recensioni in evidenza
As a Korean, I am very surprised to see how well foreigners understand the special culture of Chinese and Japan.
The idea that some Buddhists established an legendary organization and trained a legendary assassin called "freeman" and whenever China was in trouble, the organization helped to avoid or overcome the trouble situations. so it was given respect by Chinese is to come from the traditional chivalry story of China. in fact, the movie "First of Legend" acted by "Jet li" has the same context with this. "Crying Freeman" also reflects the culture of Yakuza Organization in Japan well. for example, Yakuzas like to have a dragon tattooed upon their bodies and if the boss died, the successor married the boss' wife. and so on.
I felt as if I was seeing the movie produced by Chinese or Japanese. and I could enjoy it even more interestingly than other foreign movies.
The idea that some Buddhists established an legendary organization and trained a legendary assassin called "freeman" and whenever China was in trouble, the organization helped to avoid or overcome the trouble situations. so it was given respect by Chinese is to come from the traditional chivalry story of China. in fact, the movie "First of Legend" acted by "Jet li" has the same context with this. "Crying Freeman" also reflects the culture of Yakuza Organization in Japan well. for example, Yakuzas like to have a dragon tattooed upon their bodies and if the boss died, the successor married the boss' wife. and so on.
I felt as if I was seeing the movie produced by Chinese or Japanese. and I could enjoy it even more interestingly than other foreign movies.
Marc Dacascos is well cast in this role. he has a Manga like face that seems very perfectly symmetrical and too innocent to be a killer. Which adds to the legend that the Freeman is simply a hermit artist, a potter who keeps to himself and, were it not for the Sons of the Dragons, would have stayed that way.
The movie is a close adaptation to the Manga without trying to do the inimitable. Marc Dacascos is an acknowledged martial artist and acrobat which adds only to the credentials he brings to the movie. Of course, as all avid manga watchers will know, there is always a perverted dimension to the Manga movies. This is not so apparent in this movie adaptation, but suffice it to say that the romantic interest in this movie, has a face which seems so beautiful and tender, it could have come right out of a Japanese novel.
Superb watching. I recommend it to anyone who liked the Manga.
The movie is a close adaptation to the Manga without trying to do the inimitable. Marc Dacascos is an acknowledged martial artist and acrobat which adds only to the credentials he brings to the movie. Of course, as all avid manga watchers will know, there is always a perverted dimension to the Manga movies. This is not so apparent in this movie adaptation, but suffice it to say that the romantic interest in this movie, has a face which seems so beautiful and tender, it could have come right out of a Japanese novel.
Superb watching. I recommend it to anyone who liked the Manga.
I thought that this movie was great. At first I was not sure whether this would be good because of Dacascos history of bad karate flicks in the past. After seeing this movie I have now become a fan of Mark Dacascos. If you want to see a beautiful movie watch CRYING FREEMAN.
I hired this on video in the UK, and was so suprised to find what an excellent film this is, especially as I and everyone else seems never to have heard of it.
I have never seen the original Manga anime, nor am a big fan of the anime genre. However, I am very interest in oriental culture, and so probably more tolerant and open minded to such things than most people.
This film is awesomely slick, clear and crisp. To view it as only a film with violence is to watch it blindfolded. In fact the more I watch this film, the more I realize that there is not that much action, just that each sequence has a huge impact. Between the cool, elegant and well balanced cinematography and Gans's uncluttered and simple direction, the film draws the viewer through a beautiful, dark and rich world of a sino-japanese underworld. The film revolves around the traditional and formal world of the Japanese yakusa, and the dark and dedicated world of the chinese Triads, both playing for power. Without any understanding of either japanese or chinese culture this film might well be too remote for the casual viewer.
Strongest point of this film, is without doubt the cinematography. Superb composition, especially in the slow motion shots, the steralized mono-chrome of the yakusa/triads and the fantastic colours of the wonderful tattoos all contribute to a visually deep and absorbing experience.
I find many modern action films overly converluted and complicated little reason for being so other than they think they should. It was very refreshing seeing a plot that was simple and clean. The characters are well construed, if under-developed for many critics. But this has never been a problem for me, as I think a lot of films tell a story of events and the prying voyeurism of characterisation isnt needed. One of the nicest aspects, was the obvious nature of the 'crying' freeman. An assassin that is emotionally sympathetic to his victims, but who doesnt really understand it and partially sees it as a curse. This allows the main character to be softer and more human, without having to pile into the emotional struggles.
