Aggiungi una trama nella tua linguaAn unlucky in love nurse finds her life taking a detour when her mother places a personals ad in the paper, while on the other side of Boston, a plumber is trying to change careers.An unlucky in love nurse finds her life taking a detour when her mother places a personals ad in the paper, while on the other side of Boston, a plumber is trying to change careers.An unlucky in love nurse finds her life taking a detour when her mother places a personals ad in the paper, while on the other side of Boston, a plumber is trying to change careers.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 2 candidature totali
- Thalia
- (as Luz Alexandra)
- Candice
- (as Katherine Kerr)
Recensioni in evidenza
A very slight film, this indie-romance will appeal to those who see the false sentiment of Hollywood romcoms as below them but yet also yearn for the sweet, fated romance that they normally contain. This compromise is well delivered in this film that will appeal to the same audience that seek this mix. The plot has the elements of the contrived hand of fate and it is amusing the way the two characters drift around one another. It doesn't have a great deal of substance to it and it will annoy some viewers because of how knowingly "kooky" it all it is. It is rarely hilarious but it is sweet and amusing throughout. The presence of Anderson as writer and director drew me to this film as I know him as a name from Homicide, The Shield and the brilliant The Wire. This film has little in common with these but is still worth a look for doing what it does do well.
The cast help matters greatly by turning in "indie" performances while delivering the rather sentimental material. Davis is a fine example of what I mean as she is very much a "kooky" type while also having enough humanity about her to make her character interesting. Gelfant is very much a secondary character of the two but he does well enough considering he is supposed to representing Mr Right. The support cast compliments the overall feel of the film with turns from Argo, Hoffman, Buono, Zúñiga and The Wire's Gilliard Jr all in small roles.
Overall then a kooky romance for those who want the silly emotion of the Hollywood romcoms without all their gloss and sweeping music. Slight and an acquired taste perhaps but amusing and sweet even if it is quite forgettable.
What surprised me most is that when I was doubting whether our heroes (Alan and Erin) would get together at all, I realized that it was okay - disappointing, but okay - if they didn't; as long as they found happiness, that would be fate calling the shots. The movie as a whole puts a positive spin on being alone with yourself, on the importance of taking the time to find what you really want and need. Which is something we all need in life, but how often does Hollywood promote that philosophy?
All the actors were terrific, especially the two leads, Alan Gelfant and Hope Davis; they were people you might really know - quietly passionate in their pursuits, sometimes just struggling to get through the day. There's a lot of humor too: in the prickling, loving tension between Erin and her mom; in the bar-table philosophies spouted by various characters; and particularly the in blind-dating montage - I will attest to how true to life this is!
See this movie - heck, buy it. The more you watch it, the more you get out of it.
Her character seems very much the essence of the modern young single person: She tells herself she is happy alone, but quietly yearns for the depth of true love. She is never rude, except when it's deserved, but she is never particularly friendly either. She inadvertantly wears the scars of years of dating on her sleeve. A very subtle and clever performance from the ethereal and under-appreciated Hope Davis. HIGHLY RECOMMENDED
If you've ever done a dating ad thing, you'll empathize with the heroine's disgust at the pitiful and revolting lines of the many 'candidates' she meets. When one lowers his pseudo-intellectual facade long enough for you to see the human being behind, you want to scream, "Why didn't you show THIS part of yourself to her before you lost the chance?" Of course, the 3-way bet by the scum bums ends well as they get their just desserts. The well-meaning but meddling mother behind it all who placed the ad is well-written and well-played.
It's enough to watch the superb photography to buy this movie, but the many boy-girl angles portrayed also make it worthwhile. It could have been entitled, "What Not to Do on a First Date". I own it and am looking forward to giving it to my unmarried son as a tutorial. I also lend it out to people I want to lure to Boston.
Lo sapevi?
- QuizThe title refers to a stop on the MBTA (Boston's public transit system, a.k.a. "The T"). The stop is at the Wonderland Greyhound Park racetrack, which is the last stop on the Blue Line.
- BlooperThe MBTA (subway) map at the beginning of the film is wrong. It also doesn't correspond to the subway route used in the movie. The conductor says the next stop inbound is Aquarium from Airport. The map says the next stop should be Maverick (which it is, in real life).
- Citazioni
Erin Castleton: But wouldn't you say that consistency is the hobgoblin of little minds?
Alan: Well, actually, its "a foolish consistency is the hobgoblin of little minds." That's Ralph Waldo Emerson.
- ConnessioniReferenced in Insider - Dietro la verità (1999)
- Colonne sonoreBatucada
Performed by Bebel Gilberto and Vinícius Cantuária
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Next Stop Wonderland
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.395.581 USD
- Fine settimana di apertura Stati Uniti e Canada
- 123.055 USD
- 23 ago 1998
- Lordo in tutto il mondo
- 3.395.581 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1