Il postino

Mario takes up the job of postman on a small Italian island. The island has a new resident, the famed exiled Chilean poet Pablo Neruda, and he is receiving heaps of mail (mostly from women, to Mario's fascination). Mario strikes up a friendship with Neruda, who helps the not-overly-literate Mario develop his writing skills and appreciate poetry and prose. Then Mario meets a beautiful woman in the village and his new-found poetic skills are put to the test.

Great film. Wonderfully warm and charming, with a mellow style that is very engaging. Sweet plot that develops at just the right pace. The discussions between Neruda and Mario are a wonderful insight into creativity and how art is formed. The way Mario develops his creative side is also great to witness.

It does falter a bit in the third quarter or so. A certain point, about halfway through the movie, felt like a natural ending to the movie so it was difficult for the writers to develop the plot from such a high. Not that it was dull from that point on, it just didn't have quite the same ability to enthral. The ending is quite emotional though.

Great performances all round, especially by Massimo Troisi as Mario. He would go on to get a Best Leading Actor Oscar nomination for his efforts. Troisi also co-wrote the film and received a Best Adapted Screenplay nomination. Sadly, he never saw the fruits of his labours as he died of a heart attack 12 hours after filming ended.

All in all Il Postino received 5 nominations at the 1996 Oscars, including for Best Picture and Best Director, and ended up winning one, for best score.

A beautiful movie that does an excellent job bringing to life Neruda's love poems and how they touch the life of a simpleton postman. It inspires in one, a spiritual and sensual love for poetry. The music is intricately woven into the fabric of the story, and is surely a high point in the movie. Great cinematography, matched frame by frame with the splendid acting, especially that of Massimo Troisi and Philippe Noiret. Watch this movie if you are disillusioned with the notion of romance, and need some succour.

The movie once again reinforces my admiration for the Italian film-makers. What amazes me is their simplicity in relating a tale, and how subtly pathos is displayed in their movies. This is also evidenced in "Life is Beautiful" and "The Bicycle Thief".

"Il Postino" is a movie that received oodles of critical acclaim upon its release in 1994. While I don't think it was as good as advertised, I understand why it received such praise. In a movie world that is filled with dry and unamusing romance stories, "Il Postino" is a relatively lush and beautiful tale.

The plot is fairly simple but loaded with subtleties that allow, even encourage, multiple viewings. Mario (Massimo Troisi) longs for something more than his simple fisherman life on an Italian island, so he takes a small job as a postman, delivering mail to famed romantic poet Pablo Neruda (Phillipe Noiret), who is living in exile on the same island. Over time, they develop a relationship that is based on Neruda aiding Mario in wooing his beloved Beatrice (Maria Grazia Cucinotta).

The final act is where the film makes the leap from well-made standard fare to something greater. With a couple plausible plot developments, characters and relationships are deepened beyond a basic love story, to a place that accents everything that happens leading up to that point. I can't say much else without giving things away, but stick with the movie to the end, even if you're dragging midway through.

As you might expect from an Italian film, "Il Postino" has a very European feel. The passion of Italy is present throughout, explained through lifestyles, literal and metaphorical imagery, and the emotions of the characters. The setting is far from the bustling dollar-driven society in which Americans dwell, and a movie like this wouldn't get made in America, because the cultures are drastically different.

The film's star, Massimo Troisi, is excellent. He embodies everyman qualities exceptionally, similar to Tom Hanks, yet with more...something. Soul perhaps? He, like the entire film, is just more European, and I hope you understand what I mean by that. Noiret portrays Neruda perfectly, expressing his romantic ways through both words and actions. Everyone else is very good, although no one stands out; the overall anonymity of the cast aids the viewer in establishing culture as well.

The cinematography and the scenery it presents is often breathtaking, although not in the sweeping manner of something like The Lord of the Rings. Rather, cinematographer Franco Di Giacomo wisely chose to let the pictures speak for themselves. The elegant cliffs, white-capped waves, and rolling topography of the island gently yet firmly frame and support the story. A straight-forward tale should have suitable pictures, and "Il Postino" meets that requirement.

The film is touted as a romantic comedy, and it is, although not in the traditional sense. The comedy isn't slapstick and won't elicit bushels of laughter. But there is an underlying sense of humor laced through the whole movie, often in simple movements, tasks, or occurrences.

All of this combines to present something like a fairy tale replete with Italian heart and soul. "Il Postino" won't blow you away, but its tender lessons about life, love, and friendship will stick with you for some time, urging another viewing.

Bottom Line: A very European romance that is better than most anything Hollywood can conjure up. 8/10.

(If you like the film, get the Collector's Edition DVD; it's quite good.)

A sweet, gentle film about a quiet postman who discovers the power of poetry in winning the heart of his true love.

Massimo Troisi gives a warm, wonderful performance as said postman, while Phillipe Noiret plays the poet Pablo Neruda. The setting, a sleepy Italian village, gives the film a cozy atmosphere, and it's got a lovely score to match.

One of the rare foreign-language films to be nominated for a Best Picture Academy Award, it lost to the thunderingly stupid "Braveheart." Mel Gibson could use a little poetry himself.

Grade: A

I've never seen him in anything else, but this performance by Massimo Troisi touches my soul. Stunning.