Aggiungi una trama nella tua linguaBarbra Streisand's New Year's concert at the Arrowhead Pond in Anaheim, California on New Year's Weekend circa 1993-94.Barbra Streisand's New Year's concert at the Arrowhead Pond in Anaheim, California on New Year's Weekend circa 1993-94.Barbra Streisand's New Year's concert at the Arrowhead Pond in Anaheim, California on New Year's Weekend circa 1993-94.
- Regia
- Sceneggiatura
- Star
- Vincitore di 5 Primetime Emmy
- 11 vittorie e 9 candidature totali
Steve Susskind
- First Doctor
- (as Steven Susskind)
Philip Austin
- Third Doctor
- (as Phil Austin)
Madeleine Albright
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
King Charles III
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Bill Clinton
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Kirk Douglas
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Michael Douglas
- Self - Concert Attendee
- (non citato nei titoli originali)
Henry Fonda
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Elliott Gould
- Self - Concert Attendee
- (non citato nei titoli originali)
Jason Gould
- Self - Barbra's Son
- (non citato nei titoli originali)
Marvin Hamlisch
- Self - Concert Attendee
- (non citato nei titoli originali)
Tom Hanks
- Self - Concert Attendee
- (non citato nei titoli originali)
Dustin Hoffman
- Self - Concert Attendee
- (non citato nei titoli originali)
Michael Jackson
- Self - Concert Attendee
- (non citato nei titoli originali)
Diana Kind
- Self - Barbra's Mother
- (non citato nei titoli originali)
Recensioni in evidenza
Barbra Streisand - Love her or hate her, few would deny her talent for singing! Her first concert tour in over two decades was well worth the wait. Opening with "As If We Never Said Goodbye" from "Sunset Boulevard", she had some of the lyrics changed, now instead of the song referring to Norma Desmond's return to the movie studio, it is about Streisand herself returning to the concert stage. The performance was staged very much like a theater production with two "Acts" and Barbra offering an audio biography along the way. She performs one new song, the beautiful "Ordinary Miracles". Among the highlights are a medley from "Yentl", a mesmerizing version of "Lazy Afternoon" and the closing number "Somewhere". In truth, nearly ever song is a gem. Streisand reminds you how moving truly talented vocalists can be. Here's looking forward to her 1999 tour!
This double album is definitive Babs. The voice is beautiful, and the selections inspired and plentiful. The banter that takes place between the songs is concise and fun, the audience reactions are inspiring in their appreciation of this awesome one of kind talent. The background orchestra is lush and full bodied, the perfect accompaniment. Except for a few obscure songs of arguable value near the end , and IMO,a less than satisfying Somewhere, this collection is exceptional. Standout performances include classics such as Happy Days are Here Again, People, He Touched Me, and Evergreen... tunes that span the decades! We cannot wait for a repeat performance soon!
10robb_772
After insisting for years that she didn't enjoy live public performances, Barbra Streisand finally came out of hiding and delivered exactly what all of her fans had been dreaming of - and much more. Despite giving many live performances over the years on television shows and fund-raisers, this was actually the first real concert tour of Streisand's career. She decided it was time to finally conquer her intense stage fright and, at the same time, give something back to the fans who had been begging to see her perform live for years. The show's pricey tickets sold out instantly, and fans eagerly awaited the day of the concert. Little did anyone know that Streisand would not only meet the huge expectations that had been placed before her, but that she would greatly exceed them - the '93-'94 concerts will be forever remembered as one of the best things she has ever done.
From the slow emergence of the perfectly-selected opening song "As If We Never Said Goodbye" to full-throttle splendor of the closing selection "Somewhere," Streisand treated her audiences to a spectacular evening. She opened herself up more than she ever had before, and allowed her fans to spend time with the woman behind the superstar. The first act of the show was more like one of her sixties television specials (particularly MY NAME IS BARBRA) than a traditional concert, with insightful and humorous "therapist" monologues peppered throughout the first half. Streisand effectively reminisced about many of the events that shaped her life as an entertainer, and the song selections perfectly complemented the stage dialogue. The songs performed in this half are not the typical "greatest hits" set that most artists perform, but were selected because of what they represent in Streisand's life. It works flawlessly, with the well-known selections ("People," "Evergreen") folding into the context as easily as the lessor-known material ("I'll Know, "Will He Like Me").
The second act is performed more like a traditional concert, however Barbra still lets her guard down quite a bit when she discusses her relationships to her son and goddaughter, both of whom she dedicates songs to. The original New Year's concerts at the MGM Grand was finally released on DVD (and home video period) in March of 2004, and it features a slightly different song listing and finds Streisand sounding fantastic. The concert that was recorded for the Triple-Platinum-selling double-CD set was performed at Madison Square Garden in New York, in which the fact that she was performing in her own home-city made the show seem even more poignant. The concert that was broadcast on HBO and NBC was performed at Anaheim, Canada, which was the last stop on Streisand's tour. She was fighting laryngitis at the time, but Streisand still sounds great despite a couple of scratchy notes. This version of THE CONCERT is the one that won five Emmy awards in addition to the prestigious Peabody award.