This was the first Marc Dacascos film I had seen, and was immensly impressed by him. His body movement is exceptionally elegant and he isnt challenged by the very dry exterior of the hitman. Sadly, I dont think he has been in anything nearly as good since.
All in all, Christophe Gans crafted an excellent and entertaining film. He brings us neo-zen, clinical beauty in magnificent depth. The slick style and soft characters beat anything that Jon Woo has done.
(P.S. Am a big john woo fan, so hate to dis him. But must be said that gans hasnt produced anything of similar quality since again... but here's hoping for a sequel sometime)
I have never seen the original Manga anime, nor am a big fan of the anime genre. However, I am very interest in oriental culture, and so probably more tolerant and open minded to such things than most people.
This film is awesomely slick, clear and crisp. To view it as only a film with violence is to watch it blindfolded. In fact the more I watch this film, the more I realize that there is not that much action, just that each sequence has a huge impact. Between the cool, elegant and well balanced cinematography and Gans's uncluttered and simple direction, the film draws the viewer through a beautiful, dark and rich world of a sino-japanese underworld. The film revolves around the traditional and formal world of the Japanese yakusa, and the dark and dedicated world of the chinese Triads, both playing for power. Without any understanding of either japanese or chinese culture this film might well be too remote for the casual viewer.
Strongest point of this film, is without doubt the cinematography. Superb composition, especially in the slow motion shots, the steralized mono-chrome of the yakusa/triads and the fantastic colours of the wonderful tattoos all contribute to a visually deep and absorbing experience.
I find many modern action films overly converluted and complicated little reason for being so other than they think they should. It was very refreshing seeing a plot that was simple and clean. The characters are well construed, if under-developed for many critics. But this has never been a problem for me, as I think a lot of films tell a story of events and the prying voyeurism of characterisation isnt needed. One of the nicest aspects, was the obvious nature of the 'crying' freeman. An assassin that is emotionally sympathetic to his victims, but who doesnt really understand it and partially sees it as a curse. This allows the main character to be softer and more human, without having to pile into the emotional struggles.
This was the first Marc Dacascos film I had seen, and was immensly impressed by him. His body movement is exceptionally elegant and he isnt challenged by the very dry exterior of the hitman. Sadly, I dont think he has been in anything nearly as good since.
All in all, Christophe Gans crafted an excellent and entertaining film. He brings us neo-zen, clinical beauty in magnificent depth. The slick style and soft characters beat anything that Jon Woo has done.
(P.S. Am a big john woo fan, so hate to dis him. But must be said that gans hasnt produced anything of similar quality since again... but here's hoping for a sequel sometime)
This is one of the best movies you'll ever find! It may be a b movie but it has more class than 10 blockbuster-megaproduction-movies together. The story along with the atmosphere is fantastic, beautiful locations, the acting is quite good, and most of all, the directing is superb. For a debut and a limited budget, the director: Christoph Gans (brotherhood of wolf) made something no one could expect. The story is put on the screen driven by first class camera work and effects, varied with the most stylish action scenes ever made. Beautiful details, special moves, original killings and many slow motion gunbattles(also in a original style) makes every actionfan happy during the entire movie. If you don't like the story (witch would be surprising) you certainly wanna watch this beauty for the actionscenes alone. Christophe Gans takes obviously his influence by directors like john woo, but does this without copying and manages to create a style of his own. He's one of the greatest. Personally, i think it's better than the matrix because it's not so excessively and far-fetched, makes the action more real. In fact, its actually wrong to compare it with the matrix, it's a totally different movie. It's more right to compare it with movies like the killer (john woo) for example. For me, this movie is on my all-time favourite list, and the director has a place in my heart like robert rodriuegez, Tarantino, john woo, johnnie to... Bottom line: If you like non-usual (action)movies that try to be something special, with a little more storyline and competent actors, and/or action packed movies with loads of original and impressive shootouts, this is your thing, no doubt!
Lo sapevi?
- QuizJulie Condra and Mark Dacascos met and co-starred in this film, and then they married in real life.
- BlooperYo is clearly naked when he approaches Emu's bed, but after the love scene he suddenly has a white jockstrap on.
- Citazioni
Shido Shimazaki: "The Sons of the Dragon" exist! And so does the Freeman!
- Curiosità sui creditiLeaves Wrangler: insert unit, Los Angeles - Gilles "James" I
- ConnessioniReferenced in Chuen zik saat sau (2001)
- Colonne sonoreActive Lion
Performed by the Fung Hang Orchestra
Courtesy of Fung Hang Record Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Убивця, що плаче
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 FRF (previsto)
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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