D'amore e ombra

Isabel Allende is not the greatest writer of all time, still she has a magic touch, of that there is no doubt..A woman that has fought all of her life, gives us the pleasure to enjoy her experience in this beautiful story (as are all of her stories), that brings together two great actors (Antonio and Jennifer), and almost makes us want to be part of it,despite the danger..these were the true heroes of our time, i think that's what she's really stating, by using simplicity as a way of being, a way of life, and showing us that it can also be beautiful.. A true love story.

This was a great film!

Granted, the acting may not be tip-top and the casting may have its flaws, but I thought that this was a great film, and it's about time we have more films bring to life the atrocities that occurred in Chile. By acquiring more knowledge about the world around us, we can try to ensure that we don't repeat the same mistakes over and over.

I really thought the film was great!

Seems like any time Jennifer Connelly is offered a film, they always flop, and has no good-looking men (Carrer Opportunities, Heart of Justice, Some Girls, Seven Minuutes in Heaven, The Rocketeer.) So, it was no surprise when she was cast as Irene Beltran, in this semi-depressing film. The real shocker was the poster:could she be showing any more of her self? how disgusting!!! Other shocker: Antonio Banderas, come on, if you're going to have a good movie, you so need to have good actors that can act. Antonio Banderas, can not act, if his life depended on it. That said, let me explain the film. Irene Beltran, (Connelly), is a rich young women that is engaged to her cousin. Meanwhile, her photographer, Francisco Leal, (Banderas), is slowly falling in love with her. And who could blame him. The two uncover a secret, in a mine, soilders have stuffed hundreds of thousands of bodies. This could have been Inventing the Abbotts, (rich girl, poor boy, falling in love with rich girl.) Then, as any perosn who has seen a Jennifer Connelly film would know, the two engage in intercourse. It was the where that was disturbing:in the mine. So, like any love story, people, want the two killed before the story is expsoed to the world. I was quite unsure of what to think about this film, so you be the judge.

But not much else. As a story, it is something of a docudrama -- part history and part love story. The historical part must be taken for granted, as the author maintains high credentials as a witness. The love story is just so-so, however -- predictable and depending for its attractiveness on a good deal of gratuitous nudity. We see here rather more of Antonio Banderas than is probably necessary. Ditto the Chilean army officer.

The main weakness of the film is that it is not presented in Spanish with English subtitles. To have Spanish-speaking actors mouthing English is extremely distracting, and to my mind unforgivable in view of the locale and the facts of its production. Jennifer could surely have been taught to fake a little Español with some artful dubbing later on.

Still, one has to appreciate the scenery and the score, played apparently by a full symphony orchestra somewhere in Bratislava or the like. As a travelogue it succeeds admirably, even if it is on the sunrise side of the Andes and not the other way round.

Having read the novel, I was curious to see how it would be made into a film. I had high hopes, because the book was extremely poignant and well-written. However, these hopes were dashed within the first five minutes of this truly awful movie.

Now, I'm a fan of both Antonio Banderas and Jennifer Connelly. I think they're great actors. However, Of Love and Shadows brought out the worst in both. The acting was hideous and essentially consisted of Jennifer Connelly using an awful accent while making bedroom eyes at Antionio Banderas, who did the same (but with a much better accent).

Aside from the terrible performances, the real flaw of this film was that it tried to incorporate too much of the book into too small a time frame. There is a good deal of fantastic material in the book, but there is simply too much to be done on screen. What seems to have happened is that the makes didn't exactly realize this and consequently tried to hold on to too many secondary characters and too many story lines. The result was less than satisfactory. I was entirely convinced that anyone who hadn't read the book before seeing the movie would have been completely lost.

In short, I seriously pity Isabel Allende for this horribly botched movie which is entirely unrepresentative of the excellent book she wrote. Do not watch this movie. Read the book.