Darius è un giovane poeta nero di Chicago che inizia a flirtare con Nina, una bellissima e talentuosa fotografa. Quindi Nina mette alla prova la forza dei sentimenti di Dario e aggiunge in m... Leggi tuttoDarius è un giovane poeta nero di Chicago che inizia a flirtare con Nina, una bellissima e talentuosa fotografa. Quindi Nina mette alla prova la forza dei sentimenti di Dario e aggiunge in moto una catena di complicazioni romantiche.Darius è un giovane poeta nero di Chicago che inizia a flirtare con Nina, una bellissima e talentuosa fotografa. Quindi Nina mette alla prova la forza dei sentimenti di Dario e aggiunge in moto una catena di complicazioni romantiche.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 7 candidature totali
- Sheila Downes
- (as Bernadette L. Clarke)
Recensioni in evidenza
While the film received favorable critical reviews, the film was not a financial success but it remains a cult following because of its realistic characters and unorthodox take on the romance genre. It is also Theodore Witcher's only directorial work to date (2016). The producers of the film said that they wanted to make a modern film about African-American life that did not use violence and recreational drugs as elements in the story.
I am not big on romantic stories, and I am not big on many so-called "black movies". But I think the folks behind this one did everything right. The idea to avoid drugs and violence was smart, because why should every movie featuring African-Americans reinforce the stereotype of the ghetto or criminal behavior? This just sets a bad example.
However, "Love Jones" avoids that trap and makes it a deeper story about love, dating, and the difference between casual and serious relationships. On a personal note, I love the Chicago setting. As a midwesterner, very few movies are set in my area. Chicago is about as close as they ever come... so it is nice to see somewhere outside of LA and New York.
I loved it. I love the story, I love that this was done in 1997 and the actors were about my age at that time. I love the music and dialog. I thought the actors and production were great.
....but damn is it frustrating to watch 2 young people that are good for each other make mistakes! Then again, that's what young people do.
The most recent review gave it a 3 because Darius was was "a stalker". I wrote my friend last night and said similar! 20+ years ago it wouldn't have been as big of a deal to figure out someone's address and just show up at their house. Now it seems a bit creepy. Times have changed and I have changed. I thought about that last night.
So, it's a little dated in a few ways, and some may not enjoy this film because of that. However, if you were in your 20s (or teens or 30s) in the 1990s, and you want a love story, then you'll love this.
Lo sapevi?
- QuizThe role of Nina Mosley was originally written for Jada Pinkett Smith.
- BlooperDarius finds Nina's address from a personal check. In the next scene when Nina allows Darius to enter her home she tells him she's "Housesitting".
- Citazioni
Darius Lovehall: Say, baby... can I be Your slave? I've got to admit girl you're the shit girl... and I'm digging you like a grave. Now, do they call you Daughter to the Spinning Pulsar... or maybe Queen of 10,000 moons? Sister to the Distant yet Rising Star? Is your name Yemaya? Oh, hell no. Its got to be Oshun. Oooh, is that a smile me put on your face, child... wide as a field of jasmine and clover? Talk that talk, honey. Walk that walk, money. High on legs that'll spite Jehovah. Shit. Who am I? It's not important. But me they call me brother to the night. And right now... I'm the blues in yourleft thigh... trying to become the funk in your right. Who am I? I'll be whoever you say? But right now I'm the sight-raped hunter... blindly pursuing you as my prey. And I just want to give you injections... of sublime erections... and get you to dance to my rhythm... make you dream archetypes... of black angels in flight... upon wings of distorted, contorted... metaphoric jizm. Come on slim. Fuck your man. I ain't worried about him. It's you who I want to step to my scene. 'cause rather the deal with the fallacy... of this dry-ass reality... I'd rather dance and romance your sweet ass in a wet dream. Who am I? Well, they call me Brother to the night. And right now I'm the blues in your left thigh... trying to become the funk in your right. Is that all right?
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.479.335 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.908.725 USD
- 16 mar 1997
- Lordo in tutto il mondo
- 12.782.749 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1