Jimmy Hollywood

I admire Barry Levinson's work very much, he's done some great movies and when "Jimmy Hollywood" was airing in my TV, I thought, remembering a complete turkey which was "Bandits" (with Willis and Thornton, directed by Levinson) that this buddy-movie won't be better and I was totally, positively disappointed. Most simple is to say, that it's a one man-show by Joe Pesci, who simply IS Jimmy Alto, a "wanna-be" actor, who continuously looking for his chance in the film capitol of the World-Hollywood. The movie is funny, well-written, good-feeling, has great acting and... cameo of one of the biggest stars of today's cinema at the end. I was very surprised by Christian Slater's role, who always plays dynamic characters, and here it's a complete opposite performance. Also Victoria Abril, known from Almodovar movies, gives here very good acting as Pesci's fiancee. If you saw the poster to this movie, I can only tell that the movie is as COOL as Pesci and Slater cool-looking while sunbathing at the pool. I just can't imagine, how such great movie could earn only $3,6 mlns!!! That's a shame for american audience. I recommend it for everyone who searches for some intelligent entertainment and for all Joe Pesci fans.

Jimmy (Joe Pesci) is an actor in Hollywood, scraping a living from his girlfriend and some casual jobs waiting for his big break. Most of his time is spent with drifter amnesiac William (Slater). When they catches a thief they video him and drop him off at a police station with a note from the SOS. When the SOS is given media coverage as a vigilante group, Jimmy finds himself drawn into the role of the leader of the fictitious gang leader and finds the media recognition he's always craved. However he must continue his role in order to maintain the coverage. However as the police gradually put more resources onto finding the leader of this gang, Jimmy finds himself crossing the line of acting the role and being the role.

Levinson wrote and directed this and it is obvious he's trying to say something. It's a satire of something - I'm just not sure what. Is he trying to say that the once-great LA has been ruined by crime and bad acting? Is it a satire on celebrity - where Jimmy becomes successful for bad reasons? Is it at poke a actors who work as waiters and kid themselves that they're getting somewhere? I'm not sure but I think it's a broad satire on celebrity and the nature of LA, and as such it's not great. The main story of Pesci is not clever enough to make as many good points as it could. At times it seem that it only really has a few points to make and paints them on thick.

Pesci is good as Jimmy - but it's really the same sort of hyper character he always plays. Slater is good as William and plays the dopey forgetful type well. The problem here is not with the actors or the direction (which is good) but with the script. The film is just not a great satire - it tries to cover similar ground as "The King of Comedy" but is too baggy and unfocused to make it's point well.

Joe Pesci is no De Niro, Jimmy is no Pupkin and this is no "King of Comedy". As a film it's entertaining enough but it is a bit laborious towards the end and is not as clever as it thinks it is. Overall an entertaining film that doesn't totally deliver when it comes to putting it's points across.

The film is now 16 years old; perhaps writing a review isn't important. Yet, because of the sincerity of Pesci's character, and the development of a purpose for his life, and his willingness to abide Christian Slater's "slow" character, we gain appreciation for Mr. Pesci personally. He does not falter in his faithfulness to his lady-friend, even though a younger Hawaiian lady comes his way and they get "liquored up" together. Anyone who has had items stolen and yet received no favorable police-work outcome will agree with the character's frustration over theft of the car stereo and decision to make public the facts of local crime. All the sideshow techniques by "Jerico" as they escalate demonstrates the insatiable progressive desire of the public for increase in excitement over just about anything. Pesci understood Hollywood, its deterioration, its aberration and yet he loves it still. He lost his Hollywood star count on Richard Widmark who, in some ways, is as serious a role portrayer as Mr. Pesci is here. The scene where the advertisement on the bus bench has been graffiti-ed is poignant, as is the concluding scene where the portable TV battery is running low, just as the prospects of the SOS is also about deflated. I don't advocate vigilantism, but the process of getting new police chiefs takes years, doesn't it?

My friend and I went out to see this movie and I never thought I'd fall asleep during a Joe Pesi movie but this was one of those times. This movie was so boring, and so pointless. It had no plot or story that I remember.

By the time the movie ended I could hardly keep my head up. Nearing the end of the movie I was yawning and almost ready to fall asleep. My friend asked me if I wanted to leave the theater and I said "no let's wait until the end." I'm sorry I waited so long to leave.

Don't waste your time with this movie because I'm sorry I didn't get out of the theater when I had the chance to.

If you have ever lived in LA, you may have started to wonder what ever happened to the Hollywood of glamour, romance and dreams. This movie takes on that question, and with a dynamite duo of Joe Pesci and Victoria Abril doing the honors (Christian Slater is there too, but his part is that of a spaced-out guy, so he does not have too much to add). Its funny, visually interesting, the plot moves along at a good clip, and it has lots of nice small touches. I definitely think it is worth your while, if you have ever lived in LA, or visited Hollywood, or had that sinking feeling of driving through the intersection of Hollywood and Vine. Victoria Abril is terrific and Joe Pesci is relentless, and hilarious with his blond hair.