VALUTAZIONE IMDb
5,6/10
4848
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.A former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.A former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.
- Regia
- Sceneggiatura
- Star
Tony Denison
- Jimmy G.
- (as Anthony John Denison)
Tom Lister Jr.
- Blades
- (as Tiny 'Zeus' Lister)
Aldo Sambrell
- Goldmouth
- (as Aldo Sanbrell)
Ignacio Carreño
- John
- (as Ignacio Carreno Lopez)
Recensioni in evidenza
Yes, I've been catching up with Dolph Lundgren. Always wondered what he'd been up to all those years, with only on rare occasions having picked up one of his flicks. So second this week, I watched MEN OF WAR. Again nothing too special, but nevertheless a noble and decent enough effort. Most importantly, a "mercenaries hired to do a job"-plot supported by an honest story, with a little heart to it. Compared to other films that involve a bunch of highly trained misfits shooting the hell out of each other on some exotic location, MEN OF WAR turned out to be slightly better than I expected. The strain of events keep things going, though the outcome is - as to be expected - predictable. Nevertheless, the third act knows a satisfying climax, with lots of shooting, things blowing up and people dying.
Perhaps the most interesting name involved with this production, might be writer John Sayles. He previously delivered the screenplays for fine (horror orientated) genre pictures like Joe Dante's PIRANHA and THE HOWLING, and everyone's favorite 80's "killer-croc flick" ALLIGATOR. Apparently he has been working a wide variety of genres ever since, accomplishing great results on a regular basis. I'll be keeping an eye out for any other films with his name attached.
Perhaps the most interesting name involved with this production, might be writer John Sayles. He previously delivered the screenplays for fine (horror orientated) genre pictures like Joe Dante's PIRANHA and THE HOWLING, and everyone's favorite 80's "killer-croc flick" ALLIGATOR. Apparently he has been working a wide variety of genres ever since, accomplishing great results on a regular basis. I'll be keeping an eye out for any other films with his name attached.
I did not know what to expect of Men of War other than the reviews here. For the most part they are right. The movie is pretty decent and entertaining. The storyline and the actors do pretty decent jobs. This is pretty much a man's movie with fights,guns,topless women, explosions and lots of shooting. Charlotte Lewis definitely played one of the better looking, not to mention sexiest native women I have ever seen on screen. I just wish Catherine Bell would have had a nude scene too. Bell's role was pretty kick ass as well. I can see why they hired her for JAG. The only drawback of the film was that the bad guys were pretty much your stereotypical badguys. Trevor Goddard and Tiny Lister were the the worst of the bunch. They were so good at being bad, that you wanted to kill them yourself. The more interesting characters were the two men who decided not to stay around, Jimmy G and the guy who was looking for Jade. One stayed bad, Jimmy G. had the hots for Bell's character Grace and showed his good side when it mattered.All in all, this was a pretty decent action movie that really isn't that predictable. It's worth a look.
Like many, I'm sure, I expected this to be cheesy junk when it came on cable late one night many years ago. I was probably reading or simply bored so I didn't bother to turn it off. After about a half an hour I realized I was watching a movie that was not only surprisingly well written (I didn't realize then that it was scripted by John Sayles) but was also very well directed and edited. The movie holds up all the way through, with some interesting twists along the way. I'm a film buff, I don't usually go in for dumb action movies, but this one really caught my eye (and that was before I even knew who wrote the thing). Probably the only Dolph Lundgren movie I can say with pride that I enjoyed.
Forget characterization. Forget plot. Go in expecting a bunch of cardboard characters moving from point A to B shooting stuff and you'll be happily entertained, like I was.
It's a very predictable "dude goes around recruiting his team, suffers moral crisis, and chooses to oppose his bosses and defend the little people" kind of story. Hmm, I wonder if he's going to win in the end? It's been done a zillion times, even in a throwaway movie like Star Trek: Insurrection.
But Dolph Lundgren's got a rocket launcher. Charlotte Lewis has a great body. And B.D. Wong was hilarious. Bring snacks. Turn off brain. Enjoy.
It's a very predictable "dude goes around recruiting his team, suffers moral crisis, and chooses to oppose his bosses and defend the little people" kind of story. Hmm, I wonder if he's going to win in the end? It's been done a zillion times, even in a throwaway movie like Star Trek: Insurrection.
But Dolph Lundgren's got a rocket launcher. Charlotte Lewis has a great body. And B.D. Wong was hilarious. Bring snacks. Turn off brain. Enjoy.
"What if they made a really good Dolph Lundgren movie and nobody came?"
Well, if they put it out directly to video, ... :-)
I saw "Men of War" on broadcast TV, so of course some of the nastier stuff was censored. Still, I think I got the idea. And it was a good idea! This movie continually impressed me with excellent dialogue, good character development, humor, and most of all a story that I actually cared about. Sure it was somewhat predictable, but there were some unexpected developments, mostly centering on the ability of the supporting cast -- and I mean way down the list to some of the bit parts -- to behave in ways not anticipated by the principals. This made for a rather unorthodox movie. I also really enjoyed the soundtrack; good music, well suited to each scene. Did I mention the dialogue? I did? Well, I'll mention it again, because usually that's the last thing I expect to like in a DL movie, but this one was smartly scripted.
