Una strana storia d'amore

this is its basic virtue - it is a different western. not only because the classic confrontations between men front to saloon are absent but for the delicate, seductive and touching answer for a basic question about the brave men . it is a comfortable film. and one who, with high care, gives a precise portrait of family life in prairie, with humor and tenderness, bitter scenes and using the poetry of small details. a film like a book from lost age. with the perfect resurrection of atmosphere and a form of romanticism who not becomes too sweet as great virtues. so, a refuge. or, just a great and profound love story.

Imagine this. In a pioneer farm in the middle of nowhere in Nebraska, a women knows she is going to die in a few weeks because of a disease she has. She sets out to find another women to replace her with her husband and their four young children. Since there are six males for one female in that part of the country at that time, she has to fetch very far... and finally comes back with an aging prostitute (prostitutes start early to be aging...) who can't stand her life anymore. There is no other way for her husband to guarantee that he will be able to keep the family farm and their four children together after she dies.

Sounds odd to you? Actually, this starting point leads to some "triangle" situations that are even more peculiar. I liked to watch how the plot developed; many situations are clearly not predictable, and you can't really guess the conclusion before it comes up.

Granted, some aspects could have been developed more deeply, and you are left wondering about the realism of the story. For instance, how could the four children possibly react to such a situation? The movie doesn't really get into that. But then, it just preserves the unity of the plot, and you have more than enough watching how this courageous wife, this outsider women and this perplexed man-and-husband interact and work their way through this harsh and unusual situation.

I think this film clearly deserves more than the 5.2 / 10 it currently displays on IMDB. I give it a strong 7.

I had watched this film when it first came out and was left emotionally moved by it, so much so that when the opportunity arose to view it again came up i thought, yes why not! Lea Thompson played the wife who was dying. Loved and determination drove her to find someone to love and care for her husband and children when she was gone. Having loved someone deeply but being unable to be with them, yet being glad that someone else could be, I could relate how she would be driven by pure motives. The subject matter was dealt with in a realistic way and the acting was natural and drew me into the situation as an onlooker, being able to view the situation from each of the characters position. An excellent film, well worth the time taken to watch it!

1869, at a farm in Nebraska. Amy Hightower (Lea Thompson) discovers that she is affected by an incurable illness. Wife and devoted mother, she decides to find a new woman for her husband, Martin (Peter Weller). Having finally persuaded her husband, Amy visits numerous widows, but always returns empty-handed. Frustrated, she eventually makes her proposition to prostitutes. One of them, Pearl ( Farrah Fawcett), accepts immediately...

Looking like "The Little House on the Prairie ", with a shot of vulgarity and a good dose of unlikeliness. On this insipid cream tart, a cherry: Farrah Fawcett!

When I saw this film televised on British TV, I enjoyed it so much that I tried to get a copy for 4 years. Eventually I managed to get a second hand copy - all this by a woman who has never bought a movie video in her life before.

This film is extremely sad with amazingly funny moments interspersed. Just when you feel like crying over the sadness of the situation (the wife suffering badly and dying from cancer, watching her children interact with another woman, who appears stunning, glamorous and frustratingly desirable to her husband) a character will utter something that makes you roll about with laughter.

The film isn't supposed to be realistic, it would never happen surely, but even so it makes a fine story line and does test your emotions in all directions. Don't take the film too seriously, take it as it comes and enjoy every moment. The male actor playing the husband is completely fantastic in his role. His expressions and wry comments have you fascinated from the word go.

Get hold of a copy and enjoy a non-violent, entertaining tale of sadness, friendship and honour.

PS: I'm NOT a woman who enjoys sloppy rubbish films, so don't write it off as a womans film!