Il guardiano di notte

I haven't watched any other film by Bornedal(including the American remake, which I understand is inferior to this), but he certainly nailed this one. From start to finish, this establishes and maintains an atmosphere and crafts a tension so thick, you *can't* cut it with a knife, you'd need a razor-blade. The editing and cinematography, with only a handful of exceptions, are inspired, using light and darkness immensely well, and utterly terrifying the audience. This is marvelously well-shot. The plot is excellent, and the twist is unexpected and has a relatively subtle, yet nicely effective reveal. Granted, when you think it all through, you do have to accept one or two details that strain credulity. Still, this is exciting and creepy whenever it attempts to be, and the relatable story and credible, well-developed, human characters are the driving force of the movie. Inbetween the sequences of suspense - to keep it from overstimulating the audience - there is humor, and every joke and gag are funny, none fall flat or try too hard. The acting is impeccable, every performance is spot-on. While there are jump-scares, most of the build-up pays off, big time. The music is excellent, and contains a good bit of rock, as well as a cue that they must have composed with Psycho in mind. There is a lot of disturbing content, some sexuality(including in dialog), brief nudity and a little bloody violence in this. The DVD comes with a well-done half-hour long behind-the-scenes featurette that covers the majority of the areas of production, and the theatrical trailer. I recommend this to every fan of horror. 8/10

Even though this is not a perfect movie, it still does nothing really wrong either and this movie is basically being a great example of how to do a great and effective, more classic type, of thriller.

The movie combines many different genre elements and it keeps throwing you around. Is it going to be a horror? Is it going to be psychological thriller? Is it going to be a thriller involving a serial killer? Every time you think you have the movie all figured out it does something new and surprising. So really, it's best to simply watch this movie, without knowing what it truly is going to be all about.

And the good news about the movie as well is that it handles all of its many different themes effectively. When the movie is supposed to be horror like it's being really horror like with its atmosphere and buildup and when the movie is supposed to be more thriller like it's really being suspenseful and mysterious. What I also liked was that the movie was having some clear Giallo genre movie elements in it but then again, every modern horror/thriller involving a killer is being in one way or another derivative of the classic Italian Giallo genre.

It really was foremost the atmosphere of the whole movie that kept it going and suspenseful and interesting. The story itself, when you really start to dissect it is being quite standard for its genre. Yet the movie still manages to surprise you, due to the way it handles certain scenes and its typical genre ingredients, such as the look and feeling it has to it.

The movie also truly benefits from it that it has some good and likable characters in it. No cocky kids, or persons who think they know best and are afraid of nothing but instead some real people, with real fears and emotions. Yes, it might be true that the characters feel that way simply just because this is a Danish production, which of course has a different approach and feeling to it than a more standardized and stylized Hollywood production. Or perhaps it's just all due to some great casting and performances by its actors. This actually was being one of Nikolaj Coaster-Waldau's very first movie roles and he now days has a pretty decent acting career, with already also movies such as "Black Hawk Down", "Kingdom of Heaven" and the television series "Game of Thrones" behind his name.

Guess there is still plenty of stuff you could complain about, such as the lack of blood and gore, while there was plenty of opportunity for it, or that the killer gets revealed far before the finale and end of the movie but that doesn't take away anything from the fact that this is simply being a very effective genre movie, that's perfectly watchable, even on repeated viewings.

8/10

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NIGHTWATCH (Ole Bornedal - Denmark 1994).

Danish writer-director Bornedal made an extremely suspenseful film about young law student Martin (Nikolaj Coaster Waldau) in Copenhagen who takes a job as the nightwatchman at a mortuary. A serial killer is lose on the streets, leaving behind a string of scalped female victims. Soon after Martin started his new job, one of the victims is brought in. That's when Martin meets homicide detective Peter Wörmer (Ulf Pilgaard). When one night one of the victims in the morgue is molested, Martin being the nightwatchman is suspected and soon finds himself trapped in a carefully planned frame-up.

Suspenseful, black humour, some necrophilia, this is superior genre movie-making. Bornedal goes for an ultra-realistic style and certainly employs some very skillfull set-ups that will have you on the edge of your seat. The performances are all-round perfect. In fact, I cannot recall a genre film of this kind with so many impressive performances. Superior scripting and character development by Bornedal helps this, but exceptional nevertheless. Kim Bodnia's role as Martin best friend Jens Arkiel got him noticed and he would later star in an equally impressive role in PUSHER (1996). Bornedal also directed an inferior American remake in 1997 starring Ewan McGregor.

Camera Obscura --- 9/10

The title is not a joke. This movie had enough of an impact that it made more than 100 people withdraw their commitment for organ donations. After having watched the film I understand that now.

Ole Bornedal wrote a fantasticly sick and suspenseful film and when his script and directing is joined by the acting of Nicolaj Coster-Waldau, Kim Bodnia and even Ulf Pilgaard you know you're in for an amazing ride.

Growing up as a horror fan in Denmark I was always told about this movie but never got around to seeing before now. After having seen this for myself I don't know what took me so long. I'll also say that I feel proud that my small country produces entertainment of this calibre.

Martin, a law student, works as a night watchman in the morgue of a hospital. The morgue is a scary setting. When gruesome incidents occur there again and again, Martin gets involved in a bloody criminal case about a brutally murdering serial killer who has it in for pretty young women. Horror, crime, thriller and, not to be guessed from the description so far, humour as well. With his debut film, Danish director Ole Bornedal succeeded in creating a gripping, atmospherically dense thriller with many shocker elements. The viewer can place himself exactly in the eerie world around the protogonist and is constantly led on false trails. Besides holding your breath a few times, the work impresses with a strong pinch of black humour. There is also nothing to complain about in terms of acting, especially Kim Bodnia can put herself in the limelight brilliantly, as always. Perhaps the visuals of the film are not quite "glossy", but you can see from the remake 3 years later that this is not the decisive essence of a good scary thriller. Definitely a small genre pearl.