Un filo nel passato

I started watching Nowhere Man, like many people here, because it came on after Star Trek: Voyager, and my interest in the former soon began to eclipse my interest in the latter. I didn't catch every episode (given its obvious quality I assumed I would have ample opportunity to watch it in reruns) but the ones I did see had a huge impact on me and I was lucky enough to see the final episode.

Nowhere Man is the kind of show you need to discuss with other viewers, but I can count on one hand the number of people I've met who remember it and inexplicably none of them cared for it. I was totally nuts for the show when it was on the air but I was much younger at the time. Truthfully, over the years I had worried that it would not live up to my memories.

Finally, Nowhere Man's single season has been released in a great 9-disc DVD set, and after 10 years I've truly enjoyed the chance to rediscover each of the 25 episodes. It's just as good as I remembered (and even better in some cases), with only a few episodes that don't quite measure up to the rest. Bruce Greenwood's performance is incredible. There is literally nobody else who could have made Thomas Veil more human. He makes even the silent moments a fascinating pleasure and basically carries the entire series. That's not to suggest that there aren't great performances from other actors, but Greenwood is the keystone of the show and he handles the weight effortlessly. You don't see acting of this quality on television very often. The writing is consistently solid and smart (though as I mentioned there are some "off" episodes), and Mark Snow (of The X-Files and Millennium fame) provides a wonderfully varied, appropriately moody soundtrack.

The bottom line: if you're a fan of The Prisoner (which strongly influenced the creator of the series) and/or The X-Files, you owe it to yourself to give Nowhere Man a chance. It's hard to believe that a show this good was canceled and it's harder to believe it graced a channel like UPN. At least we got one great season out of it.

While all of us who were hooked by this series probably still mourn its passing almost all the plaudits are, directly or otherwise, in reference to the concept or the writing. Both of these were indeed superb; however one aspect seems to have been overlooked. I doubt if there is another actor alive who could have brought to the character of Thomas Veil the precise qualities brought by Bruce Greenwood. He was simply perfect for the role. Combining appeal, intelligence and a certain "je ne sais quoi" of seeming a quarter of a bubble off, a semi-tone out, a tiny percentage off the beat and yet also perfectly normal. While everything else was terrifying, strange and unfathomable Greenwood was the sympathetic Everyman caught up in peculiar events and yet he himself is also peculiar. The audience can thus identify with Thomas Veil both as just like us and also as like us when we feel slightly bent. Greenwood conveyed this as probably no one else could. Should he not have won a Best Actor Emmy?

Nowhere Man has to be one of the best "unknown" television programs of recent memory. If there were martians, it would have been a hit. Actually, X-Files fans would (and probably did) love this program. It's dark. It's all about a conspiracy. No one can be trusted. Like the X-Files, some shows were crucial to the main storyline, and others were somewhat more light-hearted. Somewhat.

The story goes like this: Thomas Veil is "unveiling" some of his photographs at a local art gallery. A particularly interesting one features a US soldier hanging several people. Afterward, he celebrates with his wife at a restaurant. He briefly goes for a smoke in the washroom, and upon returning to his table discovers that his wife is gone, and the owner acts as if he doesn't know who Tom is. And that's where the series takes off. It seems that his photo of the military man hit a nerve. Every episode sees Tom either running from people who want him dead, or trying to re-establish contact with his friends and family. Of course, they all act as if he is a stranger, or worse yet, if they do side with him, it is only in the interest of later double-crossing him. Basically, The Fugitive, but with a twist. My fellow countryman, Bruce Greenwood, is always excellent in the lead role.

Unfortunately, the show lasted only one season, making the final episode seem somewhat rushed, with some ends needing to be tied up (or so I think).

If the series is, or becomes available on DVD, I highly recommend you pick it up!

Quite possibly the best show in age of modern television that was cancelled before it could shine. The concept of the "man on the run" and the conspiracy that invariably drives such events has been done before, but what made Nowhere Man a more effective, if not evocative story was the idea that Thomas Vail quite possilby fabricated the events that caused him to go on the run. Everything he was running from, he may have created. This plus the many turns and twists the episodes took made the series irresistable to many, maddening to most and unfortunately fodder for dismissal in the pantheon on UPN. Its really too bad SciFi hasn't sought fit to continue the series or at least pick it up for rerun. They did some good fan service when they picked up other slain series like "Prey" and "Burning Zone" for replay, and you would think this one would come up for the running. Shame really.

Thomas Veil was a masterpiece of television characterization. A man who, in the blink of an eye, had lost everything that meant anything to him, a statistic is a cunning game played by unseen puppetmasters. Whether or not the gruesome photograph of 4 men being hanged in Vietnam was the true reason behind his situation, we will probably never know. What we do know is that by limiting this show to one season, UPN has deprived us of something magical, something thought provoking. In a world of yuppie trash shows like Cops and Seventh Heaven, few can appreciate, or even remember Nowhere Man and the mark it made on those of us who followed Mr. Veil from one waypoint to another in search of the truth.