Wyatt Earp

As epics go, this film ranks high on my list. I attribute this mainly to the screenplay, which is compelling, visual, and rich. The film follows the life of Wyatt Earp, from his boyhood, through the fight at the O.K. Corrall, and beyond.

Unlike other adaptations of the same subject (namely, Kurt Russell's Earp in 'Tombstone'), this film deals with the famous gunfight as merely a step in Earp's life. Rather, the film focuses on the man behind the legend. To do this, it looks at Earp's life in two stages: his life before, and after, a major transition.

Contrary to what some may think, Kevin Costner does a very good job portraying the lawman. His character experiences a wealth of emotion, but the script is so well written that Costner does not need to stretch himself to portray Earp effectively.

The film comes together so well because of an excellent musical score, visually stunning cinematography, and strong acting by the supporting characters. It draws the viewer in, so much so that you do not feel you are watching a film, but are experiencing a moment in history. The direction by Kasdan is quite low-key, allowing the viewer to be drawn into the story, rather than simply showing it to us.

I recommend this film to anyone who enjoys epic stories, wonderful acting (particularly Dennis Quaid, although Tom Sizemore and Michael Madsen are excellent as well), and visually compelling shots. Do not let the length dissuade you: Kasdan's film is well worth the three hours.

If a year has two big Western movies that both have the same theme/main character(s) ... something probably didn't quite work out right. Because there is only so many people who will watch either of the movies. I did not remember how it went down with Wyatt Earp and Tombstone ... the latter apparently made some money at the box office, while Wyatt Earp tanked completely.

I remember Tombstone fondly, though even that probably was not as appreciated back when it came out as it may be now. I am a sucker for Western movies, I grew up with them. And they made a big chunk/part of my life. Together with Eastern movies and Sandal movies and so many other things that I would call entertainment.

Having said all that, Kevin Costner is a way bigger fan of the Western genre than I am. And he is phenomenal as Earp - add to that a great cast to support him ... and the movie is not anything I would dare calling bad. There are some odd choices in the narration and editing (I'm saying this without being totally aware of the myth/story overall) - and while I don't remember Tombstone as well as I should and Dennis Quaid gives a great performance here as well - Val Kilmer killed it in Tombstone (no pun intended).

If you consider watching only one of the two movies I'd say go with Tombstone. But if you are like me and you like Western movies ... well I suppose it won't hurt to watch both of them. Allegedly there is a longer cut than the one I watched (which already is over 3 hours long) ... and the same is true for Tombstone - I even have the Directors Cut on DVD ... a 4k is about to be released in late 2022, but apparently they don't plan to include the longer cut on it ... not sure why that is and very dissapointed by that decision.

Back to this though, you cannot be easily offended or faint hearted. The violence is quite grim and even the good guys have either a shady background or their choices and actions are ambigious to say the least. An interesting movie that may be a bit too long, but tense and good all the way through.

I have just watched back to back these two movies and ranked both an 8. Kevin Costner, Dennis Quaid, Gene Hackman Etal made me feel that their movie was closer to history and also brought pride in their perceived honor. The chronicle from childhood to the 20th Century felt complete. BUT Then came Kurt Russell, Val Kilmer, Sam Elliott and Powers Boothe (Deadwood 93) etal and left me entertained to the ninth degree. The sheer pace of this one leaves you breathless.

These movies should be seen back to back and not compared as they tell two different stories occurring at the same time and place. Costner as Wyatt was more believable But Russell's Earp was more fun. Quaid was Doc Holiday but Kilmer had a holiday with the role. I will concede that Sam Elliott made Virgil his and nobody is going to take it away. Rent or buy both movies as it a worthwhile investment of your time.

WYATT EARP, the second of the epic films about the legendary lawman released between 1993-94, lacked the commercial values that made TOMBSTONE successful, but was a far riskier film, with higher aspirations. Writer/Director Lawrence Kasdan, whose previous Western, SILVERADO (1985), had paid homage to Hollywood's Western clichés, wanted, with WYATT EARP, to cut through the myths, and create a film that would honestly examine an all-too-human Earp's life in the 'real' West, set against vistas of that were nearly overpowering in their immense size and beauty. Unfortunately, the result was a mixed bag; while the film is beautiful to look at (with one of the most majestic film scores of recent years, composed by James Newton Howard), the characters (with the exception of Dennis Quaid's 'Doc Holiday') lack charisma, with Kevin Costner's portrayal of Earp so flat that it is difficult to arouse much interest in him (it would be nearly ten years before he finally 'got it right', in OPEN RANGE). The film ultimately comes across as overblown and overlong, with it's memorable moments nearly lost amid panoramic views of the West.

