VALUTAZIONE IMDb
6,3/10
1820
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFor financial reasons an unemployed aspiring actor works for a phone-sex enterprise. One day he receives a call from the mysterious wife of one of his best clients.For financial reasons an unemployed aspiring actor works for a phone-sex enterprise. One day he receives a call from the mysterious wife of one of his best clients.For financial reasons an unemployed aspiring actor works for a phone-sex enterprise. One day he receives a call from the mysterious wife of one of his best clients.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 10 candidature totali
Aitana Sánchez-Gijón
- Amanda
- (as Aitana Sanchez-Gijon)
María Barranco
- Angela
- (as Maria Barranco)
Tres Hanley
- Debra Reynolds
- (as Trés Hanley)
Alastair Mackenzie
- Oswaldo
- (as Sam MacKenzie)
Shangay Lily
- Self
- (as Shangay Lili)
Recensioni in evidenza
10cinema
That was a great film, showing that in today's life, money is almost everything. And that's not good. Everything is killed in the name of profit and earning money, according to the directions of modern marketing and management.The hero of the film, a poor boy from Carthagena, tries to earn to live, until the great job he's dreaming: the first role in a great movie. In order to do so, he works in phone sex but he falls in love, in the middle of an unbelievable story with murders, wife cheatings ,money arrangement and a sweet gay.... The rest of that very sweet and at the same time, bitter movie, watch them on screen.....Have fun.....
The director tries for an outrageous sex comedy in the manner of Almavodar, but comes up with a mild screwball amusement. Javier Bardem is neither sexy nor amusing, although he tries very hard. He's not a funny guy. One central plot line revolves around a closeted gay man whose wife is having an affair with his business partner. The character is a sad reminder of the tormented closet homosexuals from movies of the 60s (e.g., William Windom in "The Detective"). Even in a farce, the character must be remotely believable. Is it possible that in the enlightened Spain of the 1990s, such a pitiful creature could still exist? Even in a farce, the premise must be believable.
Another plot line involves Bardem trying to get a part in an American movie and become an international superstar. The satire regarding the American view of Spanish men is obvious and puerile. It's meant for hip Spanish twenty-somethings so they can knowingly smirk about the superiority of Spanish culture to that of Hollywood. But the slapstick is mere juvenilia, without much genuine humor. The American view of Spanish men as hot Latin lovers went out with the death of Valentino (yes, I know, he was Italian, but Americans don't know the difference--therein lies something to satirize).
Another plot line involves Bardem trying to get a part in an American movie and become an international superstar. The satire regarding the American view of Spanish men is obvious and puerile. It's meant for hip Spanish twenty-somethings so they can knowingly smirk about the superiority of Spanish culture to that of Hollywood. But the slapstick is mere juvenilia, without much genuine humor. The American view of Spanish men as hot Latin lovers went out with the death of Valentino (yes, I know, he was Italian, but Americans don't know the difference--therein lies something to satirize).
Take a struggling actor (Javier Bardem downplaying his good looks and normal masculine appeal for a 'nebbische'-looking character) who becomes a phone sex operator (in a wonderfully sleazy phone sex operation), and then becomes involved with a (male) client, pretending to be gay. Add in an excellently created agent, a self-centred director (brilliantly played by Alistair Mackenzie), a love interest or two, lots of fun and laughs. Roller-coaster with the film when it becomes 'dark', becoming and spoofing 'film noir'. All of these 'archetypes' have been set up and spoofed before. And here is a Spanish film which does so, with humour and fun: simultaneously sending up its own industry and that of Hollywood. It's stunning!
This is an inventive, witty, fun film! It's very similar in intent to the recent 'Unconditional Love' aka 'Who killed Victor Fox?' (which cannot be boxed into a specific genre of movie), where the ensemble acting, the lead acting, and quite quirky script work: in a strange way, this is a feel-good movie: one can sense the actors really enjoying themselves. And so does the audience.
It is a film worth seeing; a Spanish spoof of Hollywood, of various film genres (and add in here plot convolutions, homage to other movies (often with a 'twist'), of beginnings and endings (no spoiler here, but in my opinion both beginning and ending are so true to the film's intention)and a fun take on actors and directors.
It's not at all a 'heavy' film. Director Manuel Gomez Pereira has the script nicely sewn up, and his direction (while never heavy handed) is tight, light and snappy. He has a great cast of actors, led by Javier Bardem (who can never really convince one that he is a nerd and unsexy!) and Maria Barranco, who gives a deft performance as female lead.
There are brilliant cameo roles, and some amusing American (language) lines counterpointed with the Spanish dialogue.
This film works! It's an absolute gem, a treat: see it....
This is an inventive, witty, fun film! It's very similar in intent to the recent 'Unconditional Love' aka 'Who killed Victor Fox?' (which cannot be boxed into a specific genre of movie), where the ensemble acting, the lead acting, and quite quirky script work: in a strange way, this is a feel-good movie: one can sense the actors really enjoying themselves. And so does the audience.
It is a film worth seeing; a Spanish spoof of Hollywood, of various film genres (and add in here plot convolutions, homage to other movies (often with a 'twist'), of beginnings and endings (no spoiler here, but in my opinion both beginning and ending are so true to the film's intention)and a fun take on actors and directors.
It's not at all a 'heavy' film. Director Manuel Gomez Pereira has the script nicely sewn up, and his direction (while never heavy handed) is tight, light and snappy. He has a great cast of actors, led by Javier Bardem (who can never really convince one that he is a nerd and unsexy!) and Maria Barranco, who gives a deft performance as female lead.
There are brilliant cameo roles, and some amusing American (language) lines counterpointed with the Spanish dialogue.
This film works! It's an absolute gem, a treat: see it....
I missed the opening credits, so I didn't know whose film this was. But by the end I was convinced it must be Pedro Almodovar's. The film has the pace and plot twists typical of Almodovar. The dialogue sounded like something out of "Women on the Verge...". Sort of Billy Wilder on speed. The only thing that was different from an Almodovar film was the look of the sets, especially the lighting and the colors. But still, I was very surprised to find it wasn't Almodovar's. I enjoyed it very much and plan to watch it again, this time from beginning to end.
Typical story of actor down on his luck, taking menial jobs to support oneself. This one takes a turn where the protagonist ends up working for a 1-900 sex line, and there starts an often madcap story. A good, biting wit in the script and some good performances makes BOCA A BOCA (MOUTH TO MOUTH) very worthwhile. Recommended.
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Dettagli
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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