Motorcycle Gang

This is officially THE worst film ever made. It is terrible! The acting is awful, the sets are awful, the editing is awful, the plot is awful, the props are awful, the soundtrack is awful, I simply could not state one positive comment about this movie! Set in the fifties, you can blatantly see 90's cars roaming around, the bikes the 'Gang' use are rusting even though they are ahead of their time, this is diabolical. Words cannot describe it! Take my advice - avoid this piece of junk at all costs! It will be the biggest waste of 80 minutes you could ever imagine.

If I had checked for reviews with IMDB prior to my renting this movie, I would probably have still rented it since only one review was available. There are a lot of noticable errors in this film and the plot really doesn't make sense. The ending is just really unbelievable and would not happen even in today's time much less in the era this film is suppose to portray. However, if you are shying away from it because it says it has a Rape scene, the scene is not graphic as I have seen in other movies. Neither person gets their clothes off and there is no nudity in this scene at all. But I would just shy away from this flick because it really isn't good.

It was a dark, cold evening at 48 Hawthorn Avenue, with only my young Asian friend to keep me company. The night seemed to be innocuously drawing towards an uneventful conclusion, when all of a sudden a last desperate bout of channel-hopping produced a remarkable result - Motorcycle Gang. A superbly crafted piece of modern cinema (although it wasn't actually released in theaters - a travesty!), this film merely serves one purpose - to overawe the viewer with sheer class from every quarter, and it succeeds! Much better than others from the Late Night Classic collection such as On The Line (see review), it features another Oscar worthy performance from Jake "son of Gary" Busey, showing once again why he is widely considered to be superior in every way to his great father (watch starship troopers(1997), which is excellent, and the foot shooting party(1994), which is also probably excellent, for further evidence). The Directing is spot on, with John Milius finally rediscovering the flair shown in Conan the Barbarian (Phew, I hear you gasp in relief. The world is a better place with Milius on top form). But in all honesty, the finale is the pinnacle of this epic. The showdown between the gang and former Army man Cal is quite possibly the best fight scene in history. Cal takes on four, yes four, motorcyclists, and takes each one out with chilling yet breathtaking efficiency, and no little style, saving his pretty young daughter from the grasps of the evil Jake, Crab, Volker and Kincaid. You truly have to see it to believe it.

As you can imagine, that cold dark evening was infinitely warmed up by this unexpected gem of a movie, and if it were up to me, this film would be released on the cinema immediately, opening it up to the wider audience that it surely deserves. Masterpiece!

Cal Morris (Gerald McRaney) and his family are driving to their new home in California and are terrorized by a motorcycle gang along the highway.

From the genius of John Milius comes this film, which I believe is a remake of a 1960s Sam Arkoff film, written by Lou Rusoff and originally directed by Edward L. Cahn ("It! The Terror from Beyond Space"). Starring as the bad guy? Jake Busey, whose father previously worked with Milius on "Big Wednesday".

The film is rated R but is still sort of silly because it has that American International Pictures feel to it. There may be sexual assault and violence, but this is not the dark stuff that Milius tackled in "Apocalypse Now".

I first saw this film on TV late one night. It starts out with the basic fundamentals of a road movie, a family are driving across the mid American desert to their new home in California in the mid sixties when they become terrorised by a motorcycle gang. The father, Cal, appears to be a mild mannered family man, spontaniously dealing with the angst displayed by his wife and teenage daughter whilst also trying to negotiate moving the family across the country. When his daughter is taken hostage by bikers it would seem he is powerless to alter the events that occur.

Nothing however could be further from the truth, it turns out that Cal is actually a World War 2 combat veteran and despite his humbled and fifty something appearance is a very efficient killing machine. When the final fight sequence occurs the character transformation becomes something to behold, as family man Cal takes on his opponents with a supremely violent and ruthess efficiency.

This movie is a classic. despite being shunned at the cinema, i would recommend it to anyone interested in good film. Neither a road, action or adventure movie, this picture defies a specific genre and in doing so in my opinion has become one of the best low key American classical of all time.