L'albero di Antonia

What a wonderful, gorgeous, beautiful creation. Antonia's Line is a bittersweet embrace of life in all it's manifestations. It's one of those rare movies that is just as incredible as a great book. A true work of art. I've seen it four times, and would see it again.

I think the other viewer got it wrong when they said the movie suggested "who needs men?". This movie contains every kind of relationship combination imaginable-- the message was anybody can find love. People also have children under all sorts of circumstances in this movie. The characters are in a family like relationship to each other because in a lot of cases they don't fit in with their family or the norm. Not to mention it explores the relationship of a woman with her family--- her mother, her daughter and her granddaughter. This movie explores religion and atheism, namely the hypocrisy of religion and the emptiness and search for meaning when one doesn't have religion. This movie explores a lot of themes- love, life, death, good vs. evil, and meaning. If all a person got out of it was that it was anti-family and anti-religion and anti-male, then they have lived a pretty sheltered life and won't get "it" anyway.

For the intelligent and reflective movie-goer, there is much to appreciate about this film. To begin with, the opening narration, although fantastic, is just about the best opening line to any story out there. It immediately draws one into the world of these weird, wonderful people. And that fantastic aspect is maintained throughout the film, like a fairy tale that provides a surprise around every corner. It is a pleasure to be taken into this kind of world for the 100+ minutes of the film.

I strongly disagree with the comments, which the IMDb is currently (as of March 13/04) displaying as being "representative," which states:

"If you hold dear the innocence of children, respect God and those who serve Him, and hold dear what is beautiful in a spiritual sense, you will probably dislike this film."

That's one seriously narrow-minded opinion the IMDb people have selected as being representative. There was a time when the IMDb was more discriminating in what they allowed through to the site. That they allowed *this* posting through *and* chose it to represent the average response to the film is bad a sign; the ship is sailing but there's nobody at the wheel. Reading those comments, one could easily conclude that there are a great deal of sadly unimaginative people out there who just don't get this film.

It isn't surprising that someone with the kind of insular view of the world as expressed in those "representative" comments wouldn't enjoy this film. I never thought of it this way, but I suppose "Antonia's Line" is not for the polite, ultra-conservative, easily-offendable religious folks out there who, it seems, are more apt to feel threatened by fantastic stories like this than to appreciate them for what they are. "Antonia's Line" is the kind of story that give us permission to *imagine* how things might be if they were just slightly eschew. This film is not a picture of the real world, but, like a good fairy tale, provides one an opportunity to reflect on a variety of human conditions and experiences that everyone in some way can relate to.

In this regard, "Antonia's Line" is a wonderfully rich and rewarding film, and a beautifully well-told story.

It should not be dismissed so easily. (And the IMDb ought to get their act together.)

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

This is an incredibly seductive movie with a strong sense of the spirit of Demeter and Dionysus throughout. There's no Hollywood glamour here. Instead we have an unabashed celebration of life ("This is the only dance we dance") in which love, community and simple hard work prevail. The simple are seen as the equal of the gifted, and everybody (except for rapists and hypocrites) are appreciated for their strengths and forgiven their faults. Intellectualism is seen as quaint and unsocial (as in the person of Crooked Finger) possibly leading to a morbid cynicism. And brain power (as in the person of the prodigy Therese) is just another talent, like being able to laugh or to bale hay or to have lots of children.

This is the Dionysian view of life that doesn't allow for Apollo, and there's a lot to be said for it. But I couldn't help but reflect that during the time span depicted in this movie--five generations in Holland during the twentieth century--Europe experienced some of the most horrific events known to humankind, two world wars, genocide, concentration camps, poison gas, fire bombings, political repression, and the death of millions of people. But perhaps that is director Marleen Gorris's point, to see life at its most elemental, locally and without the horror of war and the delusions of generals and politicians.

What's not to like about that? Well, not to rain on anyone's love-fest, but we have vigilante justice here and a murder, seemingly justified and certainly agreeable to the audience since the victim was a brutal rapist. Men are not exactly banished, but they are put in their place, serving or (literally) servicing women. What is banished is orthodox religiosity in the form of a hypocritical cleric who (with his disciples, we are told) goes to town and becomes a social worker (!).

This is also an ode to feminism and a deliberate tear-jerker that manipulates the emotions of the audience. Yet, somehow Gorris, who also wrote the script, manages not to offend my sensitivities. I think it is because the movie amounts to a very effective sermon against prejudice of any kind, and because of the gentle humanity of her tale.

You'll forgive me, however, if I say that my favorite part was the handstand! It was just perfect.

This film was like taking a trip to an alternate universe and being given the gift of living a full, rich, and rewarding life there. For the most part, everyone is redeemed &/or fulfilled, although no one escapes tragedy, and some definitely have it worse than most. There was a line from the narrator, something to the effect of how "timed flowed into itself and wanted nothing more than to do so," (I am paraphrasing), and that, to me summed up the lovely slow pace of this film. The characters were real and quite sympathetic. I didn't find it to be agenda-driven like the previous commenter did. I simply thought it was a movie about Antonia, a kind and realistic woman, and those whom she loved.