Le nozze di Muriel

Muriel's Wedding is a feel good movie for the outcasts of the world. That means most people of course. At some time in our lives we all feel like the one who is left out of everything. Muriel's life is like that. Her "friends" put her down constantly and her father reinforces it by telling her how useless she (and every other member of her family) is while boosting his own ego by bragging about his connections.

There is no life in Porpoise Spit for Muriel. So after a couple of catastrophic embarassments and a chance meeting with an old school chum and fellow outcast she moves to Sydney. There she reinvents herself and discovers that despite what has been said about her and some pretty bad things she has done she is still a good person. Muriel stumbles on the way but finally frees herself (as does her mother) from the oppression of her hometown, her father, and her life.

Muriel isn't a totally likeable character. She steals, lies, and at one point does a perfectly terrible thing to her only friend. In the end however, Muriel recognizes that despite her shortcoming, physical and spiritual, she isn't the worthless creature her classmates and father have told her she is. To the credit of the filmmaker's they didn't do a complete remake of Muriel in the film to make her a beauty at the end. She gets a better hair cut but for the most part the improvement on her looks comes from within.

Muriel's father on the other hand is a completely despicable man. A local politician who tries to impress everybody with his connections he also put considerable effort into the degradation of his wife and children. His motto, the same as the town of Porpoise Spit, is "You Can't Stop Progress" but he manages to stop the progress of everyone in his family except for Muriel.

This is a very enjoyable film and a good example of the idea that a movie doesn't have to be a big Hollywood production to be great. I'm glad that it was produced in Australia. If it had been done in France then Hollywood would have done a remake in English and probably ruined it.

I saw this film again after several years. Still believe is drama, a dark inner film. I never considered as a comedy. Characters are very well put on scene, that even a man can identify himself with some of the performances. Music also makes the point. ABBA is so out of fashion today, that's close to a classic.

This is truly a great Australian film, and still holds up after all these years. The film has always hit a nerve with me in terms of the Heslop's family dynamics (Mum, make Dad a cup of tea!). I can only speak for myself but I grew up in Queensland around the same time (I am aware this was made in New South Wales) and my experience with my family definitely resonates with that of Muriel's with her family. I really thought at the time this came out that this type of family dysfunction was 'an Aussie thing', but I know better than that now that I am older and wiser.

I've never thought of this as a comedy although it has some very funny moments. Even now, I have to be in the mood for Muriel's Wedding due to it's brutally harsh treatment of it's characters. The film is vicious and unrelenting and has made me cry more than once. But it's also a cathartic experience, about a person with flaws like all of us, who is trying to find her own identity, and, despite what she has been conditioned to believe, that she is worthy.

Muriel's Wedding is an Australian gem that perhaps suffers somewhat from being earmarked as a 'comedy'. Certainly there are plenty of laughs, but this film is no mere cheap and cheesy crowd-pleaser. As well as dealing with the insularity and cattiness of her hometown, Porpoise Spit, Muriel also must face the suicide of her mother and paralysing of her best friend. Yet, despite these tragedies, Muriel manages to come out on top, and at the same time strike a blow for anybody who has ever been snubbed by the in-crowd.

The characterisation in the movie is brilliant, particularly that of Muriel's family of no-hopers. Hoping to shed the title of "useless" bestowed on her by her father, Muriel (Toni Collette) absconds with the family's savings to an island resort, where she meets vivacious, straight-talking Rhonda (Rachel Griffiths). Rhonda is the catalyst for Muriel to become a new person, but unfortunately Muriel takes her obsession with weddings one step too far and marries just for the sake of it. She thinks she has finally "made it", but comes to realise that there's more to life than public image.

The soundtrack is a gloriously appropriate ABBA symphony, although both Dancing Queen and the film's original theme tune are over-utilised. It is surely partly due to ABBA's pleasant familiarity that it is so easy to become emotionally involved in the film, and the viewer will likely experience the whole gamut of feelings during its course. The finale, whilst upbeat, fortunately doesn't stumble into the realm of saccharine moralism (which so many filmmakers seem to think it is necessary to conclude with). Instead, we feel the triumph along with Muriel and Rhonda as they bid a raucous farewell to Porpoise Spit.

After watched this movie in late of nineties and found it above average movie, many years this film was release on DVD here for an small label, today l re-watched it again this amazing movie about self respect, love, loyalty, contempt and mainly happiness, Toni Collette in your best role ever, gave to the movie a cult reputation, incredible funny sometimes and sadness too, supported by Abba soundtrack it's a really fresh and original movie from Australia.