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L'ultima seduzione

Titolo originale: The Last Seduction
  • 1994
  • T
  • 1h 50min
VALUTAZIONE IMDb
7,0/10
27.528
LA TUA VALUTAZIONE
POPOLARITÀ
3976
232
Linda Fiorentino in L'ultima seduzione (1994)
Home Video Trailer from October Films
Riproduci trailer2: 16
1 video
50 foto
Dark ComedyErotic ThrillerSteamy RomanceCrimeDramaRomanceThriller

Una subdola bomba del sesso, ruba i soldi della droga di suo marito e si nasconde in una piccola città dove incontra lo stupido perfetto per il suo prossimo piano.Una subdola bomba del sesso, ruba i soldi della droga di suo marito e si nasconde in una piccola città dove incontra lo stupido perfetto per il suo prossimo piano.Una subdola bomba del sesso, ruba i soldi della droga di suo marito e si nasconde in una piccola città dove incontra lo stupido perfetto per il suo prossimo piano.

  • Regia
    • John Dahl
  • Sceneggiatura
    • Steve Barancik
  • Star
    • Linda Fiorentino
    • Peter Berg
    • Bill Pullman
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    27.528
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3976
    232
    • Regia
      • John Dahl
    • Sceneggiatura
      • Steve Barancik
    • Star
      • Linda Fiorentino
      • Peter Berg
      • Bill Pullman
    • 169Recensioni degli utenti
    • 76Recensioni della critica
    • 85Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 9 vittorie e 10 candidature totali

    Video1

    The Last Seduction
    Trailer 2:16
    The Last Seduction

    Foto50

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    + 42
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    Interpreti principali24

    Modifica
    Linda Fiorentino
    Linda Fiorentino
    • Bridget Gregory
    Peter Berg
    Peter Berg
    • Mike Swale
    Bill Pullman
    Bill Pullman
    • Clay Gregory
    Michael Raysses
    • Phone Sales Rep.
    Zack Phifer
    • Gas Station Attendant
    Brien Varady
    Brien Varady
    • Chris
    Dean Norris
    Dean Norris
    • Shep
    Donna W. Scott
    Donna W. Scott
    • Stacy
    • (as Donna Wilson)
    Mik Scriba
    Mik Scriba
    • Ray
    J.T. Walsh
    J.T. Walsh
    • Frank Griffith
    Erik-Anders Nilsson
    Erik-Anders Nilsson
    • Beston Passerby #1
    Patricia R. Caprio
    • Beston Passerby #2
    Herb Mitchell
    Herb Mitchell
    • Bob Trotter
    Bill Nunn
    Bill Nunn
    • Harlan
    Renee Rogers
    • Receptionist
    Billy Stevenson
    • Mail Boy
    • (as Bill Stevenson)
    Walter Addison
    Walter Addison
    • Detective
    Anne Flanagan
    • Nurse
    • Regia
      • John Dahl
    • Sceneggiatura
      • Steve Barancik
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti169

    7,027.5K
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    Recensioni in evidenza

    7michaelRokeefe

    Nothing like a woman in control.

    Director John Dahl presents modern Film-Noir. A strong minded woman(Linda Fiorentino)runs away with her husband's(Bill Pullman)profits from a drug deal leaving him to face his loan shark. She finds another town and another man(Peter Berg)to manipulate. Interesting cat and mouse plot with some spontaneous sex thrown in. The combustible kind! It is doubtful you would fall asleep after this one kicks into gear. The sultry Fiorentino knows the ways to be wicked. J.T. Walsh is also notable. Can you say sizzle?
    9SnoopyStyle

    Linda Fiorentino makes this movie

    Bridget Gregory (Linda Fiorentino) is a telemarketing manager running a croaked boiler room. Her husband Clay Gregory (Bill Pullman) sells stolen pharmaceuticals for a big payday. She steals his money and leaves NYC. She stops at Beston on her way to Chicago. Mike Swale (Peter Berg) is tired of small town girls. She walks into the bar and he's smitten. Her lawyer Frank Griffith (J.T. Walsh) tells her to stay put while he starts the divorce. She gets a job as Wendy Kroy but Mike happens to work at the company. Clay is desperate to pay off a loan shark and manages to track her to an area code. Then he figures out that New York backwards is Wen Kroy and sends Harlan (Bill Nunn) to find Wendy.

