Babe, maialino coraggioso

Each character is beautifully brought to life. From farmer Hoggett to Dutchess the cat, no matter how little is said, how little they are on screen they are pleasure to watch. Nothing is over stated or over explained. And it's all there before you: the beauty and the horror that is life. Now before I scare you thinking you will get some type of lecture shoved down your throat, let me say again: it is like a fairy tale. You are welcomed into both worlds of humans and animals and the story of what happens when their paths cross and you mix in a little love, patience and that belief that your dreams have a right to come true.

Babe is separated from his family and becomes friends with some of the animals on his new farm. He learns that each animal has a role to play and that both he and Ferdinand the duck are fated to be lunch! Both take new roles to escape their fate and Babe tries to become a sheepdog. As Farmer Hoggett begins to notice the unusual way Babe can work with the sheep he begins to groom him for that role – much to the worry of his wife and the other farm animals.

Written by the guy who wrote the Mad Max films – that's what kills me. I know it's adapted but how can the Mad Max writer manage to deliver such a sweet film that is unassuming and comic and heart warming. The plot is great as it is adapted from `The Sheeppig' but Miller's script adds so many comic touches that it's funny throughout. The characters are all well written so that we care about them and get easily drawn in.

It's directed well and again feels fresh and different – whether it's the chapter set up or the use of the narrator or the way that the singing mice make the links it all works well. Because it is gentle and unassuming I found myself involved in it so easily and the themes of finding your own path and friendship are not rammed down your throat but just sit there if you want to get them. I've seen this several times and the silent, wonderful climax to the sheepdog trials makes me choke everytime (even if it is predictable).

All the voices are good and the use of animals is faultless. The use of animatronics is a little ropey at times but the sense of goodwill the film gave me extended to overlooking these minor complaints. James Cromwell is just superb as the human face in this drama – everytime I see him now I can only hear him say `that'll do pig'. Babe is a great hero and you feel for him from the start to the end – when he gives a little satisfied sigh it's difficult not to feel warm inside.

Overall this is one of the best children's films I've seen – it's light and unassuming and not a classic but it is comic, gentle and ultimately heart warming – what more do you want?

I'm surprised that none of the reviews I read of Babe (there are 146 of them) mentioned the music. How can you watch this and not be moved by the terrific use of music? Well, quite simply, you can't I think. Still it seems that no one is consciously aware enough of the music to even mention in their reviews. Just today, I heard the 4th movement of Camille Saen Sans 3rd Symphony, the "organ symphony", and immediately I was reminded of the movie.

Yes, the movie was very good. Good story, good actors, great use of animals to portray the main characters. But if you look at the IMDb listing for the movie, way, way, down at the very bottom, there's a link to the "soundtrack". I suggest you check it out to see what else makes this movie so good. They didn't have to hire John Williams to compose great new music. They were smart enough to intelligently use some great old music.

http://www.imdb.com/title/tt0112431/soundtrack

I was dragged to this film by my girlfriend (now wife) when it first came out in fall of 1995. I had zero interest in what seemed to me nothing more than a kids movie. I recall sitting in the theater before the movie commenced, looking at my watch and estimating the time it would end, when my life could begin again after this rude 90 minute interruption.

Then the film began. The moment Babe said a tearful goodbye to his mother as she was being led off to the slaughter house ("Pig Paradise", the narrator says), I was hooked. What stood out to me was not the tearful "Goodbye Mom", but the fact that after we see Babe's mom loaded into the truck, the camera goes back to Babe, siting in the corner of his industrial pen, sobbing profusely. This moment, maybe 90 seconds into the movie, is filmed so well, so perfect, that instead of coming off as melodramatic, it is heartrending. I know that word is used often to describe this film, but I do not know how else to describe it. This is one of many "heartrending" moments in this beautiful film.

This is by far the best childrens film I have ever seen, but it really is a mistake to even call it a childrens film. It is simply a great film. A film that shows how wondrous things can happen as a result of common decency; how any individual can triumph if they believe in themselves; how vital is the help of family and friends in life's arduous journey.

This a film not to be missed. It should have beaten Braveheart.

I think genre preferences go out of the window when a film like 'Babe' comes along. It's easy to see why this film is so universally popular, the story is delightful and the main characters so likable and endearing. The idea of a having a film centre on a cute pig may have raised a few eyebrows at first, but after only a few minutes any doubts anyone had will have gone.

There isn't much I can write about this film other than saying how much I enjoy it every time I see it (and that's a good few times now). I never get tired of it and it's probably one of my go-to films when I'm in the mood for a family film. I'm yet to meet anyone who doesn't like 'Babe', I'm sure there are people out there who don't like it and I'd be interested to hear their reasons, but you'd be hard pushed to find a family film as universally popular as this one.