Streisand sounds absolutely terrific in all three recordings of THE CONCERT, and she shows us once again why she is the greatest vocalist of all time. While she unarguably has a gorgeous, God-given singing voice, it is the nuance and emotion that she commandingly brings to every song she sings that really places her in a class by herself. Listening to her explore the lyric of well-written song is easily one of the most exciting things there is, and that sentiment is expressed multiple times throughout this remarkable concert.
From the slow emergence of the perfectly-selected opening song "As If We Never Said Goodbye" to full-throttle splendor of the closing selection "Somewhere," Streisand treated her audiences to a spectacular evening. She opened herself up more than she ever had before, and allowed her fans to spend time with the woman behind the superstar. The first act of the show was more like one of her sixties television specials (particularly MY NAME IS BARBRA) than a traditional concert, with insightful and humorous "therapist" monologues peppered throughout the first half. Streisand effectively reminisced about many of the events that shaped her life as an entertainer, and the song selections perfectly complemented the stage dialogue. The songs performed in this half are not the typical "greatest hits" set that most artists perform, but were selected because of what they represent in Streisand's life. It works flawlessly, with the well-known selections ("People," "Evergreen") folding into the context as easily as the lessor-known material ("I'll Know, "Will He Like Me").
The second act is performed more like a traditional concert, however Barbra still lets her guard down quite a bit when she discusses her relationships to her son and goddaughter, both of whom she dedicates songs to. The original New Year's concerts at the MGM Grand was finally released on DVD (and home video period) in March of 2004, and it features a slightly different song listing and finds Streisand sounding fantastic. The concert that was recorded for the Triple-Platinum-selling double-CD set was performed at Madison Square Garden in New York, in which the fact that she was performing in her own home-city made the show seem even more poignant. The concert that was broadcast on HBO and NBC was performed at Anaheim, Canada, which was the last stop on Streisand's tour. She was fighting laryngitis at the time, but Streisand still sounds great despite a couple of scratchy notes. This version of THE CONCERT is the one that won five Emmy awards in addition to the prestigious Peabody award.
Streisand sounds absolutely terrific in all three recordings of THE CONCERT, and she shows us once again why she is the greatest vocalist of all time. While she unarguably has a gorgeous, God-given singing voice, it is the nuance and emotion that she commandingly brings to every song she sings that really places her in a class by herself. Listening to her explore the lyric of well-written song is easily one of the most exciting things there is, and that sentiment is expressed multiple times throughout this remarkable concert.
Count me in as someone who really likes Barbra Streisand and her voice. And this concert is a treasure, for Streisand fans it is a must. Barbra herself is in great voice as you would expect, what is appealing about her is not just her beautiful voice and liquid-like phrasing and breath control but also the remarkable ability to really connect with the song and lyrics and be genuinely poignant at all. You hear all those things here in Barbra: The Concert. It's not just her singing here either, in the talking moments you do have to admire how intimate, honest and personal she is with doses of humour, she has been controversial with her comments but you don't hear any of that here. The songs she sings are sheer beauties, often classic status, and much of them suit Barbra's talents to a tee and speak for themselves. Especially good are Somewhere, Evergreen(one of those cases where the song is better than the film it's from, didn't like the film but love the song), Can't Help Loving Dat Man and As If We Never Said Goodbye, the songs that show off Barbra's voice the best. Barbra: The Concert is shot very nicely and professionally and the sound accommodates the atmosphere of each song. The songs are cleverly arranged and Barbra is accompanied beautifully and sensitively. Barbra: The Concert is not the most spontaneous of concerts but the warm and intimate atmosphere makes that not matter at all. Overall, a must for fans of Barbra Streisand and in all areas it's wonderful. 10/10 Bethany Cox
I have been a music promoter for 56 years. The best I have ever heard! What Diva in any era, had her own play on Broadway at 20? Directed her own films! Sold millions of records worldwide! Five decades (going on six) Sold out Concerts! Did it all , with her own strength and passion!
Nobody that's who! You would know that voice in the dark...and stand up! The audience was the who's who of the World, excited to be there, wanting to be no where else. No scalpers to be seen . Who would sell their ticket?
The sound, professionalism, style...it was all there! I have never bought a ticket for anyone...till this.
Nobody that's who! You would know that voice in the dark...and stand up! The audience was the who's who of the World, excited to be there, wanting to be no where else. No scalpers to be seen . Who would sell their ticket?
The sound, professionalism, style...it was all there! I have never bought a ticket for anyone...till this.
Lo sapevi?
- QuizWhen Barbra Streisand flubbed a line early in her performance of "Evergreen" she commented to the audience, "It's my own song, I can't believe it."
- BlooperWalter Matthau, a concert attendee, is listed as the conductor, which should be credited to Marvin Hamlisch.
- ConnessioniFeatured in The 47th Annual Primetime Emmy Awards (1995)
- Colonne sonoreSomewhere
(1957) (uncredited)
From the musical "West Side Story"
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
In the soundtrack during the opening scenes
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- The Concert - Live at the Arrowhead Pond, Anaheim, July 1994
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