    The bar scene is terrific and it's all about Linda Fiorentino. That goes for the whole movie. Her character is a real piece. Peter Berg is a good sucker and Bill Pullman is a good sleaze. It's surprisingly funny at times. It's all attitude and Fiorentino is dripping in it. Her dialog is neo-noir and snappy. I love the dark turns and her glee with making those turns.
    8filipemanuelneto

    An incredible neo-noir film, with touches of satirical comedy and loaded with provocative sensuality.

    There are many films that revolve around fatal women, who use sensuality and seduction for obscure purposes. In fact, there are even women in real life who do it skillfully. In the film before us, we will face perhaps one of the most perverse and diabolical female minds that cinema has ever known.

    In fact, I have no other adjectives for Bridget Gregory, a woman who looks angelic and the kind of wife our mother always dreamed of for us, until we see her dark side. The film elaborates a web of intrigue and malice where Bridget is the main character, the spider in the middle of the web, ready to devour his male prey. She was married to a guy who traffics in drugs, but decides to run away and take with her a huge amount of trafficking money, which infuriates her husband (any husband, I think). She hides in a small town where she decides to settle down without being noticed. She meets Mike Swale and quickly becomes involved with him, to the point of convincing him to kill her husband... without him knowing that he is, in fact, her husband.

    The success of the film is largely based on a well-written script by Steve Barancik and a very intelligent direction by John Dahl. Some scenes, like the bar scene where Mike tries to seduce Bridget and ends up seduced by her, are truly anthological, and although this is not a very explicit film (some teen films show much more skin than this one), it gives us with some of the most perverse and hotest sex scenes in cinema (regular commercial cinema, I'm not taking into account porn films), not so much for what it shows but for the intensity, beauty and commitment of the cast.

    In the middle of the cast only one name stands out and it is around him that the whole film is built: Linda Fiorentino got, with this film, the most remarkable work of her career. She is viciously wicked, cruel, cynical, malevolent and highly seductive. The way she worked on the character is almost palpable. Bill Pullman and Peter Berg are also very good and interact perfectly with Fiorentino, but she is the one who carries the lead and makes the whole movie work.

    Being a film that is a neo-noir with touches of satirical comedy in the middle, the most notable technical aspect is clearly cinematography, which wisely uses light and shadow. However, it is not a film as dark as most noir films, nor as dark in the way it approaches themes. The comedy is there, the satire is present and it lightens the atmosphere, makes the film more fun and less dense. The dialogues are incredible and deserve our full attention, as well as the scenarios and the superb soundtrack, by Joseph Vitarelli.
    bob the moo

    Sexy and clever thriller

    Clay Gregory borrows some money to buy drugs and sell them on at profit. However his wife steals the profit and flees – leaving him with the loan shark to pay off. Bridget ends up in a small town where she hooks up with Mike Swale (her designated f***). She uses him to hide from Clay private detectives but it's only a matter of time before she's found and she begins to plan a way to use Mike's love to get out of trouble.

    It's rare that a film has a strong female lead and is successful – female roles are hard to come by. Here this film is based around the ultimate femme fatale (or b***h as she's called here) and the story is clever and sexy. Bridget appears to be cold and manipulative – and every frame of the film confirms that. The story is clever and twisty – very enjoyable, right up to the end where you can't help but feel sorry for anyone that tries to stop her getting her way.

    Fiorento is excellent and has yet to get as good a role since. She is sexy and manipulative and totally believable. Berg is good as the backwater boy who gets taken for a ride. Bill Pullman is good in a smaller role (he only once is seen outside of his apartment). While Bill Nunn and J.T. Walsh (when will I stop feeling his loss?) add class in roles that almost count as cameos they are so small.

