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Titolo originale: The Return of the Texas Chainsaw Massacre
VALUTAZIONE IMDb
3,4/10
27.724
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibal... Leggi tuttoA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.
- Premi
- 1 candidatura in totale
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
Recensioni in evidenza
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
Anyone expecting oscar caliber film material when they popped this nugget in their VCR is kidding themselves.
Saying this movie sucks is similar to the people who stand in front of me at McDonald's complaining that their burger wasn't prepared properly. This aint Western Sizzlin, ya know!
So it was mindless, laughable, and possessed all of the other attributes that all TCM movies have. So what.
Can we really say that the original TCM had any kind of cinematic value. It was intense, graphic...yes. But the dialogue, (the small amount that it required) was no more cerebral than any TCM produced after.
I agree with the viewer in Baltimore that the mechanical leg was very funny. I preferred the trailer park babe who was constantly making references to her fake breasts. She was funny. The movie did go downhill with the arrival of the freak in the limo. It became very disjointed. So did all of the others, though. All TCM movies have always been about one subject...mindless violence and shock value.
If you didn't like it...fine. I was disappointed that the two main characters are embarrassed about making the movie. It's not something to be proud of, no. But it is still a piece of film that they got paid for. Also a break that they were given, as unknown actors. Just goes to show that once actors make it to the top, they forget the mere humans at the bottom, that boosted them up.
Saying this movie sucks is similar to the people who stand in front of me at McDonald's complaining that their burger wasn't prepared properly. This aint Western Sizzlin, ya know!
So it was mindless, laughable, and possessed all of the other attributes that all TCM movies have. So what.
Can we really say that the original TCM had any kind of cinematic value. It was intense, graphic...yes. But the dialogue, (the small amount that it required) was no more cerebral than any TCM produced after.
I agree with the viewer in Baltimore that the mechanical leg was very funny. I preferred the trailer park babe who was constantly making references to her fake breasts. She was funny. The movie did go downhill with the arrival of the freak in the limo. It became very disjointed. So did all of the others, though. All TCM movies have always been about one subject...mindless violence and shock value.
If you didn't like it...fine. I was disappointed that the two main characters are embarrassed about making the movie. It's not something to be proud of, no. But it is still a piece of film that they got paid for. Also a break that they were given, as unknown actors. Just goes to show that once actors make it to the top, they forget the mere humans at the bottom, that boosted them up.
I can't believe this is rated as a bad film by so many. It is one of my favorites. It's pretty twisted and sick in a realistic way. Indeed it's not like the other TCMs but it's the same plot line , but completely different in a way. Mr. McConaughey has a great role and is acting like never before. Try seeing the movie and finding the good qualities instead of searching for whats bad about it like everyone else does. The psycholigy is brilliant. A must see for all !
The latest Texas Chainsaw Massacre, is absolutely no rest from the bizarre first three horror films. Leatherface here is performed just like Gunnar Hansen's take in the 1974 granddaddy of all horror films, " The Texas Chainsaw Massacre." The actors seem to overact sometimes, it's pretty corny...still the humor and craziness of the flick are entertaining, as well as the music and atmosphere. Definitely the best film of the two leading stars, who would go on to become Hollywood heartthrobs. You'll have a lot of fun if you're a horror fan who likes to see some weird B-ish stuff.
The makers of THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION missed a huge opportunity by not setting it to music. All the elements are there, including Matthew MCconaughey as a deranged, bug-eyed hillbilly with a remote-controlled leg, and Renee Zellweger as a "teen" victim, running, screaming, and jumping through windows!
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Lo sapevi?
- QuizMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- BlooperWhen Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- Curiosità sui creditiIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- Versioni alternativeThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- ConnessioniFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- Colonne sonoreTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Masacre en Texas: la nueva generación
- Luoghi delle riprese
- 16493 Cameron Road, Pflugerville, Texas, Stati Uniti(Family House)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 600.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 185.898 USD
- Fine settimana di apertura Stati Uniti e Canada
- 28.235 USD
- 24 set 1995
- Lordo in tutto il mondo
- 185.898 USD
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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