VALUTAZIONE IMDb
5,4/10
9405
LA TUA VALUTAZIONE
Mentre sta guidando lungo un'autostrada isolata, un uomo è combattuto tra la scelta di ricongiungersi alla propria ex moglie o di iniziare una relazione con la sua nuova amanteMentre sta guidando lungo un'autostrada isolata, un uomo è combattuto tra la scelta di ricongiungersi alla propria ex moglie o di iniziare una relazione con la sua nuova amanteMentre sta guidando lungo un'autostrada isolata, un uomo è combattuto tra la scelta di ricongiungersi alla propria ex moglie o di iniziare una relazione con la sua nuova amante
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Jennifer Morrison
- Meaghan Eastman
- (as a different name)
Keegan MacIntosh
- Van Driver's Son
- (as Keegan Macintosh)
A.C. Peterson
- Semi-Driver
- (as Alan C. Peterson)
David Hurtubise
- Step Magazine
- (as Dave Hurtubise)
Recensioni in evidenza
This is a good movie. Although I must admit sometimes it's a bit slow. I've seen it at least twice, and both times it mediated a special feeling that moved me.
The five main reasons why I liked this movie, are (not listed in any particular order):
1. Richard Gere - He doesn't give a great performance, but hey ! It's Richard Gere, and I really like him.
2. Sharon Stone - On the other hand gives a great performance. I've never seen her this good.
3. James Newton Howards fantastic score. The music over the final scenes and the ending credits is so beautiful and emotional, that it can make me cry everytime that I listen to it. The score enhances and puts an emphasis on the developments in the movie in an extraordinary way.
4. The script - Although it's not that tight, it's still well written, with likeable characters and a good message.
5. The feeling that this movie mediates, through the above mentioned reason, and lots more.
In conclusion: I recommend this film. It will probably not be the best movie you've ever seen, but well worth your time. And as I said, it has a good message.
The five main reasons why I liked this movie, are (not listed in any particular order):
1. Richard Gere - He doesn't give a great performance, but hey ! It's Richard Gere, and I really like him.
2. Sharon Stone - On the other hand gives a great performance. I've never seen her this good.
3. James Newton Howards fantastic score. The music over the final scenes and the ending credits is so beautiful and emotional, that it can make me cry everytime that I listen to it. The score enhances and puts an emphasis on the developments in the movie in an extraordinary way.
4. The script - Although it's not that tight, it's still well written, with likeable characters and a good message.
5. The feeling that this movie mediates, through the above mentioned reason, and lots more.
In conclusion: I recommend this film. It will probably not be the best movie you've ever seen, but well worth your time. And as I said, it has a good message.
I'm not quite sure what this movie's about. I'm not saying that I suspect that I missed some deep, subtle secret concealed within the narrative that only a select few will ever grasp (this, I assume, is true of the alleged comedy that I've missed in various 'comedic' films) -- rather, I'm just not entirely sure that this film delivers what it might have had it had a more coherent flow and some semblance of actually going anywhere. Not that that sentence that I just penned is a great example of those qualities, but I digress...
The movie features fine performances from all involved, including Lolia Davidovich and Sharon Stone and the pretty-much-always excellent Richard Gere. Gere's character is convincing and real, but perhaps a tad too real because he's a pretty wishy-washy fellow and his is not the most compelling of roles. Then again, neither is anyone else's, really. The two female leads get marginally more to wrap their skills around, but the whole is way less than the sum of its parts.
A 98-minute film, "Intersection" seems a lot longer and I found myself calculating time-elapsed and time-remaining at more than one point. Hardly a good sign. Sure, there are no Ramboesque explosions and car chases (though a high-speed driving theme is at the movie's heart) but I'm not the type of male who has to have that kind of thing to keep me engaged. A story might be nice, though. I mean, a story that hangs together. In the absence of much direction, and in the presence of multiple and confusing layers of flashback, the actors' great work is sabotaged. It just doesn't really seem to go anywhere.
When the film finished I felt the sentiment echoed in that old Peggy Lee song..."Is that all there is?" And I don't like Peggy Lee, darn it!
The movie features fine performances from all involved, including Lolia Davidovich and Sharon Stone and the pretty-much-always excellent Richard Gere. Gere's character is convincing and real, but perhaps a tad too real because he's a pretty wishy-washy fellow and his is not the most compelling of roles. Then again, neither is anyone else's, really. The two female leads get marginally more to wrap their skills around, but the whole is way less than the sum of its parts.
A 98-minute film, "Intersection" seems a lot longer and I found myself calculating time-elapsed and time-remaining at more than one point. Hardly a good sign. Sure, there are no Ramboesque explosions and car chases (though a high-speed driving theme is at the movie's heart) but I'm not the type of male who has to have that kind of thing to keep me engaged. A story might be nice, though. I mean, a story that hangs together. In the absence of much direction, and in the presence of multiple and confusing layers of flashback, the actors' great work is sabotaged. It just doesn't really seem to go anywhere.
When the film finished I felt the sentiment echoed in that old Peggy Lee song..."Is that all there is?" And I don't like Peggy Lee, darn it!
I've watched at least 3 times. Nothing boring. All about choices you/we make...
With this movie, there's only two words to say, very good. I enjoyed this movie. Both Richard Gere and Sharon Stone give excellent acting performances. The two characters I didn't like was Olivia and Richard and Sharon's daughter, Ashley. this movie was acted and directed wondefully. great idea for using Vancouver B.C. Canada. if you don't believe me, watch the end credits, and watch how an old two dollar bill is used.
This movie, does like to jump around a lot from past to future but does a great job in doing so.
****/*****.
This movie, does like to jump around a lot from past to future but does a great job in doing so.
****/*****.
Richard Gere stars in this American-made remake of the 1970 film Les Choses de la vie of French Director Claude Sautet based on the novel by Paul Guimard. This time around Mark Rydell, who enjoyed success with On Golden Pond, Cinderella Liberty, The Rose and The Reivers among others is the director. Sharone Stone, Lolita Davidavich and Martin Landau round out the cast but this is clearly a Richard Gere film. Although I'm generally not a fan of Gere he is excellent in this. This does have the feel of a European film and although I've never seen the original I would like to. I'd likely find it better as a whole. This is a good drama and although not a big movie it has a good look to it. I would give this a 7.0 on a scale of 10 for it's likable story and performance by Richard Gere,
Lo sapevi?
- QuizSharon Stone rang director Mark Rydell repeatedly, begging for a part in the film. Rydell automatically assumed that she was after the part of the mistress, and was quite surprised when Stone revealed that she wanted to play the frigid wife.
- BlooperThe letter Vincent wrote to Olivia in his car is in different handwriting than the one shown later near the end of the film.
- Citazioni
Vincent Eastman: [while on payphone] ... I'm crazy about you. I've always been crazy about you. I'm always gonna be crazy about you. Oh by the way, this is Vincent. Vincent Eastman.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1994 (1994)
- Colonne sonoreSonata in G Minor - First Movement
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Irena Grafenauer, Maria Graf and David Geringas
Courtesy of Philips Classics
By Arrangement with PolyGram Special Markets
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Dettagli
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.355.893 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.818.502 USD
- 23 gen 1994
- Lordo in tutto il mondo
- 21.355.893 USD
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By what name was Trappola d'amore (1994) officially released in India in English?
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