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Il ladro e il ciabattino

Titolo originale: The Thief and the Cobbler
  • 1993
  • G
  • 1h 39min
VALUTAZIONE IMDb
7,1/10
5042
LA TUA VALUTAZIONE
Matthew Broderick, Jennifer Beals, and Hilary Pritchard in Il ladro e il ciabattino (1993)
Guarda Official Trailer
Riproduci trailer2:01
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99+ foto
AnimazioneAnimazione disegnata a manoAnimazione per adultiAvventuraAvventura epicaAvventura nel desertoAzioneCommediaFamigliaFantasia

Una principessa solitaria e un povero calzolaio si innamorano mentre cercano di recuperare tre sfere magiche che sono state rubate da un maldestro ladro.Una principessa solitaria e un povero calzolaio si innamorano mentre cercano di recuperare tre sfere magiche che sono state rubate da un maldestro ladro.Una principessa solitaria e un povero calzolaio si innamorano mentre cercano di recuperare tre sfere magiche che sono state rubate da un maldestro ladro.

  • Regia
    • Richard Williams
  • Sceneggiatura
    • Richard Williams
    • Margaret French
    • Parker Bennett
  • Star
    • Vincent Price
    • Matthew Broderick
    • Jennifer Beals
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    5042
    LA TUA VALUTAZIONE
    • Regia
      • Richard Williams
    • Sceneggiatura
      • Richard Williams
      • Margaret French
      • Parker Bennett
    • Star
      • Vincent Price
      • Matthew Broderick
      • Jennifer Beals
    • 60Recensioni degli utenti
    • 18Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Foto140

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    Interpreti principali43

    Modifica
    Vincent Price
    Vincent Price
    • ZigZag
    • (voce)
    Matthew Broderick
    Matthew Broderick
    • Tack the Cobbler (Miramax version)
    • (voce)
    Jennifer Beals
    Jennifer Beals
    • Princess YumYum (Miramax version)
    • (voce)
    Bobbi Page
    Bobbi Page
    • Princess YumYum (Majestic Films version)
    • (voce)
    • …
    Steve Lively
    • Tack the Cobbler (Majestic Films version)
    • (voce)
    • …
    Eddie Carroll
    Eddie Carroll
    • The Thief (Majestic Films version)
    • (voce)
    • (as Ed. E. Carroll)
    • …
    Clive Revill
    Clive Revill
    • King Nod (re-edited versions)
    • (voce)
    Mona Marshall
    Mona Marshall
    • Nurse (Majestic Films version)
    • (voce)
    • …
    Joan Sims
    Joan Sims
    • Mad and Holy Old Witch
    • (voce)
    Kevin Dorsey
    • Mighty One-Eye (re-edited versions)
    • (voce)
    Donald Pleasence
    Donald Pleasence
    • Phido the Vulture (original and Majestic Films version)
    • (voce)
    • …
    Stanley Baxter
    Stanley Baxter
    • Gofer
    • (voce)
    • …
    Kenneth Williams
    Kenneth Williams
    • Goblet
    • (voce)
    • …
    Clinton Sundberg
    Clinton Sundberg
    • Dying Soldier
    • (voce)
    Windsor Davies
    Windsor Davies
    • Chief Roofless
    • (voce)
    Frederick Shaw
    • Goolie
    • (voce)
    Thick Wilson
    • Hook
    • (voce)
    Eddie Byrne
    Eddie Byrne
    • Hoof
    • (voce)
    • Regia
      • Richard Williams
    • Sceneggiatura
      • Richard Williams
      • Margaret French
      • Parker Bennett
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti60