My favorite character was Po, who was exceptionally well written and nicely played by BD Wong. It took all of about 15 seconds for me to like this guy; his intelligence and wit were quickly evident even through the language barrier. Actually, that's one thing that impressed me a lot: they managed to come up with broken English script that comes across as totally believable. If I were a mercenary in SE Asia, this is a lot like how I'd expect people might really talk to me.
I can't say this is a great movie; it has its shortcomings. The themes explored were already old hat by the time this film was made, and there is a strange schizophrenia to the film; it's half story-movie and half action-movie-with-big-hero-star-dude. But the strong points seem to carry it pretty easily, perhaps because the makers realized before/during production what we do when we see it, and compensated. For example, the film does visit certain cliches, but it doesn't dwell on them, expecting them to make a huge impression on the viewer. It's as though the makers realize that a given situation is old hat, and are almost apologetically including it simply out of necessity, then moving on to "what they REALLY wanted to show us". I think that shows respect for the intelligence of the audience, treating us as though we've actually seen a movie before -- imagine that!! -- and I appreciated it.
Since Lundgren is the "star" here, I guess I'll close by saying that he was very well used. The story is the real star, which is why this movie works so well. Lundgren has never been a top-notch actor, and isn't one here, but that's not important. This movie tells a story and it uses all of its assets, not just shoving big Dolph in our faces over and over again. When he says something, or does something, it's because it was his turn to do so. Really, I'm very impressed by how well this worked.
(BTW, lest you get the wrong impression, I actually like Dolph Lundgren, and have enjoyed some of his films, usually almost exclusively for the action. I just don't think he's Oscar material.)
Well, if they put it out directly to video, ... :-)
I saw "Men of War" on broadcast TV, so of course some of the nastier stuff was censored. Still, I think I got the idea. And it was a good idea! This movie continually impressed me with excellent dialogue, good character development, humor, and most of all a story that I actually cared about. Sure it was somewhat predictable, but there were some unexpected developments, mostly centering on the ability of the supporting cast -- and I mean way down the list to some of the bit parts -- to behave in ways not anticipated by the principals. This made for a rather unorthodox movie. I also really enjoyed the soundtrack; good music, well suited to each scene. Did I mention the dialogue? I did? Well, I'll mention it again, because usually that's the last thing I expect to like in a DL movie, but this one was smartly scripted.
My favorite character was Po, who was exceptionally well written and nicely played by BD Wong. It took all of about 15 seconds for me to like this guy; his intelligence and wit were quickly evident even through the language barrier. Actually, that's one thing that impressed me a lot: they managed to come up with broken English script that comes across as totally believable. If I were a mercenary in SE Asia, this is a lot like how I'd expect people might really talk to me.
I can't say this is a great movie; it has its shortcomings. The themes explored were already old hat by the time this film was made, and there is a strange schizophrenia to the film; it's half story-movie and half action-movie-with-big-hero-star-dude. But the strong points seem to carry it pretty easily, perhaps because the makers realized before/during production what we do when we see it, and compensated. For example, the film does visit certain cliches, but it doesn't dwell on them, expecting them to make a huge impression on the viewer. It's as though the makers realize that a given situation is old hat, and are almost apologetically including it simply out of necessity, then moving on to "what they REALLY wanted to show us". I think that shows respect for the intelligence of the audience, treating us as though we've actually seen a movie before -- imagine that!! -- and I appreciated it.
Since Lundgren is the "star" here, I guess I'll close by saying that he was very well used. The story is the real star, which is why this movie works so well. Lundgren has never been a top-notch actor, and isn't one here, but that's not important. This movie tells a story and it uses all of its assets, not just shoving big Dolph in our faces over and over again. When he says something, or does something, it's because it was his turn to do so. Really, I'm very impressed by how well this worked.
(BTW, lest you get the wrong impression, I actually like Dolph Lundgren, and have enjoyed some of his films, usually almost exclusively for the action. I just don't think he's Oscar material.)
Lo sapevi?
- QuizWhen Gunar (Dolph Lundgren) shoots the recoilless rifle at the enemy camp he says: "Spring, era jävlar!" which is Swedish for: "Run, you bastards!". This exclamation has become a cult classic line in Sweden.
- Versioni alternativeThere are 3 different video-prints out in Germany. The 16 and 18-rated Versions were heavily cut (so is the TV-Version); only the Unrated Rental-Video is uncut.
- ConnessioniReferenced in Ciné6: Episodio datato 9 luglio 1995 (1995)
- Colonne sonoreI MIGHT BE LEAVING YOU
Written by Nathaniel Pierre Jones and La Vette Goodman
Published by Nathaniel Pierre Jones and La Vette Goodman
Performed by D.J. Pierre and featuring La Vette Goodman
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Dettagli
Botteghino
- Budget
- 8.600.000 USD (previsto)
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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By what name was L'ultima missione (1994) officially released in India in English?
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