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Getting Any?

Titolo originale: Minna - yatteru ka!
  • 1994
  • 1h 48min
VALUTAZIONE IMDb
6,1/10
3390
LA TUA VALUTAZIONE
Getting Any? (1994)
CommediaSatiraSlapstick

Aggiungi una trama nella tua linguaObsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.Obsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.Obsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.

  • Regia
    • Takeshi Kitano
  • Sceneggiatura
    • Takeshi Kitano
  • Star
    • Duncan
    • Tokie Hidari
    • Akiji Kobayashi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    3390
    LA TUA VALUTAZIONE
    • Regia
      • Takeshi Kitano
    • Sceneggiatura
      • Takeshi Kitano
    • Star
      • Duncan
      • Tokie Hidari
      • Akiji Kobayashi
    • 21Recensioni degli utenti
    • 20Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto47

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    Interpreti principali99+

    Modifica
    Duncan
    • Asao
    • (as Dannkann)
    Tokie Hidari
    • Asao's Mother
    Akiji Kobayashi
    Akiji Kobayashi
    • Chief of World Defence Force
    Shinsuke Yamane
    • Swordsman
    Tetsuya Yûki
    • Akaiwa
    Takechiyo Maeda
    • Opposing Executive
    Takaya Shimoyama
    • Opposing Executive
    Eiji Minakata
    • Opposing Boss
    Ren Ôsugi
    Ren Ôsugi
    • Assassin Teacher
    Kôichi Ueda
    • Director of Zatoichi
    Hakuryû
    Hakuryû
    • Judge
    Akio Miyabe
    • Big Boss
    Hideo Higashikokubaru
    • Doctor Testing Drugs
    • (as Sonomanma Higashi)
    Taka Guadalcanal
    • Pilot
    Yoneko Matsukane
    Yoneko Matsukane
    • Businessman's Wife
    Moeko Ezawa
    • Goddess of the Foundry
    Makoto Ashikawa
    • Invisible Man Promotion Society Assistant
    Susumu Terajima
    Susumu Terajima
    • Bloody Yakuza
    • Regia
      • Takeshi Kitano
    • Sceneggiatura
      • Takeshi Kitano
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti21

    6,13.3K
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    Recensioni in evidenza

    10niz

    Japanese hilarity

    This is a truly funny film that crosses all boundaries... despite not having English subtitles I was totally gripped by the insanity of the images on display, and Takeshi Kitano's brilliant deadpan performance. It's incredible how such a simplistic tale of a man stumbling from one bizarre situation to another, with little or no rhyme or reason, can be so laugh-out-loud funny.
    pefo1921

    Has its moments, but overall very mixed

    This Takeshi Kitano movie is all over the map and suffers because of it. He tells a "full-out" comedy that tries to cram everything and the kitchen sink re: other Japanese movies. It starts out with Asao looking for sex and doing every weird thing in the world to try to get it but failing; And ends with him becoming the Flyman. There are funny moments when he is mistaken for a hitman and when he auditions as an actor; but many other moments are tedious. Nowhere as good as Kids Return( 9/10) or Fireworks. Overall, a 5 out of 10.
    simon_booth

    Enjoyable piece of total lunacy from a master

    It sometimes comes as a surprise to people when they learn that Takeshi Kitano is best known in Japan as a comedian. The man with the most deadpan expression ever is mainly known for his gangster movies, and for the sometimes shocking portrayal of violence they contain. I'm surprised that people are surprised though, because even his most hardboiled gangster movies contain a strain of deadpan absurdist humour that is at least as characteristic of his films as the violence. Maybe a lot of people simply miss the humour - Americans aren't best known for their appreciation of subtle comedy after all

    Watching GETTING ANY? it's hard to imagine anybody missing the fact it is a comedy though, as it is anything but subtle. Actually maybe that's not true - the humour is still often times subtle, but the movie as a whole is unmissably surreal and absurd.

    The premise is simple. A not too bright loser has but one thing on his mind - getting laid. He really hasn't got much of a clue how one goes about this, though, and the movie largely concerns his increasingly stupid schemes to get some. First on the list... get a car. Should be simple enough, right? Not for this guy His plans get more and more ludicrous as the movie progresses, and lead him into some ridiculous and sometimes hilarious situations.

    This is without a doubt the strangest movie Kitano has done, and it's as wild and inventive as any movie that springs to mind except maybe the odd Jeff Lau or Stephen Chiau film. The movie plays like a strung together sequence of sketches parodying numerous movies and cultural elements, rather like a Japanese Monty Python film. Like Monty Python, it's clear that there's a keen intelligence behind all the stupidity.