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    Recensioni in evidenza

    TygerBug

    Edited "Thief and the Cobbler" misses the magic

    Here at last is the long-awaited theatrical release of Richard Williams' "The Thief and the Cobbler." Begun in the late 1960s but not brought close to completion until after Williams created "Who Framed Roger Rabbit?" in 1988, it was conceived as an exercise in expression through animation, with an amazing roster of animation legends new and old [Art Babbit, Grim Natwick, many of Disney's and ILM's new masters] passing in and out of the project over many decades, all widescreen and 60s-groovy, baby. But now it comes to us at last, and it's really not all that good. The reason? Miramax, a subsidiary of Disney and perhaps fearing the very obvious parallels to their own "Thief" remake, "Aladdin," has cut the film to shreds. Not only have they added three truly awful songs, deleted one character [the witch, now just an eye], and removed much of the original's best shots, but the rather nice original soundtrack has been replaced with a crass, narration-heavy butchery that adds constant voice to Williams' great silent characters. Those who know anything about the original will consider this a hack job. But see it anyway, if only for the still-groovy animation and to see where "Aladdin" came from. Now why wasn't Disney sued for this? A great work, by one of the great masters, and please Miramax, your version sucks, so let's see the original sometime soon, ok?
    7cherold

    Recobbled version show the brilliant epic that could have been

    The Thief and the Cobbler was 30 years in the making, was released in a couple of different chopped up forms, then someone took all the footage they could find to try and create a version of the director's original vision, called the Recobbled Cut. There are a few versions of this fan-edited version; I saw the most recent, Mark 4, and that's the version I'm reviewing.

    The film is made up of finished animation pulled from video, some 35mm finished footage, some work prints, test animations, half done sequences, and still sketches. In spite of this miscellany, the story of a kingdom under threat from a thief, a one-eyed warlord, and Vincent Price, has a fairly coherent and engaging story.

    The quality varies from moment to moment. Some scenes are fully finished, but many look like there are details missing, and color and quality vary from moment to moment. But much of what is there is truly stunning. There are wonderfully clever effects, like a top down, shot of a chase over a tiled floor that reveals an optical illusion. Parts have a Fleischer Brothers surrealist aspect, while the finale, the wildly elaborate destruction of a vast war machine, would have been one of the greatest animated sequences of all time had it been fully finished. Even in its current form it's incredibly impressive.

    It's hard to know how the final film would have looked. The director was apparently constantly changing and reanimating sequences (which lead to cost and time overruns that got him thrown off the project), so even the "finished" parts might not have been final. But I salute the guy who put this together and hope that someday he or perhaps Disney (who may have more footage in a vault) will create something even closer to the director's vision.

    Well worth watching for animation fans who can deal with the flawed presentation.
    8emasterslake

    A Missing Classic

    Back in the mid-90s, I first discover this movie on TV. And I immediately found it to be another movie to enjoy.

    Since then, it wasn't until the early 2000s, when I learn about it's shocking and tragic history.

    "The Thief & Cobbler/Arabian Knights" takes place in a fictional desert world. The story focuses on a partly silent cobbler name Tack & a silent thief. The kingdom they're in, is known for the protected treasure of 3 golden balls. If those balls were to be removed from their place, and fall into enemy hands. Then the kingdom will fall. Tack was a poor cobbler until he got convicted for leaving tacks on the road of the visor's parade. And was saved from imprisonment when Princess Yum Yum had a liking for him, and asked for a cobbler to fix her shoes. Not only did Tack found what appears to be the girl of his dreams. He soon finds himself to be a possible hero of the kingdom.

    Meanwhile the visor: Zig-Zag plots to steal the golden balls and present them to the enemy side: The One Eye Army. With the gold balls in their possession, they'll destroy the kingdom with their number of soldiers and weapons of all kinds. Can a cobbler like Tack, really be able to save a country? In development for more than 28 years. Making this film the longest animated/feature length film to be in production. The version I saw on TV, was considered to be an alternate and less convincing movie than the other kind that was attended to be seen. As I learn the original animators and writers spent so much time, the whole thing was shelved by various distributors.

    After seeing the revised version(which has numerous storyboard/UN finished scenes). I was remotely surprised on how different it is. Minus all the changes and unnecessary dialog & songs used in the Miramax version.

    A lot of people consider this to be a rip off of Aladin. But trust me, it's way different from Aladin. Not as well known as Aladin. But it's one of those movies that deserve more. If it was finished by the original dudes who put their life's work into. Then people would recognize it as a classic.

    It's yet to get a better DVD release. And the revised version of this film is out there, but hard to find. This and Twice Upon a Time are perfect examples of animated movies that became fan favorites over the years.

    The original version is intended for sophisticated viewers. While the Miramax version was made to be kid friendly.
    10NerdyDonaldFan

    Probably the most bold feat in animation history.

