I miserabili

I thought the film was well acted, Liam Neeson and Geoffrey Rush were superb, but the film missed a lot of the plot lines and characters from the book, most importantly Eponine who is integral to the story. Maybe 2 hours was not long enough to be true to the book.

It is not possible to make a movie out of this marathon Victor Hugo novel (the original version I borrowed from library got around thousand pages and I had to settle for an abridged one) without leaving out some good portions. It is only to see what portions are left out and what are stressed. That depends on the director's or screenwriter's judgement. See Dumas' "Count of Monte Cristo" and you'll know what I'm talking about. That movie seemed to be based upon an already abridged version at the first place... such incoherent it was. What audience would appreciate is about making a good film, not following every bits of novel little by little. And that is why "Les Misérables" is a good film. It showed excellently what it showed. What is left out is left out, be it some characters that has no major relation to what the director thought to be the main story or some solitary incidents however interesting they might be.

It's got a nice star-studded cast. Geoffrey Rush is magnificent as Inspector Javert. If I am to stress one aspect of his totally excellent acting it would be his accent. I just loved it. Rush brought that vintage English accent instead of the expected French accent, that's I think became more suitable. Liam Neeson is an acting genius and I would place this one perhaps as his third best, behind "Schindler's List" and "Michael Collins" of course. He is definitely the obvious choice for such type of lead roles. The two main young characters of the film are played nicely by Claire Danes and Hans Matheson. Danes acted up to the standard of this film's allover acting level, which is quite good. Although somehow I feel Uma Thurman is a poor choice for Fantine. Her acting was not up to that level.

There are around 15-odd screen versions of Les Misérables including TV movies etc. The French production of 1982 by Robert Hossein was good and was definitely longer and more detailed than this. Many would disagree but I think this one by Bille August is better than that. Call it vulgar Hollywoodisation of old classics but still it's a worthy film on its own right, perhaps due to superb casting.

For the people wondering like i did, this is not a musical version, Liam Neeson is not on a stage running around singing with his arms in the air with Uma Thurman "La La La*. It's a serious Period Drama, a love story. With solid Performances from all the Cast. Uma Thurman's excellent as always, as well as Geoffrey Rush playing the bad guy which you could really dislike which shows how good he is. Claire Danes looks awesome, really sexy in the old like fashion get up, really fit. & A good performance by Liam Neeson, Definitely one of his better films. As for Epic Action, there is a bit near the end, not massive amounts, but enough for me at least to be contented with, if you like older based films for action, this wont be for you, but it is a good epic tale of love, honor and obsession.

The first point that bears emphasis about the 1998 film adaptation of Victor Hugo's "Les Misérables" is that it is highly abridged. Even more abridged than abridged versions of the novel and even more abridged than the story used for the popular musical. Characters such as Éponine and Gavroche are absent from this adaptation. This will offend those looking for a closer adaptation of Hugo's novel, but it does not bother me that this film focuses on the story of Valjean, Javert, Fantine, Cosette and Marius. The basic story for those unfamiliar with it, takes place in 19th century France and follows a poor thief, Jean Valjean, who is relentlessly pursued by Inspector Javert, even after reforming his ways.

Liam Neeson and Geoffrey Rush are excellent as the reformed and generous ex-convict and his relentless pursuer. The rest of the performances are commendable as well, particularly from Uma Thurman as Fantine, Claire Danes as Cosette and Hans Matheson as Marius. Claire Danes, in addition to giving a solid performance, seems to fit well with the iconic image of Cosette that has come to represent musical productions of the story.

Visually this film is impressive as well with sweeping representations of Paris, Vigo and other locations and appropriate costumes. Basil Poledouris' score was also fitting for the story. The story, though abridged, still effectively gives us the touching tale of the plight of the poor in France, a reformed and ceaselessly generous convict, an overzealous inspector and those around them. I always enjoyed the clash of ideals and cat and mouse game between a reformed criminal and a man who clings to the ideal that no criminal can ever be reformed. This version of "Les Misérables" is recommended for those that are not uncomfortable with heavy abridgements to Hugo's classic novel.

Wow, pinch me.....I must be dreaming.

This is a Grade A exhibit of how you can still make a terrific movie today without profanity, tons of violence and-or sex.....AND how you can make a picture which carries a good, moral message. This is one of truly rare modern-day films that actually espouses mercy and forgiveness instead of revenge.

This is simply a solid film with a very satisfying ending....satisfying to people who aren't in love with edgy, nasty endings.....such as almost all your professional movie critics. So, if your favorite critic didn't give this film a good review - and most did not - please ignore it.

In addition to the involving storyline and excellent acting by Liam Neeson, Geoffrey Rush, Uma Thurman and Claire Danes, the viewer is treated to some beautiful European countryside scenery. My only complaint of this film is the shoddy treatment it received on DVD. No extras and so-so sharpness. Like the movie itself, it deserves more respect.