Uno psicologo agorafobico e un detective femminile devono lavorare insieme per abbattere un serial killer che copia altri assassini del passato.Uno psicologo agorafobico e un detective femminile devono lavorare insieme per abbattere un serial killer che copia altri assassini del passato.Uno psicologo agorafobico e un detective femminile devono lavorare insieme per abbattere un serial killer che copia altri assassini del passato.
- Premi
- 2 vittorie e 1 candidatura in totale
- Cop #1
- (as Scott De Venney)
Recensioni in evidenza
Until the terror begins again, this time involving not only the ex-pschologist (Sigourney Weaver) but also a cop played by Holly Hunter.
"Copycat" was much better than I thought it would be. I originally saw it on TBS years ago; I remember the ads claiming it would be on, but for some reason the rights fell through and it didn't air for another month or so... through this time period I hadn't heard anything about the film, but within the very first few minutes I instantly knew it was going to be much better than the standard "Silence" rip-off.
I may be alone here (and trust me, I know it) but I enjoy this more than "Silence of the Lambs," which kind of bores me at times. "Copycat" is dark and unexpectedly intelligent -- it is also perfectly cast. Weaver is fine (if unexceptional) whereas Hunter's macho-female traits are put into play perfectly by her casting as a cop.
The killer in the movie is played by Harry Connick Jr., and even he does a good job, which is saying quite a lot.
The movie has unexpected twists and is very clever in its own right. It is undoubtedly influenced (heavily) by "Silence of the Lambs" but is successful in the way it adds its own qualities to the mix -- much like "Se7en" this is a serial killer movie cashing in on the success of "Silence," but not necessarily stealing its content.
Very surprised. Catch it if you can.
Basic outline - Sigourney Weaver plays a serial killer expert, haunted by her past, who is roped in by the police to guide them towards a serial killer operating in the city. The murderer is copying the M.O. of famous serial killers from the sixties, seventies and eighties.
The problem is that even though it is ostensibly - as its title suggests - a film about Copycat killers, it feels somewhat lightweight in the amount of 'copycatting' - it feels like a tame half-baked plot line, which is more focused on Sigourney Weaver's character's past horrors. The 'copycat' idea just feels so, so underplayed - the director doesn't really work off it, it's just a vaguely interesting aside by the final reel.
However, it must be said, Sigourney Weaver acts her socks off - she really does play an excellent role as an agoraphobic suffering with a chronic (understandable) case of PTSD. Holly Hunter also plays her role with gusto.
However, disappointingly, the perpetrator is 2d and meaningless; after the film spent the first 10, 20 minutes explaining that a serial killer can be 'just like you and me' they didn't then justify that at all, they just roped in a cartoon (overacted) nutter.
Too much is 'stock' - there is quite a jarring, wasted death which feels put in for the sake of ticking that Hollywood plot box. Police guards are literally the most useless in any film, ever. The scenes of the internet in its infancy are quite endearing, but do date the film terribly.
Yeah, overall, it just feels like a missed opportunity. It's hard to believe that this and the majestic 'Se7en' came out within a month of each other; one looks, feels and plays like mid-nineties Hollywood, the other is so much more.
Sure, it's the same old serial killer movie. It does add a couple of interesting wrinkles and with solid female leads. Hunter is confident and fully realized. Weaver and her point of view deliver a sincere and fragile personality. The movie opens with the memorable bathroom attack. The other memorable aspect is Weaver struggling in her home. The investigation and the serial killer are less compelling. This follows the formula and it does it pretty well.
Lo sapevi?
- QuizYears later, Sigourney Weaver would state that she was most proud of her work in this film. She worked hard to portray the mindset of an agoraphobic, and has regretted that the movie was lost in a shuffle of thrillers at the time and is not better remembered.
- Blooper(at around 1h 30 mins) When the copycat killer does the "Dahmer" crime, he dumps the decapitated body into the river. Jeffrey Dahmer would've never done this, as he kept all the bodies in his apartment for further sexual gratification, then he dismembered them and submerged them in acid, sometimes he ate parts, also he boiled the heads and kept the skulls for a sculpture he was planning to do. He killed for companion, to have a submissive partner by his side, he killed men he felt attracted to and he would've never gotten rid of a body.
- Citazioni
Helen Hudson: Fuck you.
Peter Foley: What?
Helen Hudson: You heard me, you little twerp. Do you think I'm afraid of you?
Peter Foley: I know you are.
Helen Hudson: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter Foley: Watch it, bitch, or I will slice that smile off your face, do you hear me?
Helen Hudson: Daryll Lee couldn't get it up either.
Peter Foley: DO YOU HEAR ME?
[Helen spits in Peter's face]
Peter Foley: Okay, I see, Helen. Nice try. You wanna know a little secret? Huh? I'm on to your trick. I won't kill you fast no matter how much you're gonna want me to.
- Versioni alternativeItalian video version tones down most of the violence; most notably, Darryl Lee Cullum is not shown slitting the policeman's throat in the prologue.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El imitador
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.051.917 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.170.522 USD
- 29 ott 1995
- Lordo in tutto il mondo
- 32.051.917 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1