    I can't stand this film being so obscure. It was a 30-year-old labor of love that Richard Williams promised to be the greatest animated film ever, before it was taken away by his creditors. All he cared about was the perfection of the art, rather than the restrictions of schedules and budgets. What happened to the movie was awful, but the remaining animation shines through, greatly. I, for one, was very upset with the release of the Miramax version on DVD, with only pan and scan, and a lack of extras. It was an insult to the original version. I really hope the restoration project is revived soon. A fully restored Director's cut is my on and only "Dream DVD". That film really changed my life and outlook on animation. It deserves more recognition and it's a great learning exercise for animators. Stay away from the Miramax version.
    jgibsoniv

    The otherwise enchanting Jonathan Winters was an intrusive distraction.

    This is one of the most innovative and amazing pieces of animation I have ever seen. The treatment of each of the characters was fresh compelling, unique and entirely hilarious, especially that of Zigzag the Sorcerer and of the Thief. Princess Yum Yum was every bit as seductive as Richard William's Jessica Rabbit. The use of meticulously crafted geometric designs and patterns for the backgrounds was a delightful change from the photo realistic computer generated images offered up as the order of the day. This could easily have been considered an historic piece of classic family entertainment weren't it for the intrusive and entirely unnecessary dialogue of the usually funny Jonathan Winters as the voice of the thief. His mumblings in no way moved the story forward or complimented the visual personality of the thief, interjecting meaningless dribble into the what would be otherwise, natural pauses in the rhythm of the story. Richard Williams could have easily basked in the same spotlight as does Tim Burton or Roald Dahl. I'll keep an eye out for a 'directors cut' to share with my friends.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film holds the record for the longest production schedule of a completed feature: 28 years.
    • Blooper
      During the song sequence in the desert scenes, it is said they are all illiterate, but earlier they were seen reading.
    • Citazioni

      [last lines]

      [original version]

      Princess Yum-Yum: I love you.

      [Tack takes the tacks from his mouth at last]

      Tack the Cobbler: And I love you.

      [they hug]

    • Curiosità sui crediti
      The end credits of the South African/Australian prints of "The Princess and the Cobbler" show scenes from the movie that were scrapped from the edited versions, including the Thief narrowly avoiding getting his arms chopped off, behind the credits. However, the prints of "Arabian Knight" only use a black background behind the credits.
    • Versioni alternative
      Four major versions of the film exist - the workprint, The Princess and the Cobbler, Arabian Knight, and the Recobbled Cut. Richard Williams' 1992 workprint was bootlegged on video, and copies have been shared among animation fans and professionals for years. It is an unfinished work in progress. A slightly later workprint from 13 May 1992 was preserved by Williams himself as "A Moment In Time," archived and digitally duplicated by the Academy of Motion Picture Arts and Sciences. "The Academy has it, it's in a 'golden box' now and it's safe," Williams said. The unfinished version was screened at the Academy's Samuel Goldwyn Theater.
    • Connessioni
      Featured in I Drew Roger Rabbit (1988)
    • Colonne sonore
      It's So Amazing
      Lyrics by Norman Gimbel

      Music by Robert Folk

      Performed by Bobbi Page and Steve Lively

    I più visti

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    Domande frequenti21

    • How long is The Thief and the Cobbler?Powered by Alexa
    • Will Disney ever do a completed/restored version of this movie?
    • Why did Tack suddenly get a tan?

    Dettagli

    Modifica
    • Data di uscita
      • 1 settembre 2020 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
      • Canada
      • Ungheria
      • Irlanda
      • Taiwan
    • Siti ufficiali
      • Blog
      • YouTube
    • Lingua
      • Inglese
    • Celebre anche come
      • The Thief and the Cobbler
    • Luoghi delle riprese
      • Londra, Inghilterra, Regno Unito
    • Aziende produttrici
      • Richard Williams Productions
      • Allied Filmmakers
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 25.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 669.276 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 319.723 USD
      • 27 ago 1995
    • Lordo in tutto il mondo
      • 669.276 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 39min(99 min)
    • Colore
      • Color
    • Proporzioni
      • 2.39:1
      • 2.35 : 1

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