Boca a boca

I missed the opening credits, so I didn't know whose film this was. But by the end I was convinced it must be Pedro Almodovar's. The film has the pace and plot twists typical of Almodovar. The dialogue sounded like something out of "Women on the Verge...". Sort of Billy Wilder on speed. The only thing that was different from an Almodovar film was the look of the sets, especially the lighting and the colors. But still, I was very surprised to find it wasn't Almodovar's. I enjoyed it very much and plan to watch it again, this time from beginning to end.

Boca a Boca is one of those rare films that is able to satisfy the viewer on all fronts. Film buffs will be amused with its satire of Hollywood. The film follows an aspiring actor who is forced to take a job as a phone-sex operator. From there the movie becomes a mystery/romance/comedy that will leave audiences satisfied. 10/10, I highly recommend this film!

That was a great film, showing that in today's life, money is almost everything. And that's not good. Everything is killed in the name of profit and earning money, according to the directions of modern marketing and management.The hero of the film, a poor boy from Carthagena, tries to earn to live, until the great job he's dreaming: the first role in a great movie. In order to do so, he works in phone sex but he falls in love, in the middle of an unbelievable story with murders, wife cheatings ,money arrangement and a sweet gay.... The rest of that very sweet and at the same time, bitter movie, watch them on screen.....Have fun.....

The director tries for an outrageous sex comedy in the manner of Almavodar, but comes up with a mild screwball amusement. Javier Bardem is neither sexy nor amusing, although he tries very hard. He's not a funny guy. One central plot line revolves around a closeted gay man whose wife is having an affair with his business partner. The character is a sad reminder of the tormented closet homosexuals from movies of the 60s (e.g., William Windom in "The Detective"). Even in a farce, the character must be remotely believable. Is it possible that in the enlightened Spain of the 1990s, such a pitiful creature could still exist? Even in a farce, the premise must be believable.

Another plot line involves Bardem trying to get a part in an American movie and become an international superstar. The satire regarding the American view of Spanish men is obvious and puerile. It's meant for hip Spanish twenty-somethings so they can knowingly smirk about the superiority of Spanish culture to that of Hollywood. But the slapstick is mere juvenilia, without much genuine humor. The American view of Spanish men as hot Latin lovers went out with the death of Valentino (yes, I know, he was Italian, but Americans don't know the difference--therein lies something to satirize).

Typical story of actor down on his luck, taking menial jobs to support oneself. This one takes a turn where the protagonist ends up working for a 1-900 sex line, and there starts an often madcap story. A good, biting wit in the script and some good performances makes BOCA A BOCA (MOUTH TO MOUTH) very worthwhile. Recommended.