Max Walker, agente di un'organizzazione governativa che controlla i viaggi nel tempo, si scontra con un losco politico che ha intenzione di cambiare il passato per controllare il futuro.Max Walker, agente di un'organizzazione governativa che controlla i viaggi nel tempo, si scontra con un losco politico che ha intenzione di cambiare il passato per controllare il futuro.Max Walker, agente di un'organizzazione governativa che controlla i viaggi nel tempo, si scontra con un losco politico che ha intenzione di cambiare il passato per controllare il futuro.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Steven Lambert
- Lansing
- (as Steve Lambert)
David Jacox
- McComb Man #1
- (as David Jacox Jr.)
Recensioni in evidenza
When time travel was developed by a scientist in 1994, there was the need to create the Time Enforcement Commision (TEC) under the control of Senator Aaron McComb (Ron Silver) to protect the past from modifications. The police office Max Walker (Jean-Claude Van Damme) is invited to join the TEC, and when his wife Melissa (Mia Sara) is murdered by strangers, he accepts the invitation to work under the command of Eugene Matuzak (Bruce McGill). In 2004, Walker is assigned to capture his former partner Lyle Atwood (Jason Schombing) that is manipulating the stock market in 1929. Atwood tells that he is working for Senator McComb, who is a powerful politician that is running for president. Atwood prefers to die and does not confess that McComb is a criminal. Now Max knows the truth but McComb is changing the past and Max does not know how stop him.
"Timecop" is a highly entertaining film, despite the clichés and the inconsistencies. Most of the scenes are written to explore Van Damme´s skill with fights. Ron Silver performs his usual villain roleand is very effective. But better of turn your brain off and enjoy "Timecop". My vote is six.
Title (Brazil): "Timecop - O Guardião do Tempo" ("Timecop - The Guardian of Time")
"Timecop" is a highly entertaining film, despite the clichés and the inconsistencies. Most of the scenes are written to explore Van Damme´s skill with fights. Ron Silver performs his usual villain roleand is very effective. But better of turn your brain off and enjoy "Timecop". My vote is six.
Title (Brazil): "Timecop - O Guardião do Tempo" ("Timecop - The Guardian of Time")
Overall, this is a decent enough 90s action flick with ropey acting, terrible vision of the future, but excellent fight scenes and some superb signs of physical excellence (those gymnast moves are amazing). Its also funny (not always intentionally so; those cars are hilarious) and the pacing is decent. The sci-fi angle is not the strongest, but overall this is a cent 90s action flick.
I was not to crazy when I saw this film the first time. Wow the second time I found the time travel cool. This film is cool when one looks at the plot twists. Not the greatest of action flicks, but a lot better then most. Watch it twice if you rent it and you will catch a few extra things.
Timecop is a pretty hilarious movie, and it has all the trademarks of a
Tapert/Raimi film (i.e., the guys who brought you Evil Dead, Hercules,
Xena, Jack of All Trades...). It's definitely a big-screen movie, but they have some fun, even including dialogue that pokes fun at Jean-Claude's at times unintelligible accent. There are some decent martial arts set pieces, they don't spend too long on the time travel aspects (which is about par for the course for the guys who did time travel in Evil Dead, Hercules, and Xena...). Ron Silver makes a suitably sinister villain, but Bruce McGill steals the show as the protagonist's somewhat befuddled but loyal boss. There are the usual holes that accompany any time travel story, and a weird ending. With the feel-good ending, no one seems to realize that Max won't recall the last 10 years of his married life and time raising his kid! Still, it's a pretty good, not too deep, enjoyable movie.
Tapert/Raimi film (i.e., the guys who brought you Evil Dead, Hercules,
Xena, Jack of All Trades...). It's definitely a big-screen movie, but they have some fun, even including dialogue that pokes fun at Jean-Claude's at times unintelligible accent. There are some decent martial arts set pieces, they don't spend too long on the time travel aspects (which is about par for the course for the guys who did time travel in Evil Dead, Hercules, and Xena...). Ron Silver makes a suitably sinister villain, but Bruce McGill steals the show as the protagonist's somewhat befuddled but loyal boss. There are the usual holes that accompany any time travel story, and a weird ending. With the feel-good ending, no one seems to realize that Max won't recall the last 10 years of his married life and time raising his kid! Still, it's a pretty good, not too deep, enjoyable movie.
This is pretty run-of-the-mill as far as sci-fi goes, and Van-Damme's acting wasn't any better than it was in his other films - contrary to popular opinion - but Peter Hyams' competent direction keeps the thing moving forward at a brisk pace, and Ron Silver makes for a wicked baddie that rivals his work in Blue Steel. If only the action were more exciting. Most of it consists of Walker staying in one position shooting at another guy, and vice-versa until somebody goes down for good. The shootouts lack energy and a sense of life for the most part. The fight scenes are......okay, but nothing that can compete with what I've seen in other actioners from that era. Oh yeah, and what was up with the villain's death scene? That was some frighteningly terrible CGI. I guess they were trying to rival the liquid metal effects in T2 and failed miserably. In fact, the entire finale was way too dark, like pitch black. I remember catching the finale on TV back in the day and noticed it was excessively dark then, too, but Blu-ray doesn't seem to have corrected the problem. Well, flaws aside, this is still one of Van Damme's better films, with some amusing moments here and there.
Lo sapevi?
- QuizThe film is based upon the Dark Horse comic book series of the same name.
- BlooperIn the beginning of the movie when George Spota is talking to the senate committee he states that an arms deal was being paid for by gold bullion from the civil war. He states that this coin was carbon dated back to that time. This cannot be so for two reasons. One if it was brought forward in time it would not have had a chance to age. But even more so is that you cannot carbon date metals. Carbon dating can only be used for organic matter, material that was once living.
- Curiosità sui creditiOn the trailers, the 1936 Universal Pictures "Art-Deco Globe" logo is used. the actual film meanwhile had the 1991 logo played normally.
- Versioni alternativeThe film was initially censored to receive a more commercially viable M rating for its theatrical release in Australia. The sex scene between Van Damme and Mia Sara was slightly cut and the final confrontation between Van Damme and one of Ron Silver's heavies where Van Damme repeatedly pistol whips the villain was censored to one hit. These cuts were restored for the MA VHS and DVD release.
- ConnessioniFeatured in The Smithereens: Time Won't Let Me (1994)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Timecop: Policía del futuro
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 27.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 44.853.581 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.064.625 USD
- 18 set 1994
- Lordo in tutto il mondo
- 101.646.581 USD
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