Twilight

Have you ever imagined what would happen to Sam Spade and Philip Marlowe lived to be seventy? A genuine hard-boiled detective film forty years later. The myth behind Newman's accident is hilarious. A must see!

With all the action-schlock movies coming out of Hollywood, and all the obsession with special effects, it is nice to have a movie about real characters with some real acting. This is a great cast with Newman in his usual fine form, and Hackman, Sarandon, and Garner reminding us what real acting is all about. I don't know why this film reminded me of L. A. Confidential in the story line, but this film's characters have depth and texture, unlike the cardboard cutouts of that movie. The gritty plot, about past crime, betrayal, friendship, and loyalty, is not without its moments of sardonic humor. As a matter of fact, the movie observes all the conventions of film noir; if it had been made in B&W it would have looked like something from the 1940's. Elmer Bernstein, who has been around forever, can still churn out a great score. A grownup movie for grownups.

Twilight is a slow burn modern film noir. A more laid back version of LA Confidential. The first scenes feature a young Reese Witherspoon and Liev Schreiber in Mexico with Paul Newman that leaves Newman injured. We then go forward a few years.

Harry Ross (Newman) is a down on his luck detective with an injury and not much money. He lives in California in the guest quarters of Witherspoon's wealthy parents who are his old friends and former film industry executives now in the twilight of their years. Jack (Gene Hackman) is dying of cancer and he and Ross pass time playing cards.

Jack asks Harry to deliver a package in Los Angeles. When Harry arrives to deliver the package he encounters a shot man named who turns out to be a former detective. This begins a chain of events involving a past case that led to the disappearance of Catherine's (Susan Sarandon) ex- husband.

Harry realises that his friends have been deceitful and manipulative of him. His old colleague Raymond (James Garner) tries to persuade Harry to get away from it all.

The film is about immoral people who are wealthy and wish to stay ahead and use others for their own means. As a pot boiler its slow, even meandering as there are betrayals and double crosses. What sustains it is the acting and with the four leads and some rising stars you watch it for the actors and the depth they provide.

In a world where sex, violence, and sleaze in movies seems to dominate, it is refreshing to find a film that is the caliber of movies made from a much earlier decade, when cinema was intended to be a work of art. You could not ask for a better cast than in this movie. All are very well-respected for their acting abilities and their professional demeanor. The score is excellent; the story line captivating. Paul Newman is indeed more than believable in his role as a sexy, no-nonsense gumshoe. Susan Sarandon is sultry in the style of Susan Hayward and Lauren Bacall. Gene Hackman is, well, Gene Hackman. I only wish there were more movies coming out of Hollywood of this nature.

A retired Detective is given a simple job, but his seemingly easy task soon turns into a complex mystery.

It's just wonderful to find a film called Twilight that I actually liked.

It's a bit of a pot boiler, and by modern standards, it is somewhat old fashioned, but it works, I've read a few savage reviews, but I quite liked it.

It's quite a mature cast, but I enjoy that for a change, it's nice to see a group of Detectives that aren't fast tracked children for a change. Newman, Hackman and Sarandon are all great, the acting is faultless.

Overall, I would say, a decent story is elevated by a particularly capable cast, 7/10.