    The movie is not without flaws, unfortunately - chief of which is that it loses focus for a long time around the half way mark. Our hero gets himself into a couple of dire situations and for some time the whole purpose of his adventure (getting some) is forgotten. It's still funny and ridiculous, but dilutes the experience somewhat and drags on a little too long. It perhaps becomes a little too absurd for its own good in the second half, coming too close to simply being random.

    GETTING ANY? is a fairly lightweight contribution to Kitano's resume, but one so totally opposed to his unique style of film-making shown in films like SONATINE and HANA-BI that it simply had to be made. Kitano is far more than a one trick pony, even though it's mainly for one trick that he's known in the west. Unfortunately, GETTING ANY is probably altogether too strange to have widespread appeal in the US, and won't do much to broaden peoples' perception of him.
    9Ka Ru Fei

    Silly, stupid, but really really funny

    One of the stupidest, most bizarre, and straight up perverted movies I've seen in a long time, but it was friggin' funny as hell. If you can handle 'stupid funny' then this movie is definitely enjoyable. Loosely organized around the fact that this perverted guy wants to score badly.... so he goes off and tries many different means to accomplish this task. The end degenerates into a big of a Godzilla parody, but still funny. be sure to stick around for the end of the credits too.
    8danielatala8

    Stupid but meaningful

    I love Takeshi Kitano's movies, not every movie he does is perfect but I appreciate the amount of style and effort he puts on each film to do something very singular to his vision. And it just so happens his take on complete satire and slapstick comedy is absolutely fun, but as I said- not perfect.

    Getting Any? As the title suggests is about the quest of getting laid at all costs. We follow incel-like pervert Asao (who has his room plastered filled with porn posters) who gets out on the quest to get a car in order to get a gorgeous lady to have sex with him, cause if you have the car then ladies will swarm you to have sex right? Not really. We then follow this completely despicable guy get in all sorts of trouble and mishaps on the way to his quest which is just pure fun- everything from failed bank robberies, yakuza-involvement and scientific experiments- this movie won't end in the way you think it's gonna end and that's amazing! I love that the movie has some sort of criticism on the state of entertainment as a whole, Japanese pervert culture and more- it's never obvious but sometimes it can be on-your-face which is not annoying in this case. It even spoofs a lot of western cultural stuff like movies and music which is interesting to see in itself how the western culture gets translated in a whole new cultural setting in Japan.

    The comedy is top notch- one gag after the other, the comedy sometimes can hang on different Japanese cultural references that I'm not familiar with but it's fun nevertheless. The movie despite it's subject matter is filmed in a very very gorgeous way, with crisp and beautiful footage (just look at the opening scene which is just fantastic). It has some "cheaper" looking shots but it's totally appropriate considering which movie this is. The music is also fun, altering between gorgeous tracks to some fun pop music of the era to folk and enka tracks.

    This all sounds very fun and it totally is the first hour or so is very engaging and offers many moments to laugh. It is in its second half when it looses a bit of its track and steam, the yakuza segment can feel a bit way too long and the last plot could've been made much more snappier! Don't get me wrong, there are still some very funny moments in the second half I just felt personally that I kind of lost the plot for a bit, until the absurd final takes place which makes up for it absolutely. The portrayal of women in this film can feel a bit weird but considering the film's subject matter and such it's a bit understandable.

    Either way I think this movie is totally worth a watch, it's funny, weird, silly and so much more. You will not be disappointed by this movie- I think it's on par with Takeshi's other satire movie "Kantoku Banzai" perhaps even better? Check it out!

    Trama

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    Lo sapevi?

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    • Quiz
      During Asao's brief acting career he plays the part of the blind samurai Zatôichi. Takeshi Kitano later went on to direct and star in a remake of Zatôichi kenka-tabi (1963).
    • Citazioni

      Man In Car: Tell me, miss - do you know about... car sex?

    • Curiosità sui crediti
      After the end credits, Asao appears again as a giant mutant grasshopper. He bounds across Tokyo, only to impale himself on the Tokyo Tower. After twitching a couple of times, the final copyright notice appears.
    • Versioni alternative
      The region 1 [USA/Canada] DVD version is the original director's cut edition with no omitted scenes.
    • Connessioni
      Referenced in Unikal'noe pozdravlenie (2014)

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    • How long is Getting Any??Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 11 febbraio 1995 (Giappone)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • 性愛狂想曲
    • Azienda produttrice
      • Office Kitano
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 48min(108 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.85 : 1

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