Amici per sempre

Unbelievably close to real life feelings and emotions captured by Joseph Mazzello as a hemophiliac child affected by AIDS and his new young neighbor, a wanna-be tough redneck played to perfection by Brad Renfro. Although the story may seem slightly farfetched (the two boys attempt to river-raft several hundred miles to find a doctor who claims to have the cure to AIDS), the emotion, actions and interactions of all characters involved are tragically close to real life. Being a "big brother" to a boy in a similar situation who died a few years after this film was released, I strongly recommend this picture to anyone who has ever wondered what really happens in the life of a child with AIDS. Superb direction by Peter Horton creates the perfect mood and setting for each scene and draws the viewer into the various emotions affected by friendship, illness, prejudice and the final parting of two friends who fought hard to overcome adversity.

I had seen The Cure when I was a kid and I loved it then. Now, years later, I got a hold of a copy almost by accident, and watched it again. Being a kid, you don't really have the ability to procure things for yourself that you want, that is usually a prerogative of your parents - but when I watched it again now I felt sorry that I did not do more to get a copy of this movie back then, and consequently almost forgot about it until today.

This really is a beautiful movie. It tells the story of the unlikely friendship between a hard-edged, misfit kid - who takes his cues from his horrible, abusive mother - and his neighbor, a slightly younger boy who has AIDS.

Right, you say. Another one of "those". A tear jerker. A bucket movie. A morality tail. Yeah, I know, I hate those too. Only this one isn't. It is one of the very few movies among those many I have seen that pulls off a very rare trick: it conveys a truly sad story (and yes, a morality tale) but without a single moment where it feels cheesy, forced or in any other way "hollywoody". It shows a REAL relationship between two REAL boys, who interact as REAL kids do. And through that interaction the good-natured, loving character of the older boy, Eric, starts to shine through his "tough-guy" persona, as he takes on a kind of big-brotherly care for Dexter, his HIV-positive younger neighbor. Together, they embark on an adventure to find a cure - which to Erik seems to be just around the corner - so that all this silly AIDS thing will go away and they can be friends forever.

The production is top notch. But, of course, what really carries this movie, is the performances of the two leads - Brad Renfro and Joseph Mazzello. Especially Mazzello, who is simply stunning - he does convey a sense of frailty needed for an ailing boy, but at the same time he manages to make Dexter a truly energetic and determined character. He shines at the scene where the boys confront Pony: his impulse to protect his older friend lunges him forth, drives him to say what he says - and only afterwards, the horror is depicted on his face, as he realizes that what he himself said is true: his blood is poison... Renfro also has his moments, in particular the scenes with his mother: he depicts perfectly how this macho, street-wise kid is left completely frozen and numb when faced with his abusive, storming mother, and can't get a word in to contradict her as she forbids his relationship with the ailing boy out of her fear and ignorance. Annabella Sciorra also gives a memorable performance as Dexter's mother, who ultimately becomes, in a sense, a mother figure to Erik as well.

I've first seen this film when I was at school back in America, and loved it - not at all a given concerning movies of this sort. But the behavior of the kids in this movie was so real, I could easily relate to them. Ironically enough, the teacher who had shown us this movie (a wonderful woman, I'm still in touch with her) got in trouble for it, as some uptight parent complained about it having the scene when the two boys are looking at a Playboy... Pathetic. Seriously, will Americans ever get over this ridiculous phobia, I do not know. There was a hardly-distinguishable shot of a playboy cover in the movie and thus it is not shown in schools... how sad. Kids need to see this movie. It is more inspiring and educational than all the "official" after-school specials put together.

Oh, and one more thing. I know I'm rambling, but nevertheless... The score. It's great. I am a musician, and as such I know Dave Grusin from his records: he is a well known Jazz pianist and record producer. Up until this movie I really did not know that he did movie scores as well, even though when I later checked I found out that I had unknowingly watched several movies he worked on. Really, a wonderful job there.

All in all, a solid Ten. I'd recommend this movie to anyone. And I'm definitely going to see it with my younger siblings - they can use watching a film like this among all the standard special-effect hysteria they usually see.

The Cure is a great movie, the only drawback being the short length. The acting is amazing and the direction is great. Joseph Mazzello (Radio Flyer, Shadowlands) and Brad Renfro (The Client) delivered career best (and still best) performances and Annabella Sciorra (Hand that Rocks the Cradle) was good playing Dexter's (Mazzello) mom.

The subject of children being terminally ill is difficult and saddening but 'The Cure' successfully portrays the idea that it doesn't have to be all doom and gloom and, if anything, children need to have hope and delight in their lives if they are to find peace before the end. It is also a film of remarkable bonds of friendship and the innocence of childhood.

The film sees Erik, a dysfunctional adolescent boy with a distant mother, moving into a new area where their next-door neighbour is eleven-year-old Dexter, who contracted AIDS through a blood transfusion. After his initial fears and ignorance over AIDS are allayed, Erik befriends Dexter and their almost fraternal friendship sees them embark on a journey down the Mississippi to where they have heard about a New Orleans doctor who claims to have found a cure for the disease.

The talent from the two young leads of Brad Renfro and Joseph Mazzello, who play Erik and Dexter respectively, is exceptional. Brad was able to portray Erik's harder edge without comprising the subtle childish innocence inherent to the character while Joseph depicts the sense of vulnerability to Dexter's character but injects the right amount of boyish enthusiasm and zeal to highlight that his illness doesn't mean he still isn't a child who wants to run and play like any other eleven-year-old boy. The pair's interactions create a feel in the audience that these are two boys who are genuinely close and they carry the film well. Annabella Sciorra also delivers a touching performance as Dexter's mother Linda, who adores her son and delights in seeing him thrive with this new friendship to Erik and eventually becomes a surrogate mother-figure to the other boy.

Set against an excellent soundtrack, 'The Cure' is a very bittersweet film that manages to flawlessly weave the story of boyhood friendship that survives unflinchingly in the midst of prejudice and terminal illness without resorting to sappiness or unnecessary saccharine sweet scenes. A very interesting reflection in the film is that is it the adults who have the problem with Dexter's AIDS status whereas the children, even the 'bullies', come to accept him as they would any other. What is also very touching is how, despite Erik's streetwise nature, he is the more naive one in his determination to cure Dexter while the younger boy has this haunting sense that he knows his fate but is swept away by his best friend's enthusiasm for a cure.

I highly recommend 'The Cure' for it is rare to find a film that is simultaneously sad and uplifting.

Here's a film about and enacted by two children. Although there are adults in the film, they are there to add some authenticity, drama and, at times, comedy relief. The younger of the two boys, Dexter (Joseph Mazzello) is dying of AIDS; the older boy, Eric (Brad Renfro), is something of a sociopath. A lad of the South, Eric lives with his divorced mother in an unidentified city in the upper reaches of the Mississippi River (St. Paul, Minneapolis?). His innate hostility coupled with his marked southern accent does little to endear him to his peer group. So Eric is something of an outcast and has few friends...until he meets his next-door neighbor. He and Dexter become fast, though tenuous, friends. The friendship solidifies as the story segues into a quest for an AIDS cure which takes them on a Tom Sawyer trek down the Mississippi River with lots of adventures. One later scene, which will be thought of as emotional and something of a tear jerker, is truly uplifting and brings to the fore the true theme of the film. A first time effort by director Peter Horton, its theme was not one to garner any great box-office success. But it is well worth a video rental. (Brad Renfro, by the way, proves that his brilliant performance in The Client was not a fluke. And he did it without Tommmy Lee Jones & Susan Sarandan).