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Niente per bocca

Titolo originale: Nil by Mouth
  • 1997
  • R
  • 2h 8min
VALUTAZIONE IMDb
7,3/10
10.679
LA TUA VALUTAZIONE
POPOLARITÀ
2632
5420
Ray Winstone in Niente per bocca (1997)
A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.
Riproduci trailer1: 57
1 video
99+ foto
Psychological DramaTragedyDrama

Aggiungi una trama nella tua linguaA rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.

  • Regia
    • Gary Oldman
  • Sceneggiatura
    • Gary Oldman
  • Star
    • Ray Winstone
    • Kathy Burke
    • Charlie Creed-Miles
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    10.679
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2632
    5420
    • Regia
      • Gary Oldman
    • Sceneggiatura
      • Gary Oldman
    • Star
      • Ray Winstone
      • Kathy Burke
      • Charlie Creed-Miles
    • 103Recensioni degli utenti
    • 44Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 2 BAFTA Award
      • 9 vittorie e 9 candidature totali

    Video1

    Trailer
    Trailer 1:57
    Trailer

    Foto113

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    Interpreti principali29

    Modifica
    Ray Winstone
    Ray Winstone
    • Raymond
    Kathy Burke
    Kathy Burke
    • Valerie
    Charlie Creed-Miles
    Charlie Creed-Miles
    • Billy
    Laila Morse
    • Janet
    Edna Doré
    • Kath
    Chrissie Cotterill
    • Paula
    Jon Morrison
    • Angus
    Jamie Foreman
    Jamie Foreman
    • Mark
    Steve Sweeney
    Steve Sweeney
    • Danny
    Terry Rowley
    • M.C. in Club
    Sam Miller
    Sam Miller
    • Club Comic
    Leah Fitzgerald
    • Michelle
    Gerry Bromfield
    • Drug Dealer
    Neil Maskell
    Neil Maskell
    • Schmuddie
    Sid Golder
    Sid Golder
    • Old Guy in Window
    John Blundell
    John Blundell
    • Man with Knife
    Kenan Hudaverdi
    • Laundrette Owner
    Everton Nelson
    Everton Nelson
    • Street Violinist
    • Regia
      • Gary Oldman
    • Sceneggiatura
      • Gary Oldman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti103

    7,310.6K
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    Recensioni in evidenza

    8JohnBoyRoy

    Sobering and shocking, although hope remains...

    This is a piece of debutant film making at its best.

    Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!

    The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.

    The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.

    The acting is so good and so believable that I forgot I was watching a film - it is almost a documentary and those not familiar with the actors within the film may be fooled into thinking that is what they were watching.

    Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.

    Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.

    Classic in the modern sense of the word.
    7KnightsofNi11

    Ugly, brutal, fascinating

    It's always a fun experience to watch an actors shift to the director chair. Such is the story behind Nil by Mouth, the directorial debut of Gary Oldman, one of the finest actors working today. Oldman himself does not appear in the film, but a whole collection of fantastic actors do instead. The film is a brutal story of a dysfunctional family living in London. This distraught and detached family struggles to stay together, having to battle one brothers heroin addiction, anothers short temper and violent tendencies, as well as the general debauchery that occurs within the lives of these people. This isn't a pleasant film and it isn't a happy film. It's a brutal depiction of London working-class districts and it will certainly disturb you to your core.

    The brutality of Nil by Mouth is unheard of. The film is a non-stop stream of cursing, graphic drug uses, and despicable violence. The film never lets up on the atrocity, leaving you no time to catch your breath. It's a fast moving film; one that doesn't stop to explain things and doesn't spell everything out for you. It's a completely character driven story with more character development in it than actual events occurring. Yet, enough happens to make the film plenty interesting. It slows down towards the middle as it sets up for its somber ending that leaves you with a strange and uneasy feeling in your stomach.

    Now, I'm always up for a great character driven story, but you have to be prepared for a lot going into Nil by Mouth. The thing is, the characters in this film are not likable in the least. They are the most despicable, deplorable, horridly atrocious people you've ever laid eyes on. Apart from them being sleazy and unattractive, they all possess the most unflattering personalities. The film presents a very strange family dynamic, having the characters constantly switch between love and hate for one another. Billy, the brother with the terrible heroin addiction, has his own mother give him drug money and also provides him with a place to shoot up. This seems like the most brutal form of motherly love until the two scream at each other a scene later, throwing the most horrendous profanities at one another. It is indeed some of the strangest relationships you could ever observe, teetering on being farcical at times, yet being sincerely compelling at other times.

    Overall, it is hard to become attached to the characters in Nil by Mouth. They certainly tell a fascinatingly twisted story, but don't expect to find any sympathy left in your heart when it's all over. This film disturbs me more than entertains me, but that is obviously the point. It is so harrowing and so horrendous that I can't guarantee you will want to watch it again once it's over. I'm not sure that I do, but I don't regret watching it by any means. Gary Oldman needs to try his luck with directing again one of these days, because his first attempt has gone pretty well.
    8=G=

    Punishing reality

    "Nil by Mouth" is not so much a story as it is a slice-of-miserable-life snapshot of the lives of a working class English family which brings new meaning to the word "dysfunctional". Gritty and harsh, this film swirls like a cyclone of anger, violence, anguish, and regret around a handful of adult characters who suffer from alcohol abuse, spousal abuse, drug abuse, etc. presented in a drab and tightly cropped format with brutal reality. A worthy first directorial outing for actor Gary Oldman, this bitter drama offers some fine performances and startling reality but may not reward viewers with a strong enough plot to make the two hour watch worthwhile. For realists only. (B+)
    Stig-4

