VALUTAZIONE IMDb
4,3/10
6335
LA TUA VALUTAZIONE
Una babysitter adolescente è al centro delle ossessioni separate di due ragazzi e di un uomo.Una babysitter adolescente è al centro delle ossessioni separate di due ragazzi e di un uomo.Una babysitter adolescente è al centro delle ossessioni separate di due ragazzi e di un uomo.
Hal Fort Atkinson III
- Police detective
- (as Fort Atkinson III)
Cameron Fuller
- Tucker baby
- (as a different name)
Recensioni in evidenza
I've sometimes disliked or out right hated films that are almost universally applauded in a film that I dislike so I'm glad to see that my own sentiments with this film are generally the same as many others within this community...
Let's begin by saying this film is strange....very strange... but strangeness in a film is not always a negative, but when the film is boring and lacking in any kind of momentum...well that's when it starts running in to problems...
So effectively here we have Alicia Silverstone as the babysitter (playing a sort of Lolita type). Whilst Ms Silverstone is quite alluring and ever so slightly delectable there's not much else worthy of praise within the film...
If we look at the competing parties for Lolita (sorry the babysitters affections) we have straight-laced Jack, cool street-wise Mark and more disturbingly the father of the children whom the babysitter is minding namely Harry Tucker. Through psychedelic and maniacal flashbacks the film tries to present a story from each of their perspectives (of course the film shows you what they want you to see which is far removed from the reality of what actually happens). Aside from the Babysitter, the only other person I felt a bit sorry for was Jack whom you felt that if he had just been himself that he may have got somewhere with the Babysitter (as opposed to him listening to Mark and his misguided attempts at self-confidence).
Of course there are 2 sides to a coin and looking at things from another perspective we have Dolly Tucker (whom is the wife of Harry). Whilst she puts on a strong front for most of the film, once the alcohol kicks in she shows her true colours and starts indulging in her own fantasies (at least in her own mind). All these things seem to act as a driver to what little plot there is here, but none of these arcs add up to much in the way of suspense, enjoyment or just good all round audience involvement.
To be blunt, The Babysitter is not very good plain and simple. Even the acting from everyone involved is pretty poor and at times the film has an odd theatrical feel about it. I could see what the filmmakers were trying to do here, but they made a right mess of it.
Let's begin by saying this film is strange....very strange... but strangeness in a film is not always a negative, but when the film is boring and lacking in any kind of momentum...well that's when it starts running in to problems...
So effectively here we have Alicia Silverstone as the babysitter (playing a sort of Lolita type). Whilst Ms Silverstone is quite alluring and ever so slightly delectable there's not much else worthy of praise within the film...
If we look at the competing parties for Lolita (sorry the babysitters affections) we have straight-laced Jack, cool street-wise Mark and more disturbingly the father of the children whom the babysitter is minding namely Harry Tucker. Through psychedelic and maniacal flashbacks the film tries to present a story from each of their perspectives (of course the film shows you what they want you to see which is far removed from the reality of what actually happens). Aside from the Babysitter, the only other person I felt a bit sorry for was Jack whom you felt that if he had just been himself that he may have got somewhere with the Babysitter (as opposed to him listening to Mark and his misguided attempts at self-confidence).
Of course there are 2 sides to a coin and looking at things from another perspective we have Dolly Tucker (whom is the wife of Harry). Whilst she puts on a strong front for most of the film, once the alcohol kicks in she shows her true colours and starts indulging in her own fantasies (at least in her own mind). All these things seem to act as a driver to what little plot there is here, but none of these arcs add up to much in the way of suspense, enjoyment or just good all round audience involvement.
To be blunt, The Babysitter is not very good plain and simple. Even the acting from everyone involved is pretty poor and at times the film has an odd theatrical feel about it. I could see what the filmmakers were trying to do here, but they made a right mess of it.
Alicia Silverstone is so pretty, so good, I hope she gets some decent material someday. This film wasn't very good. Miss Silverstone was good, but the film could have really used some more exposure (wink, nod). At least she did spend a fair part of the movie in a bubble bath, but she seemed to have a flesh-colored towel in there when she was moving very much. I will have to give some credit to J. T. Walsh and Lee Garlington as the Tuckers. It was fairly fun to watch them get more and more hammered at the party. I've heard that drunkenness is difficult for an actor, but these two made it quite believable. Overall, this film is of interest only to Silverstone fans, (real ones, because she does NO nude scenes here) Grade: D
I caught this on a boring summer afternoon on, surprise!, Lifetime. The story itself COULD be promising- an innocent teen babysitter is unwittingly the object of obsession for virtually every man she encounters in one night- but the filmmakers try to turn it into a masterpiece of surrealism that it obviously is not. The acting is pretty shallow and most of the 'fantasies' are just downright creepy, not thought provoking. The movie will leave you feeling like you just dropped a massive amount of acid. Don't waste your time.
The Babysitter hasn't got much in the way of a plot. It explores the mind of (but not limited to) members of the male sex at different ages. This is concerning their sexual fantasies and advances towards a beautiful young girl, both when they are sober and more so when they are drunk. The men involved include the husband, his young son, the babysitter's boyfriend and his old 'God's Gift' friend.
Yes, this movie is quite out of the ordinary, but worth a look anyway. As usual, Alicia Silverstone is in top form, this time playing an object of desire, and a feature of many fantasies to various men. Unfortunately, there is one off-putting scene where Alicia's character kisses the putrid J.T Walsh.
Lo sapevi?
- QuizAlicia Silverstone is rumoured to have turned down the part in this film on numerous occasions. She finally agreed after her nude scenes were removed.
- BlooperWhen the babysitter is putting the baby in the crib, as she first stands there holding it, you can clearly see by the stiff limbs that it is a doll. The next cut, with the camera looking in past her shoulder, does show a real baby.
- Citazioni
[first lines]
Mark: Hey! What are you doing?
Jennifer: I'm walking.
Mark: Oh, walking. Where are you - where are you walking to?
Jennifer: I'm babysitting, Mark. You leave me alone?
Mark: Can't we do something later? It's Friday, you know?
Jennifer: Are you deaf?
Mark: What?
Jennifer: Are you deaf, Mark?
Mark: What?
Jennifer: What are you thinking?
Mark: Aw, come on, it will be fun, you know. Me and the kids.
Jennifer: I want you to leave me alone, Mark, right?
[walks away]
- ConnessioniReferenced in Schumacast: The Babysitter (2020)
- Colonne sonoreFAIR GAME
Written by Brendan Lynch
Performed by Brendan Lynch
Produced by Steve Lindsey
Mixed by Gabe Veltri
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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