Mesmer

'Mesmer' is an odd movie. On the face of it you'd think it would work quite well – beautiful period setting, interesting character, a score by Michael Nyman and Rickman, who makes a very charismatic lead. Unfortunately it went a bit wrong somewhere down the line and, as others have pointed out, it is quite hard to define where.

For me the two main players of the cast did a great job. Rickman presented Mesmer as charming but complex; Ooms brought plenty of emotion to her role as the blind pianist. Beyond this, however, there seemed little character development not helped by the relatively short runtime.

The plot just seemed...well...dull. There was very little feeling of direction and most of the scenes were very static affairs. There also seemed to be lots of duplication of material as Mesmer treated numerous people in, what looked like, very similar ways. Occasional slapstick moments, one in particular involving a certain throat complaint coming at the end of one of the most absorbing scenes in the movie, somewhat destroyed the tone. Another was a brief appearance of a very caricatured Marie Antoinette. Both seemed rather out of place and had the effect of pushing the extraordinary events of the story into absurdity.

Watch this film for the cast alone. As for the plot: if you know a little about Mesmer before watching you may find it more absorbing but for a novice like me there seemed very little substance beneath that beautiful period setting.

The first time I watched this movie, I was totally hooked. Alan Rickman does a phenomenal job of portraying the eighteenth century doctor. His appearance is so entrancing, and the way he treats his patient is so seducing. With him being my favorite actor of all time, I would love being treated by him. Just the way he caressed the girl and was so gentle with her. The bottom line is, this movie was totally AMAZING, and I LOVED IT!!!!!!!!!!!! Great Job, Alan! :)

Was he a charlatan or a revolutionary in treating diseases of the mind? Hard to say, even after seeing the beautifully photographed movie. Our hindsight perspective is 100% but in the days of leeching, and bleeding to cure peoples' ills, the fact that he showed patients great attention and compassion was certainly a change. Mad people were usually penned up in Bedlam or some other horrid pigsty. Here, he is attempting bravely to take another tact in the unknown mysteries of mental illness. This movie also gives the scam-like aspects of his personality, as he beguiles the royal courtiers with his water therapies, touching them and arousing them, thus giving the semblance of 'healing'. I was reminded of the old-time revivals, and the sexy preachers coming close, putting hands-on the afflicted and shouting 'heal' and 'Hallelujah, sistuh'. Of course, if you're a repressed 'respectable woman', this is the only intimate way you can let a man not your husband touch you. His shrew of a wife, and utterly spiritually retarded stepson is beautifully played. I also like any movie that shows parts of the world I haven't seen, and this one gives us Vienna, parts of France and the costumes of 18th Century European civilization. It is NOT your everyday movie!!!! I would suggest viewing this one in series with bio-pics of Sigmund Freud and some of the other fighters of mental illness. Rickman is indeed magnetic in this one.

I saw this movie because I am deeply interested in Franz Anton Mesmer, and deeply interested in Alan Rickman. From a biased perspective, I want to give this movie a 10, however, I feel I need to be fair to the majority.

As far as Alan Rickman; he as always, shines. If you are a fan of Alan Rickman, see this movie. He simply does not disappoint, EVER, in my opinion. He is one of those rare people who is just "odd" enough, to always be interesting..(coughs...and sexy..). It has been argued that Rickman can be "melodramatic", which is kind of an oxymoron being that he is an "actor", however in this case the script was poorly written. Sadly, Rickman was left with very cheesy lines, which come across "melodramatic" (so sorry)! If you are 14 year old, and going through puberty, it might "mesmerize" you....might.

As far as the rest of the movie, I felt isolated from every character. I cannot quite pinpoint why this is. Was this the intention of the director? Somehow I think not...good excuse for him though.

The movie seemed too short, and inconclusive. It just kind of ended, like never quite reaching climax while making love. Again, was this the directors intention? Doubt it.

The editing was very odd, and choppy. It felt like I was watching a very long trailer, there was just something missing.

Also, as mentioned by others, it is hard to hear some of Rickman's dialogue. I do not find this a flaw because it illustrates Mesmer's character and personality...however, turn your volume very high.

If you are a fan of period films, and/or Rickman, watch the "eye candy." Otherwise you may be disappointed.

"Mesmer" is a pretty good film. It's interesting, assuming that the film was based on some facts, to watch the increasing interest in the human mind and proverbial heart, especially their effect on the body, in the 1700s, which led up to the word of Freud and Jung a century later. The more interesting that Mesmer's perceived nonsense is in fact becoming very popular today in alternative medicine coming from the East: animal magnetism (Reiki), the harmony of the universe (Taoist belief) and the mind's effect on the body.

Amanda Ooms was good in her role as Maria Therese. Fortunately they made it easy for her to be blind by not having her walk obstacle courses. It was a pleasure to see Jan Rubes in a role other than in the children's show he did. As for the star, Rickman, it was a pleasure to see him in a title role. He's quite seductive in the film, and he uses his hands, one of this actor's greatest assets, very well. In the end, I found myself regretting very much that F.A. Mesmer had no effect on the medical profession of his day. He could have prevented a lot of suffering.