All'età di otto anni, Aditi perde suo padre. In quel tragico momento, la madre Sarojini Gupta non è a casa. Sarojini è una danzatrice famosa ed è via per uno spettacolo.All'età di otto anni, Aditi perde suo padre. In quel tragico momento, la madre Sarojini Gupta non è a casa. Sarojini è una danzatrice famosa ed è via per uno spettacolo.All'età di otto anni, Aditi perde suo padre. In quel tragico momento, la madre Sarojini Gupta non è a casa. Sarojini è una danzatrice famosa ed è via per uno spettacolo.
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Recensioni in evidenza
This movie gives you an insight of a scattered family and the way the director has projected this upon it's audience is absolutely amazing, though I felt like the crying of Debashree Roy was too much but the acting was right up to the mark.
It gives you a sense of care for your family even if there's hatred filled in for it and somehow we all want a happy ending and closeness for the characters.
It gives you a sense of care for your family even if there's hatred filled in for it and somehow we all want a happy ending and closeness for the characters.
10anjumhaz
Unishe April (Nineteenth April) highlights the complications of a relationship between a famous professional dancer and her daughter. This is one of the best films directed by Rituporno Ghosh during his early career. The acting of the movie was splendid and you would sense the special aroma Rituporno put in his films.
Compared to modern dynamic films, Rituporno uses a static style. He would take much less shots, optmial scenes, but EACH scene will attract the spectator like a magnet, however simple that scene is.
Aparna Sen putting 'tip' on her forehead, receiving phone, family taking dinner together- these very simple yet detailed scenes stay with me after the movie ends. The conversation and complications all were perfect. There wasn't a time when you could pick a side, the mother's or the daughter's, it was so compelling.
It will stay as my all time favorite one!
Compared to modern dynamic films, Rituporno uses a static style. He would take much less shots, optmial scenes, but EACH scene will attract the spectator like a magnet, however simple that scene is.
Aparna Sen putting 'tip' on her forehead, receiving phone, family taking dinner together- these very simple yet detailed scenes stay with me after the movie ends. The conversation and complications all were perfect. There wasn't a time when you could pick a side, the mother's or the daughter's, it was so compelling.
It will stay as my all time favorite one!
UNISHE APRIL marked the arrival of Rituparno Ghosh as a major filmmaker. Though it was his second film, it catapulted him into prominence winning quite a few National Awards in its wake. The strong point of UA is its performances - Aparna Sen and Debasree Roy act superbly in this mother- daughter tale of a missing bond between them. The film is inspired by Bergman's AUTUMN SONATA.
The weakness of the film lies in part on the script - it is a bit strange to hear that when Aditi (Debasree Roy) is in deep love with a Delhi based boy (Prasenjit) and their relationship was on for quite some time yet the fact that Aditi's mother is a Nationally renowned dancer is unknown to her paramour. The harping on suicide as a release from inner turmoil and the outside storm sequence during the night symbolising the inner turmoil of Aditi appear rather clichéd (even Satyajit Ray did this in CHARULATA towards the climax) . The supporting cast includes Dipankar Dey, Boddiswata Mazumdar and others.
The story and screenplay of the film is credited to Rituparno Ghosh.
Rating: 3.9 out of 5
The weakness of the film lies in part on the script - it is a bit strange to hear that when Aditi (Debasree Roy) is in deep love with a Delhi based boy (Prasenjit) and their relationship was on for quite some time yet the fact that Aditi's mother is a Nationally renowned dancer is unknown to her paramour. The harping on suicide as a release from inner turmoil and the outside storm sequence during the night symbolising the inner turmoil of Aditi appear rather clichéd (even Satyajit Ray did this in CHARULATA towards the climax) . The supporting cast includes Dipankar Dey, Boddiswata Mazumdar and others.
The story and screenplay of the film is credited to Rituparno Ghosh.
Rating: 3.9 out of 5
It's a movie which shows how little resource is needed to make a good movie. Almost the whole movie happens in a house. With only a few actors (only three prominent). It shows the capability of
a talented writter and director "Rituporno Ghosh".
Riruporno Ghosh is a brilliant director. The cinematography and the story are well built. Aparna Sen is awesome in her role.Both the personality of a dancer and the love of a mother are perfectly bloomed in the character of Sarojini. Debashree Roy is just great in the role of Aditi.I am a great fan of her. Her performance in this movie is one of best. The dialogs between mom and daughter are also well built.
The complexity of the relationship between mom and daughter is tremendously picturized.The complexity between Sarojini and her late husband is actually the picture of our society. The jealousy a husband to his famous wife is very common. The same thing in the case of accepting Aditi by her lover as wife because she is a daughter of a dancer.The ending is just perfect.
The complexity of the relationship between mom and daughter is tremendously picturized.The complexity between Sarojini and her late husband is actually the picture of our society. The jealousy a husband to his famous wife is very common. The same thing in the case of accepting Aditi by her lover as wife because she is a daughter of a dancer.The ending is just perfect.
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Dettagli
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Nineteenth Apri
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 2h 18min(138 min)
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