I still think, however, that WYATT EARP has a few redeeming qualities which make it worth viewing. Foremost is Dennis Quaid, giving the performance of a lifetime as the dying Doc Holiday. The actor lost over forty pounds to play the role, and is physically the closest in appearance to the dentist-turned-gambler/gunfighter of all the actors who have ever portrayed him. Gaunt, dripping sarcasm with a Southern accent between hacking tubercular coughs, Quaid seizes each scene he's in, and certainly deserved Oscar consideration. It is ironic that his performance had to follow TOMBSTONE's flamboyant 'Doc', Val Kilmer, who created such an over-the-top, audience-friendly character, that Quaid's more realistic portrayal would be forgotten.

Another reason to watch WYATT EARP is it's presentation of the infamous Gunfight at the O.K. Corral, and it's aftermath. With the exception of John Sturges' HOUR OF THE GUN, no Westerns before TOMBSTONE and WYATT EARP had told the full story of the events, from the brief but deadly shootout, through the subsequent murder trial against the Earps, and Ike Clanton's vengeance, afterwards, resulting in Morgan Earp's murder, and Virgil Earp being crippled for life. Wyatt's bloody vendetta against Clanton and his allies was a grim reminder of 'frontier justice' and his ruthlessness even appalled Doc Holliday. The film doesn't attempt to gloss over or glorify Earp's actions, but does try to explain it, as an obligation to his family, who were the cornerstone of his life. Unfortunately, it took WYATT EARP nearly two hours to finally reach Tombstone, by which time audiences were fidgeting in their seats!

Uneven, but at times powerful, WYATT EARP was a major box office failure when released, and it never achieved the 'Classic' stature TOMBSTONE has, over the years. But it isn't a bad film, and Kasdan should be credited for his willingness to take an original look at a Western legend. It will be interesting to hear his comments, if a 'Director's Cut' DVD is ever released!

Wyatt grows up a young man who loves the law. When his wife dies early in their marriage he goes off the rails and becomes a drunk and a thief. When he is offered a chance at redemption he takes it and becomes a deputy. His legend spreads and he is offered the chance to be the deputy for Dodge City. He has great success but is removed from the job for being too brutal. When his replacement is killed as the law falls away in Dodge, Wyatt returns before moving on to Tombstone but finds his initial run-in with the Clantonhas left harbouring resentments.

When I saw this in the cinema, it was hassled by the fact that another, more multiplex-friendly version of the story had just been released shortly before. Viewed separately years later it fares better without the comparison to Tombstone, which is, in fairness, more of a fun bang-bang affair, although now it struggles because Costner's reputation is not even at the level it was when this film was released. The plot is good and is supposedly a true telling of the legend, although the film is careful to pepper the running time with hints that stories get changed with the telling.

The very honest and respectful telling of the story means that it gets told in a very deliberate and careful manner. This means on one hand that we get a good picture over Wyatt's life as opposed to the events in Tombstone, however it also means that the film itself is a little dull and overlong. It is overly deliberate and doesn't flow as well as it should - flowing more like syrup than water at times. Where some three-hour running times fly by, here it does feel like at least three hours - not always a good thing! The filling out of the characters doesn't always work either - I knew more about Wyatt but I didn't understand his character much more, also I was surprised that I was none the wiser about why he and Doc became friends considering how long was spent with them. A big failing of the film is that it assumes the status of an epic rather than earning the status. What I mean by this is that it tries too hard to be an epic - with constant sweeping music where it didn't need it. I still thing the film has an epic sweep to it, but it didn't need the cinematic tricks to achieve it; in fact, it could have down played it and let the sweep of the film do it for itself.

The cast is pretty good and also pretty deep. Costner may not be seen as a star anymore but that doesn't mean he can't act and can't hold the attention. He is a reasonable Wyatt but he suffers from being too deliberate and too shut off at times. I understand he needed to do it for the character but it contributes to the film feeling slow. The other brothers are played well by Madsen, Ashby and Andrews. Maybe it is because of Costner's drab Wyatt, but Quaid really lightens things up as Doc Holliday. His colourful character stands out easily against the old west types. The support cast is deep and includes faces such as Hackman, Fahey, Harmon, Pullman, Sizemore, Rossellini, Williams and O'Hara.

Overall this is a film that requires patience - if you prefer your films to contain action more than story then Tombstone may be more for you - but, for all it's failings, this is still a solid western and a good telling of the legend with more emphasis on background than action and fluidity.