    Oldman cuts to the bone

    In Sturges' classic "Sullivan's Travels," a swank film director announces to his butler: "I'm going out on the road to find out what it's like to be poor and needy, and then I'm going to make a film about it." The butler snorts: "It you permit me to say Sir, the subject is not an interesting one. The poor know all about poverty, and only the morbid rich would find the topic glamorous." Love it or hate it, Nil by Mouth digs deep inside and never lets you go. Unlike Sullivan, Oldman had only to look inside himself to find his subject. He does an honest and remarkable job. Of course a film of this type is not going to win any Oscars - Oldman didn't make it to please anyone. Most will find this nihilistic and depressing, and they're right. Suffice to say, Oldman is a natural craftsman. If he continues to follow his heart and gut, who knows what else he might accomplish. A remarkable debut.
    9fertilecelluloid

    Hellish domestic drama

    This is hellish domestic drama from director/writer Gary Oldman. It feels real because, for him, it was real, it was his life growing up in South London. Ray Winstone as the abusive Ray is amazing, as is Kathy Burke as Ray's wife and full time punching bag Valerie. Oldman employs a rough and ready style and gives the actors lots of room to move and react within the frame. The result is an incendiary experience, a film that leaves you gasping for fresh air and in awe of the superb performances, sharp cutting, great sound design and unapologetic subject matter. It doesn't angle for simple solutions to its powerhouse issues and isn't all misery, either. It's about strength and the the power of personal responsibility. Superb.

    Trama

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    Lo sapevi?

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    • Quiz
      The song the grandmother sings in the pub at the end of the film was dubbed; the actual singer was Gary Oldman's mother.
    • Blooper
      A boom mic is visible in the supermarket parking lot.
    • Citazioni

      Ray: She took his dinner in to him once, me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, wouldn't she? He was always pissed in there, weren't he? You know? We go in the pub to get our living, you know? That's where we do our business. He'd be there spunking out while we're sitting at home without a dinar, you know, thank you. And he'd promise things. You know? Promise to take us places, you know? Never did. Never took us anywhere. And when he did bother to come home he'd sit in that fucking chair, doss off with his tray in his lap. And I'd just stand there looking at him. I'd look in his face, and my mother'd go upstairs, and I'd say, "Say, Mum, ain't Daddy coming to bed?" And she'd say, "No. No, he's all right, son. He'll come up when he wakes up." He's gotta wake up to go to bed! Now, I'd stand there looking at this fucking old man, you know, my dad, you know, in that chair, that horrible fucking chair with the shiny, worn-out arms. I should've burnt the fucking thing. By the end he was hemorrhaging from both ends, you know? I used to hear him in the morning hanging on to the khazi. It was lovely. Never stopped him going to the pub, though. No, he was well enough to do that. Now, one day, right, he's staggering across the pub pissed from the night before. He's gone over, crunch, right on his mooey, like a fucking ironing board. His hooter's around here, his railings all over the fucking place. Me and me mum had to go the hospital to see him. We walked in. He's laying in bed. He's got tubes up his arms, fucking up his nose, down the back of his Gregory. He didn't look well. Fucking vodka was keeping him alive. Well, I ain't that interested, so I'm having a little mooch about, you know. I looked above his bed, and there's this sign, right, with some weird writing on it. I couldn't read too well at the time. I said to my mum, "Mum, what's that say? You know, that sign above Daddy's head. All right?" She said, "Nil by mouth." "What's that, a football score? 'One-nil, three-nil, two-nil, a geezer called fucking Nil.'" Yeah. I said, "Well, what's it mean?" She said, "It means... "

      Mark: It means nothing to eat.

      Ray: Yeah, nothing down the...

      [points into his mouth]

      Mark: Nothing down the... Yeah.

      Ray: Yeah, all right. I remembered that day, because I could've put that on his fucking tombstone, you know? Because I don't remember one kiss, you know, one cuddle. Nothing. I mean, plenty went down, not a lot came out, you know, nothing that was any fucking good. And I'd look at this man that I call Dad, you know? My father, I knew him as Dad. He was my fucking dad but he weren't like other kids' dads, you know? It was as if the word itself were enough, and it ain't.

      Mark: That ain't when he died though, is it?

      Ray: No. He lived another ten years, slippery old cunt. He died one afternoon in that fucking armchair. About right. I went round to see him, you know, when he was plotted up at me mother's.

      Mark: Hatcham Road?

      Ray: Yeah, Hatcham Road. He was upstairs in that front bedroom. Laid out.

      Mark: Free.

      Ray: Yeah. Yeah. I've gone up there, gone in. I'm sitting on the bed looking at him. He's laying there like... Mullered. And it was like he'd shrunk, you know? He was a big man.

      Mark: He was a lump.

      Ray: Yeah. You should know. You got enough clumps off the cunt.

      [sighs]

      Ray: And I just touched him, you know? He was fucking freezing cold. It frightened the life out of me. I was looking at him, you know? For the first time in my life, I talked to him. I said, "Why didn't you ever love me?"

    • Connessioni
      Featured in Especial Cannes: 50 Anos de Festival (1997)
    • Colonne sonore
      Las Vegas
      Written by Mitch Murray and Peter Callander

      Performed by Tony Christie

      Courtesy of MCA Records

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    Dettagli

    Modifica
    • Data di uscita
      • 22 maggio 1998 (Italia)
    • Paesi di origine
      • Regno Unito
      • Francia
    • Sito ufficiale
      • Sony Pictures Classics
    • Lingua
      • Inglese
    • Celebre anche come
      • Nil by Mouth
    • Luoghi delle riprese
      • Piccadilly Circus, Piccadilly, Londra, Inghilterra, Regno Unito
    • Aziende produttrici
      • SE8 Group
      • EuropaCorp
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 9.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 266.130 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 28.367 USD
      • 8 feb 1998
    • Lordo in tutto il mondo
      • 284.477 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 8 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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