L'ombra della follia

This is a fair remake of a grand old movie, "It Happened in Broad Daylight" (1958) or "Es geschah am hellichten Tag" in German.

The story is almost the same, but the movie is much more modern, of course. It has some Hollywood-like cliches that don't suit the original.

If you like detective stories of that kind you might enjoy it, but if you understand just a few words in German I'd always suggest to watch the original old movie with German cult-actor Heinz Ruehmann.

Less satisfying than "Silence of the Lambs," but nevertheless haunting, suspenseful, and worth a rental. It was one of those that stayed with me.

At heart, it is the psychological study of an ex-cop (Grant)trying to balance two opposing aspects: his compulsion to apprehend a child killer and his growing love for a woman (Baxter) and her young daughter (Weeks). The struggle forces him to confront his own limitations, the denial of which leads to the climax and possible tragedy. This is paralleled by Baxter's convincing portrayal of a mother vacillating between suspicion and trust, fear and love.

The film subtly but effectively sexualizes the daughter to give us glimpse of childhood through the psychopath's eyes, a technique which sharpens and crystallizes both the plot and mood. Unfortunately, the psychological study of the killer, though ample, seems week and would have benefited from more attention by the writer.

A recently finished cop sets out to catch a child killer, using a very dubios and dangerous means.

I rather enjoyed this, it's a good solid thriller, with some good characters, and really fine acting.

Richard E Grant is excellent, as always as the troubled Detective, Simon Cadell is excellent as the criminal, I had no idea he appeared in films such as this, having been so used to watching him in Hi-de-hi.

There are a few plot holes, I don't think anyone could argue with that, would he really have taken such a drastic course of action, in such a secluded place. I'm not too sure, but it does add to the drama.

The ending is very good, and dramatic.

Enjoyable, 7/10.

First let me say that one thing I LOVED about this film was the use of sound to set the mood - not noise and music but common every day sounds - the clinking of glass, the slamming of a cell door, the creak of a windmill the squeak of a child's swing, tires on pavement on and on -- and in moments when they were magnified -- just brilliant use of the ordinary to create the extraordinary.

On the whole, I am usually not too taken with foreign made (outside the USA & Canada) films so went into this with the idea I'll give it a few minutes - it's free on Netflix so nothing ventured nothing gained. Not being familiar with any of the actors my first reaction to Swaziland born Grant was Milquetoast - however, his passion in the role and believability took me quite by surprise - effective as an obsessed investigator looking into the brutal murders of three young girls. When, in a game of political chess, the wrong man is accused and commits suicide, effectively closing the case to further investigation, he leaves the department and personally takes the investigation to surprising lengths. Soliciting the help of a psychologist and his access to computers, he narrows down a locale to ferret out the perpetrator. He meets a homeless young mother (outstanding acting by Lynsey Baxter (The French Lieutenant's Woman))and sets her up as his housekeeper secretly using the daughter (a young Perdita Weeks) as bait.

The story effectively plays his obsession with nailing the homicidal pedophile against his growing affection for both the mother and daughter and he does a fine job of drawing you in to the conflicting emotions while leaving you unsympathetic to his using a child as bait for a serial killer. The killer is really rather brilliantly (and sickeningly) portrayed by the late Simon Cadell - Nice character development and surprisingly good insight into how a pedophile sees the world - a struggling mom in a war torn region protecting the innocence of her child, a detective who cannot let go despite the potential for heartbreaking results, a brilliant serial killer, all make for an edge of your seat thriller for the most part. Hauntingly beautiful locales in he Czech Republic. Drags in a few places but well worth a watch.

In the countryside of an Eastern Europe country, three little girls are murdered in the wood by a pedophile and found naked with one precise cut on the throat. Detective Viktor Marek (Richard E. Grant), who has come from the city, investigates the case, but his superior Pavel Nowak (James Laurenson) arrests a scapegoat, the pothead Alexi Berka (Thom Hoffman), and tortures the youngster to confess the murder since he is disputing the elections. Marek does not agree with the result of the investigation and resigns his job but continues to track the killer. While following a lead in an old road, Marek meets the girl Anna Tatour (Perdita Weeks) that has a flat tire of her bicycle and he offers a ride in his car to the girl. Then, he tells to Anna's mother, Milena Tatour (Lynsey Baxter), that she should instruct her daughter to not accept ride from strangers.

Marek becomes obsessed to hunt down the pedophile and he decides to rent an old gas station in the old road near to the place where the crimes where committed to see the cars that use the road and he invites Milena to cook for him with the intention of secretly using Anna as a bait. Meanwhile the killer is the disturbed pediatrician Vladimir Kozant (Simon Cadell), who puts his eyes on Anna while refueling in the gas station. But Marek has fallen in love with Milena and Anna and he decides to call-off his investigation.

"The Cold Light of Day" is a great thriller with murder, pedophilia and obsession. Viktor Marek is an interesting character that becomes obsessed to accomplish his promise to the parents of a victim and changes his life expecting to catch the killer. Anna is a beautiful character, pure and traumatized by her past. In the end, "The Cold Light of Day" is a thriller recommended for viewers that want to see a different and quite unknown movie. My vote is seven.

Title (Brazil): "Isca Mortal" ("Mortal Bait")