Una figlia in carriera

Just caught this flick on Cable by accident. lazy Sunday afternoon, and Contact was playing on TNT for the 50th 'premiere' time, so I figured, what the heck.

And actually, it's kinda interesting I thought. Nick Nolte and kids are always terminally cute for some reason (ref. Three Fugitives with Martin Short). He's like like a big St. Bernard dog.

Anyway, the story is OK, losta phony LA movie folks earnestly searching for themselves, blah, blah, blah. Somewhere in there, there is some genuine humor and heartfelt sentiment. Actually not all that mushy. Tracey Ullman is horrible as always, but apart from that an OK Sunday afternoon flick.

This movie has really got the "Brooks Touch" and that's a very good thing. I can't understand why this has got such a low ratings on the IMDB, or why it is so little known. Like AS GOOD AS IT GETS and the even better, but overall largely underrated TERMS OF ENDEARMENT, this again is a wonderful story about real people. And when Brooks is in the director's seat, you know this film isn't going to take the easy way. I can only recommend this movie, especially because of the many lovely moments and the excellent dialogue. My only complaint is that some of the dialogue is a bit too smart for its own good and that it doesn't always ring true. The actors are very good too, especially Nick Nolte, Joely Richardson and the young Whittni Wright(who is wonderful). They're not the really big names, like in the two aforementioned movies, but they did a very good job. Also look out for the character played by Albert Brooks, which is very familiar with Jack Nicholson's character in AS GOOD AS IT GETS. It almost seems a trademark of James L. Brooks, who keeps delivering the goods with his original and always fresh romantic comedies. Don't miss this one! 8/10

I saw this movie recently on cable TV and liked it a lot . I was looking for something other than the usual action/shootout/special effect types and ended up selecting this one. I'm glad I did. The supporting actors were excellent and Nick Nolte & Whittni Wright were outstanding in their roles. It was refreshing to see Nolti do this type of thing, although I'm not surprised that he did it well. He's an actor who has, over time, honed his skills to an art form. I'm not sure that he is appreciated as much as he should be. Anyway, in my opinion, "I'll do Anything" is underrated here. I give this flick a high mark and hope that my participation in the "vote" will raise the average score of this fine movie. For those who have had their fill of movies that focus on violence, try this delightful James L Brooks production for a change of pace. Or if you simply want to watch a movie that entertains... go for this one.

This Story has defined Intention and Obstacle, Matt (Nolte) wants to be more successful actor but 6 year old Daughter dropped off by estranged Wife who has to serve a Prison sentence, makes it tough to do . I was inspired to Buy and Watch this Film again by a Podcast I listened to with James L Brooks who Wrote Directed and Produced this Movie. Just like most all Nick Nolte Films back then, I saw this at theatre. He is really Good , as are the supporting Cast. Mr Nolte makes his character(MATT) real easy to jump into his shoes and feel the ups and downs of being a struggling Actor and Dad. The Little Girl is effectively annoying but sweetens up towards the End. Joely Richardson Radiant ! Albert Brooks plays Mob Like Movie Mogul. Not sure why this did not do better at the Box Office ? Check out the Trailer on Amazon. Might spark some memories from 1994.

It would be very interesting to see the original cut of this movie, which was a musical but had its songs cut out after a test audience indicated that the songs in the movie were terrible. (I'm surprised that not even a bootleg of this cut has leaked out.) I will entertain the possibility that the songs were indeed bad and that the movie was improved by the reworking. But as it is, the movie isn't particularly successful. It does have some interesting behind- the-scenes moments that show the working of the Hollywood machine behind the curtains, and the performances aren't that bad. However, the movie can't seem to make up its mind whether it is a comedy or a drama. It might have been possible to mix those two genres, but as it is here, the two extremes don't seem to fit together. Also, the key relationship in the movie - between the Nick Nolte character and his daughter - seems for the most part not very in-depth, so much so that the emotional ending doesn't seem deserved. The kind of slow pace of the movie as well as its length (almost two hours) doesn't help matters. It's not actively bad, but there's not much that will stick in your mind after watching it.