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This one was okay, but a bit too long. The funniest part is actually the scene where Nick Nolte and the boyscouts find Julie Roberts skinny dipping. And isn't Nolte a bit old for Roberts here? Well, if you're looking for a contrived romantic comedy, look no further.

Well, I wouldn't exactly describe this as a timeless classic, a thought provoking movie, or one of the legendary love stories of the silver screen. Still, it's a fun romance and an entertaining way to spend a couple of hours.

The tale revolves around two rival Chicago reporters, one relatively novice, Sabrina Peterson, the other the more seasoned, well known Peter Brackett, who are both hot on the trail of a train derailment story. Of course competition between them is intense (and so at times is the chemistry) as the two exchange false leads, fibs, barbs, and witty repartee. Lots of predictable action, chases, and mystery as to the identity of the bad guys.

The lovely, always endearing Julia Roberts plays the journalistic sharp cookie, Sabrina, with Nick Nolte convincing in the role of her rival, Brackett. At least the pair are not hopping into bed within the first half hour (in refreshing contrast to most modern films), leaving a little time for storytelling and character development.

This is definitely describable as a "flick" (for guys or chicks); its spirit is in keeping with its title. Personally, I'm a great Julia Roberts fan. This isn't her best picture but, nevertheless, it's quite watchable.

That this film fails on so many levels and still remains watchable, if not actually enjoyable, must be a credit to someone involved in the production; it's just not immediately clear who.

There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.

Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.

On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.

We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.

'I Love Trouble' is a fairly entertaining film, that offers some interesting moments in the goings-on. What really stands tall in this film, are the performances by it's popular cast.

'I Love Trouble' tells the story of how 2 Competing journalists at rival papers fall in love, while exposing a government-involved scandal.

Written by the husband-and-wife team of Nancy Meyers and Charles Shyer, The writing in the first-hour is convincing & moves easily. But, in the second hour it falters and dips for quite some time, but the culmination is nicely done. Charles Shyer's direction is fair. Cinematography & Editing are functional. The Action Sequences are interesting.

Performance-Wise: Nick Nolte is terrific, as always. Julia Roberts is equally superb too. In the supporting cast, Olympia Dukakis, Robert Loggia & Saul Rubinek are noticeable.

On the whole, A One-Time Watch!

This is a wonderfully entertaining love story, spiced up with adventure and intrigue. Nick Nolte plays the rough, tough male chauvinist while Julia Roberts charms us with her usual warm and attractive personality. The two are competing newspaper reporters who while chasing after the same headline story stumble upon a government and corporate conspiracy to conceal the truth about genetically enhanced milk producing cows. The director has beautifully combined the excitement of uncovering the conspiracy with the excitement of Nolte and Roberts falling in love. The interaction and chemistry between Nolte and Roberts is acted out superbly, never too much, never too little just enough to keep you excited with them to the very end.