Storie di spie

When I first watched it, in 1994, in a small french city movie theatre, I shouted: "F...! What a movie!". But days, weeks and months after, no one seemed to think like me. The critics I read were all bad (Then I started to cancel my subscription to a famous french movie magazine)and condemned this movie to death. However, I had seen it three times on screen. This movie is for me of the same blood as the spy movies from the 70's, where spies were not heroes any more, but particles of giant machines, and desperate men, seeing other people apart. "The days of the Condor", "Scorpio", "la 7eme cible" etc. were that kind of movies. with "Les Patriotes", Eric Rochant took his time (24 weeks of shooting)and his producers hired a tough cast (Richard Masur, Nancy Allen, Yossi Banai)to support local actors and a wonderful Yvan Attal who acted perfectly the young, experienceless, and tormented french Jewish spy who went to Israel by love in order to serve and protect his new home. But unfortunately, dreams are not reality... and protecting a country is not as rewarding as it seemed in James Bond movies. This movie is also worth to be seen because of the interest of Israel's concerns, the realistic (and dispassionate) way it is depicted. But the main topic is neither Israel, nor the Mossad, but being a spy and doing wrong to make good.

Les Patriotes tells the story of a young Jewish Frenchman who decides to emigrate in Israel in order to join the famous Mossad. I don't think the scriptwriters intended to reveal us the truth about the world's most secret service (who can claim to really have solid informations about that?). Yet they wrote an excellent screenplay, worth the best spy movies. Les Patriotes is an exciting description of the daily work of the spies. It is a beautifully-acted movie that doesn't show off and in the same time tells us a lot of things. It is a captivating vision of what a state manipulation is. So, if you have the chance, see it!

This movie can serve as a gold standard for the spy-movie genre. It depicts in unglamorous ways, the life, the torment and catharsis of an intelligence officer. The cast is superb, but it's really director (Rochant) and lead actor (Attal) who are making the powerful and excellent case of what does it mean to work for the state. This case done in subtle tones(Yvan Attal's character rarely speaks), in demonstrating the complex political situation Israel finds itself in constraint manner, and by introducing such a vivid female character, that the viewer (at least male's half) can understand the inner battle of Mossad's officer soul

the film is very good, frighteningly realistic, and it looks like a true story, with a few of the names changed, but the association is clear (see the character of Jeremy Perlman), the connection between the main character and the prostitute is masterfully acted, the end is excellent... must see it to believe it

There is a genre of drama that walks a fine line between fact and fiction. The classic films Compulsion and Inherit the Wind are but two examples of such dramas. The first spun a tale that in many ways resembles the celebrated Leopold-Loeb case involving the "thrill" murder of Bobby Franks in Chicago in the 1920s. The other concerns the famous Scopes "monkey" trial in Dayton, Tennessee during the same period. Ironically, both defendants were represented by attorney Clarence Darrow.

Les Patriotes includes such a plot aspect in its second half, as it relates the story of an American husband and wife (Richard Masur and Nancy Allen), who become ensnared in an effort by the husband to share US secret information with Israel via involvement with its secret police---the Mossad. The story is complex and is built upon a dense yet realistic narrative. It seems clear that the couple are really stand-ins for the unidentifird famous (or as some believe infamous) real-life Jonathan Pollards.

In this respect, Les Patriotes bears a resemblance to an acclaimed series of semi-documentary "fact/fiction" movies made by 20th Century-Fox in the late 1940s (Boomerang, House on 92nd St., Call Northside 777, Mister 880, etc.). Those films incorporated an emphasized sense of realism through use of rare (for that time) location shooting and a more naturalistic acting style. A difference between the two may rest in the fact that the Fox movies told their gritty black and white stories in a relatively crisp amount of running time, whereas Les Patriotes took considerably longer to develop its colorful labyrinthian plot---and also took advantage of freedom from prior censorship restrictions in doing so.

Les Patriotes is a thrilling film that cleverly blends fact and fiction in a way that actually is similar to those highly successful Fox releases of the late 1940s. At times, we seem to be standing in the same uncomfortable shoes worn by our principal Mossad agent as he gradually accumulates the layers of experience required to assume even greater responsibilities working in the dangerous and murky world of spying and espionage. The rather subtle plot devices used to illustrate the complexities of our hero's constricted personal life are interesting and at times even somewhat (surprisingly) humorous.

This film may have to be seen more than once to fully grasp all of its elements, but the journey seems well worth it.