    Dark, wicked, sexy and intelligently twisty. Modern noir at it's best….but did we really need a sequel?
    8helpless_dancer

    Sex and greed equals no romance

    I loved this one because I couldn't get over the heights of carnality and the depths of sociopathic evil the characters were capable of achieving. Linda Fiorentino played perhaps the most despicably rotten, heartless, conniving, using bitch I've ever had the pleasure of watching. Pullman was great as the reaper of retribution intent on giving evil for evil. Peter Berg may have stolen the show with his total inability to say no to his own destruction. It was hard to believe the abyss of stupidity these 2 dopes had the capacity to plumb. Guess that's what happens when the little head takes over the thought processes for the big head, eh? The picture started out a little slow but developed into a real blowout with a jaw dropping finale. All the folks got exactly what they deserved. All of them.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Peter Berg recalled the chain-link-fence sex scene with Linda Fiorentino: "What I remember most about it was we were shooting it at the end of the night. We never got a chance to talk about how we were going to do it. By the time we got outside to shoot, it was like 5 in the morning and the sun was coming up. We had no plan and I didn't want to do something that looked embarrassing or stupid. I didn't want to appear to be just this designated sex-toy without some plan. I was suggesting that we maybe come back another day to shoot. John Dahl was upset because he knew he didn't have the time to come back, and I was being all nervous, and Linda was just smoking a cigarette, watching. After about ten minutes of me rambling on, she threw down the cigarette, looked at me, told me to shut the fuck up, take my pants down, and get up against the fence. She said, 'John, get a camera,' and she climbed up on me against that fence and told John Dahl to shoot it, and that was the scene. She thought of it, she conceived it, she executed it. It was awesome."
    • Blooper
      Just before Bridget sees the fuel gauge is empty, she is smoking. After cutting to the close-up of the gauge and then back to Bridget, her cigarette has disappeared.
    • Citazioni

      Bridget Gregory: Could you leave? Please?

      Mike Swale: I haven't finished charming you yet.

      Bridget Gregory: You haven't started.

      Mike Swale: Gimme a chance.

      Bridget Gregory: Look, go find yourself a nice little cowgirl and make nice little cowbabies and leave me alone.

      Mike Swale: I'm hung like a horse. Think about it.

      [pause]

      Bridget Gregory: Let's see.

      Mike Swale: Excuse me?

      Bridget Gregory: Mr. Ed, let's see.

      Mike Swale: Look, I tried to be nice. I can see that's something you're not...

      Bridget Gregory: No, I'm trying. I can be very nice when I try. Sit down.

      Mike Swale: OK, maybe we just got off to a bad start. I know plenty of people -

      [Bridget unzips his fly]

      Mike Swale: What are you doing?

      Bridget Gregory: I believe what we're looking for is a certain horse-like quality?

    • Versioni alternative
      An extended version re-adds approximately 25 minutes of deleted scenes. However, the scenes are lower resolution, have had no post production, and even include on-screen timecode, interfering with the flow and tone.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Road to Wellville/Silent Fall/Stargate/The Last Seduction/Vanya on 42nd Street (1994)
    • Colonne sonore
      Groove Me
      Written by The ElderGreens

      Performed by The ElderGreens

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    Domande frequenti21

    • How long is The Last Seduction?Powered by Alexa
    • Is Beston a real place?

    Dettagli

    Modifica
    • Data di uscita
      • 5 agosto 1994 (Regno Unito)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Last Seduction
    • Luoghi delle riprese
      • Irvington, New York, Stati Uniti
    • Azienda produttrice
      • Incorporated Television Company (ITC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 5.842.603 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 45.058 USD
      • 30 ott 1994
    • Lordo in tutto il mondo
      • 5.842.603 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Color
    • Mix di suoni
      • Ultra Stereo
    • Proporzioni
      • 1.85 : 1

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